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Thread: 1210's! The jury is out.

  1. #31
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,774
    I'm Andrew.

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    [QUOTE=chris@panteg;391689]
    Quote Originally Posted by REXTON View Post
    Chris, can you explain to me what I should be listening for to try and detect when a record sound opaque? I'd like to see if my deck has this characteristic but dont have a clue what I should listening for



    I would say like a thin veil drawn in front of the speakers , a slightly thickish quality to textures , I am being very critical perhaps , it still sounds good ! I won't make any more negative comments as it's not helping much .
    OK, thanks for that I'll see If I pick up a similar effect tonight when listening.
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE / MONO
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker





  2. #32
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,417
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Marco View Post
    Enjoy having a few beers, Steve! When you come back, if you could answer this, I'd be much obliged:

    Also, which new bearing was used [Mike New, Timestep or Vantage Audio], and was the same arm and cartridge fitted to both T/Ts when the comparison was made?
    Churz!

    Could you also confirm if the Techy you heard was still fitted with its standard internal PSU? You didn't mention any PSU upgrade in your previous post. If that's the case, combined with the use of an SME V, it goes a long way to explaining what you heard from said Techy!

    Marco.


    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #33
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,774
    I'm Andrew.

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    Somethings telling me that our esteemed leader is eager for a response
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE / MONO
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker





  4. #34
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,417
    I'm AudioAl'sArbiterForPISHANTO.

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    I hate 'loose ends'....

    Come on, Stevie baby - let's be 'avin ya!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #35
    Join Date: Aug 2008

    Location: London

    Posts: 2,410
    I'm Nat-andthat'swhyIdrink.

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    Quote Originally Posted by Reid Malenfant View Post
    Very doubtful actually There are millions of 1200 series decks out there, so it's worth certain people devising mods for them as they are more than capable of excellent reproduction.

    The same can't really be said of other similar decks, I own an Aiwa AP2600 which will show a stock 1210 it's heels in the quality reproduction race. You try & find stuff to modify it though, you'd need to go totally bespoke, which would cost a fortune

    The only deck I can think of with so many possible upgrades is the LP12, but look at the price of the things
    Very good point...

    I suppose the only way around that is DIY and so limited by your own knowledge or lack of.

  6. #36
    Join Date: Jan 2008

    Location: South West England

    Posts: 958
    I'm Guy.

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    Quote Originally Posted by Marco View Post
    I hate 'loose ends'....

    Come on, Stevie baby - let's be 'avin ya!

    Marco.
    Marco, did you ever post your opinion of the LO7D and how that compared with your Technics? If so, can you put up a link to it?

  7. #37
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,417
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Guy,

    It was like Mastermind, started but not finished....

    However, there will be a 'Round 2' soon!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #38
    Join Date: Apr 2011

    Location: Kingston, Surrey, UK

    Posts: 774
    I'm Alex.

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    One thing you've got to love about the SL-1200 is it's relatively set-and-forget nature. No checking for spring bounce or audiophile paranoia necessary. Since I set mine up 18 months ago, I haven't touched or tweaked anything apart from ensuring that it was level when I moved it.

    It is extremely consistent and fuss-free, unlike the previous belt-driven tables I've owned where things would degrade or drift all on their own. It sounds pretty bloody good with the mild mods I've applied in my system, and although I'm sure it could be bettered by other more tweaky turntables I am content to treat it like an appliance and just enjoy!.

    Cheers,
    Alex
    Technics SL1210| Jelco SA-750| Benz Micro ACE SM MC| Squeezebox Touch/MCRU linear PSU | Cambridge Audio 851C | High Resolution Music Streamer II+ / Linestreamer+ | Raspberry Pi 2/IQ-Audio DAC+ / Max2Play | Conrad-Johnson ET3 Control Amplifier| Conrad-Johnson LP125sa KT120 Power Amplifier| Avalon NP Evo 2.0 Speakers| Cardas Audio Quadlink-5C Speaker Cables and Interconnects| Finite Elemente Pagode Signature E-14 equipment support

  9. #39
    Join Date: Jan 2009

    Location: Derbyshire Nr. J28 of M1

    Posts: 605
    I'm Rob.

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    I've just bought some new external tonearm wire for mine and some new plugs......oh dear....

  10. #40
    Join Date: Mar 2013

    Location: Copenhagen

    Posts: 12
    I'm Jan.

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    Quote Originally Posted by Floyddroid View Post
    I recently had the opportunity to listened to a fully modded Technics SL1210 in my system and it was really rather good. DD's tend to have that upbeat pace and grit that is sometimes welcome. however, my findings were that i was far more content with my belt driven Notts Analogue TT which has more body and soul. The 1210 is a sexy looking blighter no doubt and very boy racer to a point and it does what it does very well. But i can't help thinking that when i listen to music on my Nott's that is how it should sound. I have used a Nott's Analogue for over 12 years now and they just do what it says on the tin! They play music. Mmmmmmmmmmmmmm, I think the jury is still out on the Technics. Hysterical snake oil methinks, a passing trend? My SL1500 is every bit as good sonically. Just to let you know, i have left the country for a while fearing reprisals. It's just fun guys remember, just fun!
    Not quite sure what you mean - you said you "listened" to a SL-1210, this makes no sense without telling which tone arm and which cartridge used. You mention Notts Analogue TT, which arm + cartridge did this have ? We are at a level as; "I once tested a MB C class from 2001, it was very slow compared with my Fiat - MB bad, Fiat very good".

    Apart from that, a turntable is not a violin, its a turntable - sound is fundamentally what arm+cartridge picks-up from the tracks, noise comes from the rest. If you prefer the sound mixed with the nostalgic noise added from a belt driven turntable ( wow/flutter included ), well no problem - we all have our taste
    Last edited by Jan_A; 19-03-2013 at 00:03.

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