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Thread: Bargains on ebay?

  1. #2251
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,512
    I'm AudioAl'sArbiterForPISHANTO.

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    Lol - I don't like bad small speakers (and sadly, these days, most fall into that category, to my ears), but there are plenty of small vintage speakers I like, including the original Wharfdale Diamonds, and I will fully acknowledge their sonic qualities.

    What entranced me with the Chartwells was their sublime midrange, which really projected voices and acoustic instruments into the room with a vibrancy, realism and lack of coloration, which is seldom heard these days.

    In the midrange, they sound rather like my Lockwoods, only, erm, 'smaller'!

    I'd run the Chartwells, if I had to, WAY before I would bloody ADM9s!!!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #2252
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

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    ADM9.1Ts are being joined with better 9's and bigga-9's I understand, the floor standars being abandoned mainly due to the costs of doing it right with a large bass unit - I don't think many would buy an active £5K style floor stander blind online..

    Unlike you mate, I have compared old and newer LS3/5A's with other smaller and bigger speakers and honestly feel confident in my views re the P3ESR's. Things really have moved on in smaller speaker reproduction..

    Actually, what I'd really like to try are the cheapo babies out there on the end of a decent system. There's a "developed and enlarged" NS10 derivative for £120pr which I think could give established audiophool models a real fright -

    http://www.studiospares.com/studio-m...r/invt/248000/

    The little Q Acoustics may also be great little passives on a better system for all I know - it's some years now since I last heard the likes of MA BR2's and KEF Q1's and similar and the £30 specials from China may well be quite good for all I know
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  3. #2253
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,512
    I'm AudioAl'sArbiterForPISHANTO.

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    Sure, all I know is that I loved what I heard at the time (about 4 years ago) from the Chartwells, which was incidentally on the end of EAR 509 valve amps...

    Have you heard LS3/5as with toobs?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #2254
    Join Date: May 2011

    Location: Epping

    Posts: 716
    I'm Richard.

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    Quote Originally Posted by Barry View Post
    Recently bought off eBay: a Cambridge Audio P50 integrated amplifier.

    The elegant, slim, ‘low-profile’ look was achieved by using a toroidal mains transformer. I believe Cambridge Audio were one of the first to use toroidal transformers.
    Avel Lindberg a UK transformer company developed the toroid mains transformer in the early 70's, but couldn't patent it as it had been done before but not commercially. They were the origin of Naim products as well, but at least Naim knew how to use them. Cambridge just put them in a slim case bolted to the bottom plate with the screw head touching the top plate, creating what is known as a shorted turn, not only did this burn out the transformer but put the primary (mains) voltage on the case, but at quite low current, to give people shocks. I don't know what Stan Curtis was thinking of as he was usually a good designer if not business man.

    Cambridge were very lucky they didn't get the arse sued out of them or prosecuted under health and safety, but that was the 70's, no one gave a toss.

    So go careful as all Cambridge did was put a bit of insulation above the transformer bolt, if that insulation fails you could be in for a nasty shock.

  5. #2255
    Alex_UK's Avatar
    Alex_UK is offline Spotify + Facebook Moderator / Chilled-Out Wino and only here for the shilling
    Join Date: Aug 2009

    Location: Sunny Suffolk, UK

    Posts: 18,527
    I'm WrappingALilacCurtainAroundMyBobby.

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    Regardless of the sound, I'm not sure Barry was intending on spending £1,500 + on speakers for his third system? Although he never said, so I'm just guessing!
    Alex

    Main System: Digital: HP Laptop/M2Tech Hiface/Logitech Media Server/FLAC; Marantz SA7001 KI Signature SACD Player and other digital stuff into Gatorised Beresford Caiman DAC Vinyl: Garrard 401/SME 3009 SII Improved/Sumiko HS/Nagaoka MP-30
    Amplifier: Rega Brio R. Speakers: Spendor SP1. Cables: Various, mainly Mark Grant.
    Please see "about me" for the rest of my cr@p! Gallery


    A.o.S. on Facebook - A.o.S. on Spotify - A.o.S. on Twitter

    There is only one way to avoid criticism: do nothing, say nothing and be nothing Aristotle

  6. #2256
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,512
    I'm AudioAl'sArbiterForPISHANTO.

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    Lol - indeed, I doubt it! I was really outlining the sort of speakers I'd likely use in a bedroom system, should I ever assemble such a thing.

    My listening room upstairs is right next to our bedroom, so I just open the door and let the tunes in!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #2257
    Alex_UK's Avatar
    Alex_UK is offline Spotify + Facebook Moderator / Chilled-Out Wino and only here for the shilling
    Join Date: Aug 2009

    Location: Sunny Suffolk, UK

    Posts: 18,527
    I'm WrappingALilacCurtainAroundMyBobby.

    Default

    And there was me thinking one of your Lockwoods is your bedroom!
    Alex

    Main System: Digital: HP Laptop/M2Tech Hiface/Logitech Media Server/FLAC; Marantz SA7001 KI Signature SACD Player and other digital stuff into Gatorised Beresford Caiman DAC Vinyl: Garrard 401/SME 3009 SII Improved/Sumiko HS/Nagaoka MP-30
    Amplifier: Rega Brio R. Speakers: Spendor SP1. Cables: Various, mainly Mark Grant.
    Please see "about me" for the rest of my cr@p! Gallery


    A.o.S. on Facebook - A.o.S. on Spotify - A.o.S. on Twitter

    There is only one way to avoid criticism: do nothing, say nothing and be nothing Aristotle

  8. #2258
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,512
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    That's only when our parties get *really* wild!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #2259
    MartinT Guest

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    Quote Originally Posted by Barry View Post
    Cambridge Audio later developed the R40 and R50 transmission line speaker. I did have frequent access to the R50s: a four-way design using the popular combination of KEF B139 woofer, B110 mid, Celestion HF1300 tweeter and STC (Coles) super-tweeter. I liked them, but when I heard the Quads they were what I was looking for.
    I had a pair of R40s from the age of 19 (I bought them unfinished from liquidated stock) and they gave me great sound for the next six years. B139, B110 and T27 - classic combo. They were still running well at a friend's house until very recently, sadly now gone.

  10. #2260
    MartinT Guest

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    Quote Originally Posted by Marco View Post
    Have you heard LS3/5as with toobs?
    My friend has a pair of Rogers LS3/5as with an Art Audio Quintet valve amp. Lovely sound.

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