Is this not an apt analogy?
We really like eating meat, we really can't understand what all the fuss is about with killing animals for food. So that everyone knows how we feel, henceforth we will call ourselves "Vegetarians"
![]()
I believe it is a state of mind and an approach to evaluating hi-fi systems
I associate the term negatively with hi-fi made by Linn or Naim
If you want flat earth only Linn or Naim will do.
Is this not an apt analogy?
We really like eating meat, we really can't understand what all the fuss is about with killing animals for food. So that everyone knows how we feel, henceforth we will call ourselves "Vegetarians"
![]()
Alex
Main System: Digital: HP Laptop/M2Tech Hiface/Logitech Media Server/FLAC; Marantz SA7001 KI Signature SACD Player and other digital stuff into Gatorised Beresford Caiman DAC Vinyl: Garrard 401/SME 3009 SII Improved/Sumiko HS/Nagaoka MP-30
Amplifier: Rega Brio R. Speakers: Spendor SP1. Cables: Various, mainly Mark Grant. Please see "about me" for the rest of my cr@p! Gallery
A.o.S. on Facebook - A.o.S. on Spotify - A.o.S. on Twitter
There is only one way to avoid criticism: do nothing, say nothing and be nothing Aristotle
Oh FFS... Has anyone bothered reading anything Steve and me have written on this thread???
It's all yours, Steve. I'm tired of trying to penetrate concrete!! 'Obtuse' doesn't even scratch the surface!
I shall seek sanctuary in the relative sanity of my music room. Ciao...
Then.........
Before........
And lastly.........
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Darling, where did you put my Benzodiazepine ?![]()
Dimitri.
In a time of deceit telling the truth is a revolutionary act.
George Orwell
Well Marco you did ask for some lateral thinking, and for us to think outside the box!![]()
Alex
Main System: Digital: HP Laptop/M2Tech Hiface/Logitech Media Server/FLAC; Marantz SA7001 KI Signature SACD Player and other digital stuff into Gatorised Beresford Caiman DAC Vinyl: Garrard 401/SME 3009 SII Improved/Sumiko HS/Nagaoka MP-30
Amplifier: Rega Brio R. Speakers: Spendor SP1. Cables: Various, mainly Mark Grant. Please see "about me" for the rest of my cr@p! Gallery
A.o.S. on Facebook - A.o.S. on Spotify - A.o.S. on Twitter
There is only one way to avoid criticism: do nothing, say nothing and be nothing Aristotle
Location: Lancaster(-ish), UK
Posts: 16,936
I'm ChrisB.
Before Linn released the LP12 in 1973, which was basically an Ariston RD11, many hi-fi companies had promoted electrical specifications as indicative of their products performance.
Conventional wisdom at the time in the hi-fi community was that the loudspeaker was the most important part of a hi-fi system. Linn championed the "source-first" approach, arguing that, whilst a system was only as good as its weakest link, the most important part of any system was the source.
Linn had focused on its products ability to reproduce the elements of music as judged subjectively - sometimes referred to as "PRAT" for pace, rhythm and timing - or, in Linn's terminology, "pitch accuracy".
Since many of the principles Linn subscribed to were thought to be heretical, or flying in the face of conventional wisdom, Linn/Naim aficionados were nicknamed "Flat Earthers", sometimes affectionately, sometimes derogatorily.
Juat a little bit of history explaining where I beleive the term "Flat Earthers" originated from! Might be of some help to those that are not sure of the term from an Hi-Fi perspective.
Last edited by alfie2902; 09-12-2009 at 22:46.
alfie
Main System: Denon DP-6000 VPI Base/Fidelity Research FR64s/Ortofon SPU Royal GM MKII/Shelter 901/Auditorium 23 SUT/Pure Sound P10/SB Touch or Audio Note CDT & M2Tech Young Dac/BL Audio LP-1/New Audio Frontiers KT66 Legend/Living Voice OBX.
2nd System: PC/Foobar/E-MU 0404 pci (Modded)/AVI ADM9/Rel Strata II subs.