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Thread: New acrylic platter for the SL-1200/1210

  1. #61
    Join Date: Nov 2010

    Location: Huddersfield

    Posts: 3,358
    I'm David.

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    Hey marco the marvellous, can I borrow your MN platter whilst you give Arthur's new platter some serious listening time?

    Go on, you know you want to.


  2. #62
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,462
    I'm AudioAl'sArbiterForPISHANTO.

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    Lol - how am supposed to compare the two platters against each other, if you've got one of them?

    It'll be 3-4 weeks before I get the acrylic platter, anyway, dude. Once the comparisons are over and done with, yes, you can borrow my MN one, provided you get a bigger power supply to take it...

    Remember, you need a Paul Hynes SR3, SR5, or Timestep SE, before you can use an MN platter, and TBH, a better bearing than the stock one (Vantage Audio or MN)

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #63
    Join Date: Nov 2010

    Location: Huddersfield

    Posts: 3,358
    I'm David.

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    I have a better bearing thanks and a chunk of metal rotating at 45rpm for 15-20 mins. will not need a better PSU, I only need to listen to my favourite 12" singles to see if I want to buy one. The audition will be done within 1/2 an hour and findings reported upon.

    Nice one.

    Oh I forgot to mention besides my very own design of platter which I will be launching soon I will also be looking into building a PSU.

  4. #64
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,462
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Half an hour's auditioning? Lol - you're a right thorough bastard, eh!!

    Have you got an MN bearing? If so, I didn't know.

    Your Techy will sound pish with the MN platter fitted, if you use it with a PSU which can't handle the extra mass. It affects the speed stability of the T/T (making it sound soft and woolly) whether it's for 15-20 mins or 0.5 secs!

    Best plan is for me to bring the platter round, along my SR5 PSU, and fit both to your T/T, and let you hear it that way

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #65
    Join Date: Nov 2010

    Location: Huddersfield

    Posts: 3,358
    I'm David.

    Default

    By the time you send me the platter I will have a PSU built and in place so don't concern yourself with trivialities.

    Don't forget to send my Bollinger for services rendered.


  6. #66
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,462
    I'm AudioAl'sArbiterForPISHANTO.

    Default



    Let me know then when you've built your PSU, and we'll take it from there!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #67
    Join Date: Nov 2010

    Location: Huddersfield

    Posts: 3,358
    I'm David.

    Default

    NO, NO, NO

    The PSU is a 2 minute job so don't delay, 4 weeks from now is 09.06.11, it is in my diary already.

  8. #68
    Mike_New Guest

    Default

    Hello Dave,

    [QUOTE=Mains Cables R Us;214005]

    "I have a better bearing thanks and a chunk of metal rotating at 45rpm for 15-20 mins. will not need a better PSU, I only need to listen to my favourite 12" singles to see if I want to buy one. The audition will be done within 1/2 an hour and findings reported upon."

    With all due respects Old fellow I really do not think you know what you are bloody well talking about.
    The increase in sonic quality does not operate on a time frame such that for the first "15-20mins" you can magically assess the quality of my "chunk of metal (nea my Quality solid alluminium and bonded copper platter)" whilst using an inferior bearing and power supply. And to boot you offer to publish your findings. God help us!!! but he probably can't save us from some people!!!!

    Marco was absolute correct in his sage advice to you.
    Last edited by Mike_New; 13-05-2011 at 00:30.

  9. #69
    Mike_New Guest

    Default

    Hi Chris
    Quote Originally Posted by chris@panteg View Post
    Hello Mike

    A couple of question's for you if that's ok .


    How does the Technics magnet function then? and ...


    What sort of flux pattern do you actually get using the Technics magnet (with or without the platter)?
    The Technics magnet functions in the same way that all magnets do when interacting with another magnetic field (flux) generated by driving coils.
    The secret is in the way Technics have designed what is known as a isotropic radially poled magnet, the many poles of which are designed to be synchronously acted upon by the twelve stationary coils. Which in turn, are synchronously switched by the position rotor. In fact the slightest incorrect positioning of this rotor on the platter can actually cause the platter to rotate in reverse, or worse still, not to perform correctly in the forward direction.

    The flux pattern is a radial one as explained previously, In simple terms it’s strength, at any point in space, will be moderated by any material that may be placed in the path of the flux field. For instance the flux field from the OEM transformer of the SL1200, is shielded in a crude way, by what I believe may be Mu metal sheets place around the transformer.

    It is very interesting, since posting my first observations on this subject I have carried out some simple tests on my Benz Ruby MC. This cartridge has a hugely powerful ‘rare earth’ type of permanent magnet; as indeed do all other quality MCs.

    Now I will leave you to speculate on what the results could, be when the field of theses very powerful, but small MC magnets, come into reaction range of another magnetic flux field, especially a rotating one!!!!!

    I will post a description of my thoughts on this, if people are still interested.

  10. #70
    Join Date: Nov 2008

    Location: Banbury, Oxfordshire/Panteg is where my late father was born

    Posts: 4,381
    I'm Chris.

    Default

    Quote Originally Posted by Mike_New View Post
    Hi Chris


    The Technics magnet functions in the same way that all magnets do when interacting with another magnetic field (flux) generated by driving coils.
    The secret is in the way Technics have designed what is known as a isotropic radially poled magnet, the many poles of which are designed to be synchronously acted upon by the twelve stationary coils. Which in turn, are synchronously switched by the position rotor. In fact the slightest incorrect positioning of this rotor on the platter can actually cause the platter to rotate in reverse, or worse still, not to perform correctly in the forward direction.

    The flux pattern is a radial one as explained previously, In simple terms it’s strength, at any point in space, will be moderated by any material that may be placed in the path of the flux field. For instance the flux field from the OEM transformer of the SL1200, is shielded in a crude way, by what I believe may be Mu metal sheets place around the transformer.

    It is very interesting, since posting my first observations on this subject I have carried out some simple tests on my Benz Ruby MC. This cartridge has a hugely powerful ‘rare earth’ type of permanent magnet; as indeed do all other quality MCs.

    Now I will leave you to speculate on what the results could, be when the field of theses very powerful, but small MC magnets, come into reaction range of another magnetic flux field, especially a rotating one!!!!!

    I will post a description of my thoughts on this, if people are still interested.
    Thanks Mike

    The OEM transformer is indeed shielded by Mu metal , this along with Richard's explanation as to how the Technics magnet works and i can quote him .

    The ring rotor used in the Technics was designed to focus all flux patterns to the inside circumferance of the ring. There is a very simple test you can do to see this in action. Take a metal screwdriver blade and present it to the outer surface of the rotor ring. Do the same from the top and lower edge. Now present the blade to the inner circumfernace of the rotor (be careful here as you do not want a sudden shock impact of the blade against the ring in case you "chip" the ring. Just use a wee bit of sense here and retain a firm grip on the blade). What result do you find?


    Remember basic physics and flux patterns in ring magnets. Most times flux leakage is associated with "air gaps" and is put to good use in loudspeaker drive units. The idea of a ring magnet is just that - direct the flux pattern where you want it. Look at the flux patterns for a ring magnet and you will see the pattern concentrated on the horizontal axis and any vertical axis flux pattern will be introduced via an air gap on the open face.
    Chris

    We've gone on holiday by mistake !

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