+ Reply to Thread
Page 6 of 19 FirstFirst ... 4567816 ... LastLast
Results 51 to 60 of 187

Thread: Technics Bearing Mod

  1. #51
    Join Date: Nov 2008

    Location: Dartmouth in beautiful Devon UK

    Posts: 1,243

    Wink

    Hi Marco

    As you know 'bang for my buck' does not work for me. If I had the money I would have a £100K Continuum or Goldman right away. What does work for me is "the best I can sensibly afford"

    The SP-10 will always be a holistically better deck, the chassis and platter are already so good, and you can get a 12" arm to work. But there is no 'bang for buck' it's a lot of money for a small improvement.

    I suggest we start a SP-10 thread? And move posts 47 onwards to it?

    Regards

    Dave
    Last edited by Dave Cawley; 16-11-2009 at 11:21.

  2. #52
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,471
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Dave,

    Interesting... Yes, we do differ when it comes to SPPV. I too value superb engineering and genuine innovation, and will pay for it, but only when it directly translates into a level of audio performance which is far and away superior to that available elsewhere. I don't buy hi-fi equipment as an ornament.

    Each to his or her own and all that

    Anyway, the bearing thing is one to ponder. In terms of my SP10 situation, I'll have to weigh things up and decide what to do

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #53
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

    Default

    Of all the highest end turntables, for me it's the Continuum which promises the most, especially for the novel arm design. They can sing for £100K though, especially when the standard of the bits of black plastic most often played is taken into consideration. We don't all like many of the direct cut's that were made, despite them proving once and for all how good vinyl *could* be - in my opinion....
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  4. #54
    MartinT Guest

    Default

    Quote Originally Posted by DSJR View Post
    We don't all like many of the direct cut's that were made
    Not to mention half-speed masters. I have a so-called Audiophile half-speed master of Supertramp's Breakfast in America which sounds truly awful.

  5. #55
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

    Default

    Half speed masters improve the treble - or should, but bass suffers, as it does with DMM cuts, which have everything below 40Hz removed to stop mod-noise on the cutter.

    Some of the best "commercial" vinyl cuts were many of the 1980's 12" singles cut at 45rpm. Quite often, the limiters were switched off and the wider, deeper grooves could handle the extra bass. Some of the better 33rpm "singles" are pretty good too IMO, as long as they don't go much over the 15 minute mark per side.
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  6. #56
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,471
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Of all the highest end turntables, for me it's the Continuum which promises the most, especially for the novel arm design.
    I agree. Of all the 'stupid money' turntables, it's the one which appears to have some genuinely innovative engineering inherent in its design, instead of simply being jerk-off jewellery for badge snobs.

    As for buying it though at £100k... Well let's put it this way: if it outperformed an SP10 (with SP10 Time Step PSU) to the same degree as said SP10 outperformed, say, a Rega P3, then I might consider selling one of the houses I own outright to raise the necessary capital

    However, as the laws of diminishing returns are likely to put paid to any notions of that, I think my assets are safe for the time being!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #57
    Alex_UK's Avatar
    Alex_UK is offline Spotify + Facebook Moderator / Chilled-Out Wino and only here for the shilling
    Join Date: Aug 2009

    Location: Sunny Suffolk, UK

    Posts: 18,523
    I'm WrappingALilacCurtainAroundMyBobby.

    Default

    Quote Originally Posted by DSJR View Post
    Some of the best "commercial" vinyl cuts were many of the 1980's 12" singles cut at 45rpm.
    Absolutely agree - I've got a lot of 80s 12" singles and in the main they are exquisite - I'm surprised my German copy The Cure - A Forest isn't worn through it gets played so much (what a track - I'm even planning a 30th Birthday party for it next March!)
    Alex

    Main System: Digital: HP Laptop/M2Tech Hiface/Logitech Media Server/FLAC; Marantz SA7001 KI Signature SACD Player and other digital stuff into Gatorised Beresford Caiman DAC Vinyl: Garrard 401/SME 3009 SII Improved/Sumiko HS/Nagaoka MP-30
    Amplifier: Rega Brio R. Speakers: Spendor SP1. Cables: Various, mainly Mark Grant.
    Please see "about me" for the rest of my cr@p! Gallery


    A.o.S. on Facebook - A.o.S. on Spotify - A.o.S. on Twitter

    There is only one way to avoid criticism: do nothing, say nothing and be nothing Aristotle

  8. #58
    Join Date: Nov 2008

    Location: Dartmouth in beautiful Devon UK

    Posts: 1,243

    Cool

    Hi Marco

    I agree. Of all the 'stupid money' turntables, it's the one which appears to have some genuinely innovative engineering inherent in its design, instead of simply being jerk-off jewellery for badge snobs. I'm glad you agree with me!

    As for buying it though at £100k... Well let's put it this way: if it outperformed an SP10 (with SP10 Time Step PSU) to the same degree as said SP10 outperformed, say, a Rega P3, then I might consider selling one of the houses I own outright to raise the necessary capital Go see your estate agent tomorrow, honest!

    Dave

  9. #59
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,471
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Dave,

    Have you done a direct comparison with your SP10?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #60
    Join Date: Nov 2008

    Location: Dartmouth in beautiful Devon UK

    Posts: 1,243

    Wink

    Within a day yes! Have you heard one? You really should.

    I don't buy hi-fi equipment as an ornament.

    Each to his or her own and all that


    Did I say that I did?????? Where did this come from?


    Dave
    Last edited by Dave Cawley; 16-11-2009 at 23:00.

+ Reply to Thread
Page 6 of 19 FirstFirst ... 4567816 ... LastLast

Tags for this Thread

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •