Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.
Location: Kent
Posts: 1,357
I'm Clark.
http://stores.ebay.co.uk/megaposters...4.l1581&_pgn=2
He's producing quite a comprehensive range of plinths that look to be pretty good quality.
Nope, but they look nice.
Location: Devon
Posts: 1,903
I'm stu.
Alex
Main System: Digital: HP Laptop/M2Tech Hiface/Logitech Media Server/FLAC; Marantz SA7001 KI Signature SACD Player and other digital stuff into Gatorised Beresford Caiman DAC Vinyl: Garrard 401/SME 3009 SII Improved/Sumiko HS/Nagaoka MP-30
Amplifier: Rega Brio R. Speakers: Spendor SP1. Cables: Various, mainly Mark Grant. Please see "about me" for the rest of my cr@p! Gallery
A.o.S. on Facebook - A.o.S. on Spotify - A.o.S. on Twitter
There is only one way to avoid criticism: do nothing, say nothing and be nothing Aristotle
Location: Kent
Posts: 1,357
I'm Clark.
Yes, I saw the labels but remembered when I was restoring my JBL 4333's. The foilcals that cover the L-Pads were missing so I had to resort to fake aftermarket copies. JBL did not respond to any emails and were obviously unwilling to supply.
Many professional studio speakers had a hard life and it's common to find decals missing or damaged. I doubt that Spendor would supply them as they are no longer willing to even service the drivers for SP1's. I don't know about Rogers but I would guess the same applies.
I think the clone LS3/5 cabinets are fine but, selling them with Rogers decals on the back may be sailing a little too close to the wind.
Whilst I would agree that we should be wary of scammers and rogues, the fact is they are in in every country, the sellers and feedback should be sufficient to determine whether to buy from them or not.
Also, I happen to have a couple of colleagues from Moldova who happen to some of the most pleasant, honest people you could hope to meet and I found the comment "and from Moldova" a little presumptuous and, although I don't think it was intended, it does come across as a little Xenophobic.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Alex
Main System: Digital: HP Laptop/M2Tech Hiface/Logitech Media Server/FLAC; Marantz SA7001 KI Signature SACD Player and other digital stuff into Gatorised Beresford Caiman DAC Vinyl: Garrard 401/SME 3009 SII Improved/Sumiko HS/Nagaoka MP-30
Amplifier: Rega Brio R. Speakers: Spendor SP1. Cables: Various, mainly Mark Grant. Please see "about me" for the rest of my cr@p! Gallery
A.o.S. on Facebook - A.o.S. on Spotify - A.o.S. on Twitter
There is only one way to avoid criticism: do nothing, say nothing and be nothing Aristotle
Thinking about this, it could be a very good inexpensive project if you are prepared to forego the KEF original drivers which are pretty much unobtainium now anyway. Who made clone drivers with the same hole mountings? Was it SEAS? Crossovers from Wilmslow could complete the project. Hmm, might be nice as near-field monitors for my PC.
Anyone wanting to make a modern version of the LS3/5A should look at the Stirling Broadcast kits. I bet carcasses are available on their own if necessary and the whole thing is around £500 in kit form I believe. An old friend and colleague from the mid 70's is going to have a go at making some, since he has fond memories of his original Audiomaster ones from this period.
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?