Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Yep... This is one of the reasons why (IMO) vinyl has such a big resurgence. You can hold it and look at it. Download and streaming is very convenient and if we can get it sounding as good as a top end transport/dac combo then that's fab... but it's still nothing... there is nothing there... it's physically bereft of life... it's a dead download.![]()
Ultrafide U500DC power amplifier - Croft Vitale )highly modified) - TRIO L-07D Turntable - Denon DL103C1 - Funk Firm Houdini - Lentek MC head amp - 15" Tannoy Monitor Gold Loudspeakers in Lockwood Major cabinets (From Trident Studios) - Tannoyista SPEC 3 Custom Crossovers - VanDamme Black Speaker Cable
Tannoyista.com - Audio Equipment Reviews
Location: Birmingham
Posts: 7,295
I'm James.
Ultrafide U500DC power amplifier - Croft Vitale )highly modified) - TRIO L-07D Turntable - Denon DL103C1 - Funk Firm Houdini - Lentek MC head amp - 15" Tannoy Monitor Gold Loudspeakers in Lockwood Major cabinets (From Trident Studios) - Tannoyista SPEC 3 Custom Crossovers - VanDamme Black Speaker Cable
Tannoyista.com - Audio Equipment Reviews
sorry, with all due respect, I don't quit agree. What is more important : the spirit of the music or the ownership of a piece of vinyl or plastic of which the content is only lent to the end-user for a specific usage by law ?
I don't see downloads as "dead", they let me discover more music and artists.
Marco - having got interested in FBA, but not yet done anything about it, I came accross this thread.
I have read large chunks of it but find very little detail about what is involved in the way data is handled that makes this system in anyway better than any other.
The number of acronyms means I have to keep going and finding out what is being talked about.
As I see it the Rassperry Pi is a small computer to which you have attached external drives by cat5 cable (your music library) how is this streaming?
I can not see any hard drive on the Pi (got me at it now) does it store its operating system on a flash drive and what is the operating system?
The on board DAC looks tiny, are you just taking the analogue output from this to your amp?
What type of data is the DAC working with and what is the interface (transfer method) USB bus?
The more I look at FBA the less I want to dip my toe in, seems there is so much happening I don't know which way to jump, eg DSD/1bit, kernel streaming etc.
I have an old desk top computer sat with iTunes and about 500 gig of lossles music on it. Its not wired into my system at the moment and rather than bother with it I was looking to build a state of the art FBA system. Like all things audio, it would seem there are many roads to choose from and no consensus on which is best.
The argument over which interface software or library software to use seems to me to be a sideline and has little to do with sound quality and is more about convenience and personal preference. The whole subject is complex and hard to keep pace with in my opinion and detracts from enjoying the music.
Still on the fence.![]()
ooh, ello... lol.. Well, 'with all due respect', downloads don't allow me to discover music and new artists... you can do that via youtube, bandcamp, going to gigs, asking on forums etc. more than anything. If I do find an artist I like, I buy the physical media, it's as simple as that. The downloads just don't interest me... they are sterile to me.
Each to their own ol chap!![]()
Ultrafide U500DC power amplifier - Croft Vitale )highly modified) - TRIO L-07D Turntable - Denon DL103C1 - Funk Firm Houdini - Lentek MC head amp - 15" Tannoy Monitor Gold Loudspeakers in Lockwood Major cabinets (From Trident Studios) - Tannoyista SPEC 3 Custom Crossovers - VanDamme Black Speaker Cable
Tannoyista.com - Audio Equipment Reviews
sure, I meant streaming files which is, I suppose a form of download. Each to his own as you say.
Just a few pic-choors of the FBA set-up, chez Marco (not that computer audio looks like much)....
NAS box (containing 2TB of choons, many of which are high-res 24-bit):
Ze Pi (with IQ-Audio DAC inside):
Volumio (with Macbook Pro):
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.