Yes
No
Don't care
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: N London
Posts: 630
I'm Steven.
I've decided the UK audio industry is not rip-off at all. To be "rip-off", it has to operate a monopoly, or close to, and then overcharge. Apple comes to mind.
An industry like the audio industry in the UK is so fragmented and competitive that it is probably incapable of ripping anyone off. Some prices may be high due to needing a big gross margin to cover the operating costs of a low volume operation. The high volume manufacturers generally work on very thin margins. The TV business, for example, is ultra-competitive.
If you do get ripped off, it is probably your own fault. That said, I last paid about £200 for a very good pair of shoes (and that was the duty-free price), a brand I've been wearing for years and they last years. I could get a pair hand made to order for £500. Probably not any better, but the audiophile equivalent in that they have to be more expensive just to cover the costs.
For many reliable products there is no need to buy new and the manufacturers consider used to be key part of the market. Look at the car industry. Sometimes they make more money on the trade-ins than the actual car they are selling.
If the industry was more consolidated the design and manufacturing costs would probably be cheaper, the products cheaper, but the manufacturers would probably be more profitable.
Wilson Sabrina, Gryphon Diablo 300, Innuos Pulsar, Aqua Formula DAC, Garrard 301 CTC, Mofi Master Phono, Puritan 156, NeoTech and Atlas cables.