Wow, Seriously awesome looking set, can only imagine how good this thing can sound![]()
Wow, Seriously awesome looking set, can only imagine how good this thing can sound![]()
hi All,
It was an interesting day, before I pulled the deck apart both Marco and myself had a good listen to the techy in my system, once we felt we had given ourselves enough time to get accustomed to the sonic signature it was time to get to work.
Both Paul and myself agreed a while back that we thought there would be merit in individually regulating certain parts of the techys motor board and control circuitry, Paul had already developed an outboard power supply that was a class act, so, I knew that he would have studied the schematics of the 1210 and worked out what was needed, and how to implement it.
Well, once the mods had been carried out and everything doubled checked, we set about re-installing it in the system and got down to some serious listening, it didn’t take long for us to both realize that there was indeed some serious improvements in the timing, and bass etc, and as things warmed up things got even better in the soundstage and top end frequencies, needless to say we both felt that the mods had taken the 1210 to another level in performance, Marco even stated that he felt this mod had had a bigger impact on the Sonics than some of the more major upgrades he had done of late.
Either way, after witnessing the before and after performance in my own system I am convinced that there is serious merits and performance to be had by carrying out these latest mods to the 1210.
Anthony,TD...
"Today scientists have substituted mathematics for experiments, and they wander off through equation after equation, and eventually build a structure which has no relation to reality"
Nikola Tesla
Its now a conspiracy theory to believe that the Immune system is capable of doing the job it was designed to do.
A fish is only as healthy as the water its swimming in ! [Dr Robert Young]
www.tubedistinctions.co.uk
Matthew 5:10
Nice one. Lovely curtains, too!![]()
Alex
Main System: Digital: HP Laptop/M2Tech Hiface/Logitech Media Server/FLAC; Marantz SA7001 KI Signature SACD Player and other digital stuff into Gatorised Beresford Caiman DAC Vinyl: Garrard 401/SME 3009 SII Improved/Sumiko HS/Nagaoka MP-30
Amplifier: Rega Brio R. Speakers: Spendor SP1. Cables: Various, mainly Mark Grant. Please see "about me" for the rest of my cr@p! Gallery
A.o.S. on Facebook - A.o.S. on Spotify - A.o.S. on Twitter
There is only one way to avoid criticism: do nothing, say nothing and be nothing Aristotle
"Today scientists have substituted mathematics for experiments, and they wander off through equation after equation, and eventually build a structure which has no relation to reality"
Nikola Tesla
Its now a conspiracy theory to believe that the Immune system is capable of doing the job it was designed to do.
A fish is only as healthy as the water its swimming in ! [Dr Robert Young]
www.tubedistinctions.co.uk
Matthew 5:10
Seems like some nice stuff there. Is it much work fitting these regulator modules?
My hifi system:
Turntable: Technics SL-1200 MKII, Ortofon 2M Bronze cartridge, Mike New bearing, MCRU PSU (c), Oyaide HS-CF headshell, Oyaide MJ-12 TT mat, Vantage Audio Copper mat, Isonoe Isolation Feet, Isodek IF-2 isolation platform, Furutech Monza LP stabilizer, Herbie's Hal-O JR damper Phono Stage: Hagerman Cornet 3 (prototype) Amplifiers: EAR 868L Preamp, Transcription Audio 211 Heaven Power amp, Bob Carver Cherry 180 power amp CD Player: Ear Yoshino Acute Tuner: Magnum Dynalab 90T Speakers: Vandersteen 2CE SigII, Townshend Audio Super Tweeters, Transcription Audio Speakers Cables and stuff: LFD Audio interconnects and speaker cables, Mark Grant G2000HD, BlackCat Electronics, Van Den Hul Clearwater, Black Rhodium mains cables, Black Rhodium mains block, Finite Elements Resonator, Townhsend Stella Speaker stands, Pro Audio Bono hifi rack, Herbie's spike gliders, Herbie's Ultravox and Hal-O tube dampers, Super Black Hole CD mat Record Cleaning Machine: Loricraft PRC4
Nice installation, Anthony. I am glad that Marco now has these regulators installed as our decks tend to track each other as we listen to and discover new things. I too found the internal triple-stage regs made a big difference to rhythm, attack and sheer dynamic swing and your listening findings mirror mine.
I shall shortly be ordering an SR7-27 from Paul as an upgrade from my SR5.
You need to be confident in removing the PCB and cutting some tracks, as well as de-soldering some components and soldering new power lines in. If you are an experienced circuit builder you'll have no problems. Otherwise, you'd be best to recruit the services of an electronics engineer for the rework.
My hifi system:
Turntable: Technics SL-1200 MKII, Ortofon 2M Bronze cartridge, Mike New bearing, MCRU PSU (c), Oyaide HS-CF headshell, Oyaide MJ-12 TT mat, Vantage Audio Copper mat, Isonoe Isolation Feet, Isodek IF-2 isolation platform, Furutech Monza LP stabilizer, Herbie's Hal-O JR damper Phono Stage: Hagerman Cornet 3 (prototype) Amplifiers: EAR 868L Preamp, Transcription Audio 211 Heaven Power amp, Bob Carver Cherry 180 power amp CD Player: Ear Yoshino Acute Tuner: Magnum Dynalab 90T Speakers: Vandersteen 2CE SigII, Townshend Audio Super Tweeters, Transcription Audio Speakers Cables and stuff: LFD Audio interconnects and speaker cables, Mark Grant G2000HD, BlackCat Electronics, Van Den Hul Clearwater, Black Rhodium mains cables, Black Rhodium mains block, Finite Elements Resonator, Townhsend Stella Speaker stands, Pro Audio Bono hifi rack, Herbie's spike gliders, Herbie's Ultravox and Hal-O tube dampers, Super Black Hole CD mat Record Cleaning Machine: Loricraft PRC4
Ok, chaps, just a few words about the improvements that the regulator mods have made...
I wrote before in S.O.G (on a thread which is now a sticky) about the differences that upgrading made going from the Paul Hynes SR5-21, to the utterly superb SR7-21EHD. Well, it turns out that what I was hearing then, with the SR7, was only scratching the surface!!
Since fitting the individual regulator modules to my T/T, it's as if I'd previously only been hearing the effect of half of the SR7, with the other half remaining 'dormant' (or at least not fully utilised), waiting to be 'woken up', when partnered by the regulator modules... Perhaps Paul would confirm if that observation has any basis in fact?
My reason for feeling that way? Well, quite frankly, the sonic improvement gained by adding the regulator modules was so HUGE that it seemed almost impossible to believe that they alone were responsible for the effect I was hearing!!
Sonic gains?
Try, massively improved bass response, which is conveyed now in a sense that is not only palpably more 'fleshed out', weighty and extended, but rhythmically adroit, utterly controlled, and tuneful in the most musically addictive way imaginable. The Techy has always timed like a bastard, but now it combines this with serious 'soul', in a way that James Brown would be proud of, and underpinned by physically visceral low-frequencies, which appear to emanate from deep down within the bowels of the earth!!
One of the (justified) criticisms of direct-drive T/Ts is that they can sometimes sound a little clinical and 'matter of fact', lacking grunt in the lower frequencies, compared with the best idler-driven decks, such as Garrards and the top Lencos, in suitably massive plinths. Indeed, that is why people are largely attracted to those turntables, as they underpin music with serious gravitas and authority, often making an SL-1200 (or even an SP10) sound somewhat 'anaemic', in comparison.
Well not now!!!
The Techy is at last able to compete, in that respect, with the 'big boy' idler-drives, and not only that, outgun them (as usual) in areas such as speed stability, vanishingly low coloration, and therefore greater overall accuracy. However, it's not only in the bass that the combination of the SR7EHD and regulator modules excel in fundamentally improving; the use of this combination also results in a (subjectively) significantly lowered noise-floor, cleaning up the sound in the process, and allowing the midrange and high frequencies free reign to 'swell' and develop dynamically and harmonically like never before, when my turntable was in a lesser state of modification.
Make no mistake: fitting this PSU combination opens the window to such an extent that the tiniest of tiny nuances in the music, previously hidden in the mix, become spot-lit for inspection - but in a manner which is entirely unforced and natural, such is the way that the combination of the SR7EHD/reg modules allow my SL-1210 to effortlessly excavate the most demanding and complex material, whilst connecting me emotionally with recorded musical performances in the most convincing, and at times spine-tingling, way conceivable.
Each time I upgrade this turntable, it never ceases to amaze me just how much latent sonic potential exists waiting to be untapped, and these latest modifications simply serve to prove the point further and confirm just how good the motor unit is that Panasonic built all those years ago!
Does vinyl replay get much better than this? I honestly don't know...
What I do know is that music on vinyl has never sounded as good as this, to my ears, and that the Paul Hynes SR7EHD and regulator modules have been significantly responsible for that, combining together to quite incredible sonic effect. They're not cheap, but for those serious about turning their SL-1200/1210s into genuine 'high-end' turntables, able to compete with the very best, I'd suggest that the use of this PSU combination is near mandatory.
I can't pay it any greater compliment than that.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Sounds like a must-have upgrade, glad you are enjoing it so much Marco. I have already decided on it
Btw, what is the bottom left PCB for?