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Thread: Alternative platters ?

  1. #251
    MartinT Guest

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    Quote Originally Posted by NRG View Post
    At least with cars, measurements are offered even if you don't base your buying criteria on them or place any importance on them...many after market car performance parts have measurements to back up the claims as well but HiFi? No, you must believe and trust your ears, no alternative criteria is offered.
    What is the car measurement for engine responsiveness? Or for steering feel? For comfort of the driving position? There are lots of qualitative assessments where a measurement to produce a number is just not possible.

  2. #252
    Join Date: Mar 2010

    Location: Sheffield

    Posts: 2,899
    I'm Simon.

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    The reason i mentioned the speed thing with a heavier platter was that i was around at a noted forum members last week. He has a lovely set-up, much modded 1210, nice arm and cart, external power supply internal mods and an aftermarket platter of the metal variety. His deck sounded great, 33 1/3 sounded awesome, with bass timbre to die for (#jealous) but he couldn't spin a record up a 45 rpm for love nor money, not even close it was 44rpm or even slower (He's removed the slider). |So I was wondering if the designers of these things consider the 'whole' or just the part they work on. Because increasing the slider just increases the speed, it doesn't alter the compensation speed of the feedback loop as well.
    Kuzma Stabi/S 12", (LP12-bastard) DC motor and optical tacho psu, Benz LP, Paradise (phonostage). Imac m1, gustard A18dac, Bruno Putzeys balanced pre, neurochrome 486 dual mono amps, Yamaha NS1000m with raal ribbons

  3. #253
    MartinT Guest

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    Quote Originally Posted by Oldpinkman View Post
    He's an influential moderator on the forum, described to me by Arthur as "Marco's No2"?
    No way! All moderators are equal, belonging to the same workers' collective and getting paid the same . . . err, hang on

  4. #254
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,779
    I'm Andrew.

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    Quote Originally Posted by YNWaN View Post
    Yes, also my thoughts. The compensation circuit of the 1200/1210 does not implement fuzzy logic and does not factor in the rotating inertia of the platter; it assumes zero inertia and instant response, hence the very light standard platter with minimal peripheral mass.
    ________________
    Just out of interest was fuzzy logic technology around when the 1210 was designed so that platter inertia could be corrected. Sorry if I appear ignorant.
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE / MONO
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker





  5. #255
    MartinT Guest

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    Quote Originally Posted by Marco View Post
    The fact that Martin sometimes benefits from that privilege is more a testament to the fact that he's known as a serious buyer (and someone with a reasonable disposable income), than his status here as a moderator.
    For sure - I was working with vendors long before I became a mod here.

  6. #256
    MartinT Guest

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    Quote Originally Posted by sq225917 View Post
    His deck sounded great, 33 1/3 sounded awesome, with bass timbre to die for (#jealous) but he couldn't spin a record up a 45 rpm for love nor money
    That was a problem I found with a heavy metal platter, the fact that spinning at 45rpm really pushed the circuit's compensation to the limit. I could hear the 'warble' even after I removed the Sound Hi-Fi motor dynamics mod. For my ears, platters that weigh about the same as the Technics original are best suited to the circuit (strictly, have the same rotational momentum).
    Last edited by MartinT; 03-11-2013 at 22:27. Reason: Typo

  7. #257
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,508
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by sq225917 View Post
    The reason i mentioned the speed thing with a heavier platter was that i was around at a noted forum members last week. He has a lovely set-up, much modded 1210, nice arm and cart, external power supply internal mods and an aftermarket platter of the metal variety. His deck sounded great, 33 1/3 sounded awesome, with bass timbre to die for (#jealous)...
    Most interesting, Simon. Maybe you can now see (hear) what all the fuss is about!

    So who was this "noted forum member" - surely he's not that shy (and would actually be quite proud of your assessment of his turntable)!!

    ...but he couldn't spin a record up a 45 rpm for love nor money, not even close it was 44rpm or even slower (He's removed the slider). |So I was wondering if the designers of these things consider the 'whole' or just the part they work on. Because increasing the slider just increases the speed, it doesn't alter the compensation speed of the feedback loop as well.
    A most astute and valid observation. It's one of the reasons why I abandoned the high-mass platter approach and went for the much lower-mass Funk (MK I) platter, as what you're describing became sonically obvious to me when making the comparison.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #258
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,508
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by MartinT View Post
    That was a problem I found with a heavy metal platter, the fact that spinning at 45rpm really pushed the circuit's compensation to the limit. I could hear the 'warble' even after I removed the Sound Hi-Fi motor dynamics mod. For my ears, platters that weight about the same as the Technics original are best suited to the circuit (strictly, have the same rotational momentum).
    Ditto!

    So where does the (heavier) MKII Funk platter sit within that theory?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #259
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,779
    I'm Andrew.

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    Thats my deck that needs viagra to get it upto 45rpm! To be fair I dont actually play 45's or 12"'s, and I must admit that whilst the pitch stabiliser has been removed it can easily be replaced. I did do a little tinkering with the 35/45 RPM selector when I got rid of the strobe light and several LED's that I thought I didnt need. This was when I went through a process of getting rid of everything off the PCB and any any additional "garments" that I thought were surplus to requirement. The 1210's party trick is copious bass which is perfect for my system and may give credence to the theory of extra mass giving extra bass, this is useful for the music genre's that I prefer. I dont think I can be arsed buying another platter, I like what I've got. I'm finding I'm spending more time with my valve system at the moment.
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE / MONO
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker





  10. #260
    Join Date: Jan 2009

    Location: Deleted

    Posts: 6,566
    I'm Deleted.

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    Quote Originally Posted by REXTON View Post
    Just out of interest was fuzzy logic technology around when the 1210 was designed so that platter inertia could be corrected. Sorry if I appear ignorant.
    Technically it was, but it wasn't being used in contexts such as this as, essentially, it needed a programmed processor to be integrated, ie. a separate computing element..
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