View Poll Results: Are you being ripped of by British Hi-Fi retailers.

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  • Yes

    31 33.33%
  • No

    35 37.63%
  • Don't care

    27 29.03%
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Thread: Rip off British Hi-Fi Industry

  1. #221
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,584
    I'm Martin.

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    Fair point about the NOS valves, I hadn't considered that. Amplifier circuits are basically all from the fifties and sixties, even class D is not new but from the early seventies.

    Quote Originally Posted by Marco View Post

    Even my Ortofon tonearm is based on a 1960s design. And of course the Techy itself was first introduced in 1972, and has changed little since then, albeit mine is now highly modified with the use of modern components, which is where the genuine advances in audio have occurred (ditto the crossovers on my Tannoys).

    .
    There aren't any new materials in the Techy mods, there is nothing they could not have done in 1973 given the budget.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  2. #222
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,994
    I'm AudioAl'sArbiterForPISHANTO.

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    Not true in the case of the Paul Hynes PSU regulator modules, which are all his design, using the best of today’s components. Those couldn’t have been made in 1973, simply because the parts necessary for them to work weren’t around to produce them. They’re also fundamentally responsible for how my T/T sounds.

    I don’t believe anyone was making ETP platters either in the 1970s.

    In terms of amplifiers, my copper amp, for example, is based on the Williamson circuit (from the 1950s), with modifications by Anthony Matthews. It’s also chock-full of vintage 1940s and 1950s valves, and (some) vintage internal components, such as 1950s Mullard ‘mustard’ caps, and resistors, all of which are hard-wired (point-to-point) throughout the circuit, with zero use of PCBs.

    In that respect, I simply don’t see how it can be considered as a modern amplifier, although it certainly sounds like one. The Croft is the same, built along the same principles by a different designer.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #223
    Join Date: Feb 2013

    Location: W Lothian

    Posts: 98,920
    I'm Grant.

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    I think i only have 3 new bought things in all my gear. the beresford async. the firebottle and my q's speakers. That was because i couldnt either get them second hand or the difference made is not worthwhile. There is quite a hit financially buying most things new. bought my car 2nd hand too. ex disability. 3 years old with 20k on clock. saved 12k on price and had it 6 years without trouble
    Regards,
    Grant .... ؠ ......Don't be such a big girl's blouse

    I've said it before and I'll say it again: democracy simply-doesn't-work
    .... ..... ...... ...... ................... ..... ..... ..... ..... .....
    FIIO K7 BT, M11 PLUS, BTR7, KA5 - OPPO BDP-103D - PANASONIC UB450 - PANASONIC 4K ULTRA HD TV - PIXEL 6 - AVANTREE LR BLUETOOTH - 2* X600 SOUNDCORE - HEADPHONES INCLUDE, FIIO, NURAPHONES', FOCAL, OPPO, BOSE, CAMBRIDGE, BOWER & WILKINS, DEVIALET, MARSHALL, SONY, MITCHELL & JOHNSTON - 2*ZBOOK'S- MERCURY BD ROM, ROON, QOBUZ, TIDAL, PLEX, CYBERLINK, JRIVER - MULTI HDD'S -

    Oh my god! There's nothing wrong with the bidet is there?

    “Nothing discloses real character like the use of power. It is easy for the weak to be gentle. Most people can bear adversity. But if you wish to know what a man really is, give him power. This is the supreme test. It is the glory of Lincoln that, having almost absolute power, he never abused it, except on the side of mercy".

    “You see these dictators on their pedestals, surrounded by the bayonets of their soldiers and the truncheons of their police ... yet in their hearts there is unspoken fear. They are afraid of words and thoughts: words spoken abroad, thoughts stirring at home -- all the more powerful because forbidden -- terrify them. A little mouse of thought appears in the room, and even the mightiest potentates are thrown into panic.”

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    ***SMILE, BE HAPPY***

  4. #224
    Join Date: Mar 2008

    Location: Halifax, UK

    Posts: 1,394
    I'm Nick.

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    In that respect, I simply don’t see how it can be viewed as a modern amplifier, although it sounds like one.
    Probably not in the context of the thread, but I would argue the Williamson defined what is a "modern" valve amplifier. Ultra linear, push pull pentode output stage, valve phase splitter, negative feedback. It inherits from previous designs like the Wireless World quality amplifier, but that was triode output, zero feedback. The Williamson can defiantly be seen as a point that the standard design changed. there is a clear before and after. Solid state A and A/B push pull amps have just carried on doing the same thing, but with different devices.
    Nick.

  5. #225
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,994
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Nick,

    I agree, especially in terms of what was defined by the Williamson circuit.

    In terms of defining ‘modern’, well I guess it depends on which era you’re depicting. Del has an old cookery book, from the 1960s, the title of which is ‘Cooking in the modern age’ (that incidentally contains some superb recipes for ‘proper’ food), but ‘modern’ in today’s sense, it isn’t!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #226
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,994
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Btw, Nick, when were FETs invented?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #227
    Join Date: Apr 2013

    Location: Granes - Haut Vallee de l'aude - EU

    Posts: 2,830
    I'm Richard.

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    Quote Originally Posted by Marco View Post
    Btw, Nick, when were FETs invented?

    Marco.
    The first patent was filed in 1926 - before practical transistors were even developed in the late 40's.

  8. #228
    Join Date: Oct 2011

    Location: London Town

    Posts: 2,441
    I'm Julian.

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    Quote Originally Posted by Marco View Post
    mine is now highly modified with the use of modern components, which is where the genuine advances in audio have occurred (ditto the crossovers on my Tannoys)
    Hi Marco, I'd be very interested to hear what you did with your Tannoy crossovers and what changes that made to the sound. I have been wondering if it's a worthwhile exercise for a while...
    Sonore Rendu - Cambridge Audio Edge W - Sonus Faber Venere 2.5

  9. #229
    Join Date: Mar 2008

    Location: Halifax, UK

    Posts: 1,394
    I'm Nick.

    Default

    Yep, worth considering that the original point contact transistor was patented in 1947, same year the Williamson circuit was published.

    Another interesting fact, one of the original patents on the FET was by Oskar Heil, who also invented the air-motion transformer which ESS still sell.

    Nick.

  10. #230
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,994
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by julesd68 View Post
    Hi Marco, I'd be very interested to hear what you did with your Tannoy crossovers and what changes that made to the sound. I have been wondering if it's a worthwhile exercise for a while...
    Hi Jules,

    Hope you are well. Most definitely worth it!

    There are all sorts of threads on the subject here, so maybe try a search and see what comes up. Otherwise, PM me and I’ll give you my number, and we can have a proper chat about it

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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