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Thread: Bargains on ebay? (Part 2)

  1. #4921
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,610
    I'm Geoff.

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    Quote Originally Posted by Marco View Post
    Indeed, but I've heard plenty of modern speakers (TAD or Magico anyone?) at that sort of price and beyond, sound completely sterile and bereft of music merit, in comparison - and simply wouldn't get NEAR to replicating what a pair of 15" Reds (in the right cabs) are capable of

    Marco.
    Yeah. I've heard Avalons and Wilsons costing that and more, that did nothing for me.

    (but the Avantgarde Trios did impress )
    It is impossible for anything digital to sound analogue, because it isn't analogue!

  2. #4922
    Join Date: Feb 2008

    Location: Middlesex, UK

    Posts: 4,481
    I'm Alex.

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    Quote Originally Posted by Barry View Post
    I would avoid - it looks primitive with the Garrard SP25 headshell. If you really want a Decca arm, you would be better off spending more on a fixed headshell Decca arm, such as the 'London', or better still the 'International'.
    It may be, but my brother used one for years with Shure cartridges on a 301, and it worked really well. He had the add-on magnetic bias compensator.
    Spendorman

  3. #4923
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,479
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by walpurgis View Post
    Yeah. I've heard Avalons and Wilsons costing that and more, that did nothing for me.

    (but the Avantgarde Trios did impress )
    Yes, because some big horns can be stunning! Yes, stop the sniggering there at the back....

    Anyway, give me nice big, 'bad-ass' DC drivers in huge, wide-baffled cabinets, any day, over the vast majority of the pish that's made today!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #4924
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,610
    I'm Geoff.

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    Quote Originally Posted by Marco View Post
    Anyway, give me nice big, 'bad-ass' DC drivers in huge, wide-baffled cabinets, any day, over the vast majority of the pish that's made today!

    Marco.
    It's a disease Marco.

    Or is it?

    Once you've lived with a fine pair of Tannoy DCs for a while, despite their definite character (faults?), nothing else ever seems to sound quite right afterwards.
    It is impossible for anything digital to sound analogue, because it isn't analogue!

  5. #4925
    Join Date: Aug 2012

    Location: Sunny Portsmouth

    Posts: 9,176
    I'm TheMostHonestPersonYouWillMeet.

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    Quote Originally Posted by walpurgis View Post
    It's a disease Marco.

    Or is it?

    Once you've lived with a fine pair of Tannoy DCs for a while, despite their definite character (faults?), nothing else ever seems to sound quite right afterwards.
    I would still put a nice pair of Klipsch La Scalas or maybe the mighty Klipschorns against them...
    Bev


    Mark Levinson N°390s CD Through:Atlas Elektra XLR's To: Mark Levinson N°383 To: Magneplanar .7's

  6. #4926
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,479
    I'm AudioAl'sArbiterForPISHANTO.

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    Yet, you haven't heard a big pair of vintage Tannoy DCs, in order to make that assertion? You can't count those toys you've got

    Btw, I also like some big Klipschs

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #4927
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,479
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by walpurgis View Post
    It's a disease Marco.

    Or is it?

    Once you've lived with a fine pair of Tannoy DCs for a while, despite their definite character (faults?), nothing else ever seems to sound quite right afterwards.
    No speakers are perfect, but it's the musically cohesive nature of their 'point source' effect, mixed with the horn loading, their use of light, 'fast sounding' paper cones, and ability to SHIFT SERIOUS AMOUNTS OF AIR, in a grin-inducing way, which as you say, makes them rather addictive

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #4928
    Join Date: Jul 2009

    Location: Snowdonia

    Posts: 393
    I'm Nial.

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    Quote Originally Posted by walpurgis View Post
    Ooooh. Any bets as to how much these NOS boxed Tannoy 15" Red drivers with their crossovers will fetch? Mega rare in this condition!

    http://www.ebay.co.uk/itm/Tannoy-Red...4AAOSwQYZWvPXj

    Nine days to go and bid up to £1320 so far. I'm guessing maybe they'll go for £5000 to £7000.
    If you look closely there's slight dimpling to the right hand dustcap....I shouldn't imagine they'll go for much

    Joking aside, based on what NIB Garrards fetch, I'm estimating the upper end of the 5k to 7k.

    Klipsch and Tannoy lovers, do drop in to my room at Scalford and check out what the currently under-the-radar Ureis are capable of...

  9. #4929
    Join Date: Jul 2009

    Location: Snowdonia

    Posts: 393
    I'm Nial.

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    Just had a look at that listing again...
    Those boxes....that version of the Tannoy logo...I'm no expert but they're not contemporary, are they? so NOT NIB, so maybe not a NIB price?

  10. #4930
    Join Date: Feb 2008

    Location: Middlesex, UK

    Posts: 4,481
    I'm Alex.

    Default

    Quote Originally Posted by ff1d1l View Post
    Just had a look at that listing again...
    Those boxes....that version of the Tannoy logo...I'm no expert but they're not contemporary, are they? so NOT NIB, so maybe not a NIB price?
    Yes, did not notice that, also marked on the boxes in marker pen RE followed by a number. Recone possibly?

    Many years ago I had some KEF B200's reconed by KEF, they wrote REC on a label stuck on the chassis.
    Spendorman

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