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Thread: The Celestion kid strikes again.....!

  1. #11
    Join Date: Apr 2008

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    I'm Clive.

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    Marco, those capacitors are old and as suggested could do with replacing. Bear in mind that sometimes putting really good capacitors works fantastically but at other times said capacitors whilst having the same capacitance as the originals will be quite different in their ESR (resistance). This can change crossover points and possibly phase - but nothing that will damage anything. Having given that warning I'd suggest some ClarityCap MR.
    TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
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  2. #12
    Join Date: Feb 2008

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    I'm fightingmywayoutofawetecho.

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    "as unknown to me, some f*cker came out of the blue and placed a £1300 bid just before I'd upped my max bid to £1500"

    That was the sellers bezzy mate
    My System:

    Linn Akurate DSM,Naim 32.5 pre amp Hicap,Naim Snaxo Hicap,3x Naim 250 power amps,Active Naim NBLs.
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  3. #13
    Join Date: Jan 2008

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    Drats - scuppered by a devious scouser's dasterdly plan!!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #14
    Alex_UK's Avatar
    Alex_UK is offline Spotify + Facebook Moderator / Chilled-Out Wino and only here for the shilling
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    Quote Originally Posted by Ian Walker View Post
    "as unknown to me, some f*cker came out of the blue and placed a £1300 bid just before I'd upped my max bid to £1500"

    That was the sellers bezzy mate
    At least it wasn't Ian trying to bag the same speakers for the same reason - now that would have been funny!

    Look forward to hearing them Marco, they're a speaker I'd considered - well, until some numpty paid way over the odds for them and prices will have rocketed - 15XR's still haven't recovered to normal levels on ebay since the last time you bought speakers!
    Alex

    Main System: Digital: HP Laptop/M2Tech Hiface/Logitech Media Server/FLAC; Marantz SA7001 KI Signature SACD Player and other digital stuff into Gatorised Beresford Caiman DAC Vinyl: Garrard 401/SME 3009 SII Improved/Sumiko HS/Nagaoka MP-30
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  5. #15
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

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    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Clive,

    Marco, those capacitors are old and as suggested could do with replacing. Bear in mind that sometimes putting really good capacitors works fantastically but at other times said capacitors whilst having the same capacitance as the originals will be quite different in their ESR (resistance). This can change crossover points and possibly phase - but nothing that will damage anything. Having given that warning I'd suggest some ClarityCap MR.
    Thanks for that, and noted

    However, I'm unsure if the crossovers in my pair are identical. One would certainly presume so, although they will most certainly be of a similar vintage.

    Can anyone work out the cap values from the pic - or does anyone have a circuit diagram, or know from experience what they are?

    Clarity Cap MRs are what I used in the crossovers of my Monitor Golds, so I know how good they are, and those are the ones I will use if I decide to tweak the Celestions.

    The thing is though, they sound amazing as they are and seemingly don't lack any clarity, nor do they have a rather tubby old-fashioned sound (quite the opposite!), like the MGs did before I upgraded their existing crossovers....

    I can also say that about my 15XRs, which are entirely original and sound simply wonderful for their size.

    Perhaps Celestion were simply very good at matching the right capacitors to their drive units, sonically in terms of voicing them, regardless of if they are the best available now, bearing in mind that their speakers in those days were built from scratch from the ground up as entirely their own designs?

    Sometimes with these things you just hit upon the right recipe and get the 'seasoning' spot on.

    It's a difficult one to judge whether it's worth the risk (and expense, as CC MRs ain't cheap) of f*cking them up when they sound quite wonderful as they are now..............

    All sensible suggestions, though, will be gratefully received!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #16
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Alex,

    At least it wasn't Ian trying to bag the same speakers for the same reason - now that would have been funny!

    Look forward to hearing them Marco, they're a speaker I'd considered - well, until some numpty paid way over the odds for them and prices will have rocketed - 15XR's still haven't recovered to normal levels on ebay since the last time you bought speakers!
    Lol - indeed that would've been a serious giggle!! Hope you like them when you hear them, dude.

    Regarding your other point, yes, but my job here is to inform people of what's good, vintage or new, particularly when it offers high SPPV, so they too can benefit from the discovery of an amazing product by trying it themselves - not to worry about inflating prices (not that Ditton 66 Studio Monitors being superb is news to anyone here!)

    Incidentally, if anyone would like to read a PDF file of the original brochure from 1973, it can be downloaded here:

    http://www.mediafire.com/?6asa528p5yomsao

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #17
    Alex_UK's Avatar
    Alex_UK is offline Spotify + Facebook Moderator / Chilled-Out Wino and only here for the shilling
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    Quote Originally Posted by Marco View Post
    Regarding your other point, yes, but my job here is to inform people of what's good, vintage or new, particularly when it offers high SPPV, so they too can benefit from the discovery of an amazing product by trying it themselves - not to worry about inflating prices (not that Ditton 66 Studio Monitors being superb is news to anyone here!)
    Just having a bit of fun, bud - the 66's certainly don't need any encouragement to sell, and especially in the walnut (which is what I'd be after) I reckon, as they are timeless to look at, too.
    Alex

    Main System: Digital: HP Laptop/M2Tech Hiface/Logitech Media Server/FLAC; Marantz SA7001 KI Signature SACD Player and other digital stuff into Gatorised Beresford Caiman DAC Vinyl: Garrard 401/SME 3009 SII Improved/Sumiko HS/Nagaoka MP-30
    Amplifier: Rega Brio R. Speakers: Spendor SP1. Cables: Various, mainly Mark Grant.
    Please see "about me" for the rest of my cr@p! Gallery


    A.o.S. on Facebook - A.o.S. on Spotify - A.o.S. on Twitter

    There is only one way to avoid criticism: do nothing, say nothing and be nothing Aristotle

  8. #18
    Alex_UK's Avatar
    Alex_UK is offline Spotify + Facebook Moderator / Chilled-Out Wino and only here for the shilling
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    Quote Originally Posted by Marco View Post
    Lol! Show me a near mint pair of Studio 66 monitors which have sold recently for a couple of hundred quid, particularly ones finished in walnut?



    Marco.
    Not mint, not walnut... If they really DID sell for that then someone got a stupendous bargain! (And now I'm thinking F*ck, why didn't I spot those before!)
    Alex

    Main System: Digital: HP Laptop/M2Tech Hiface/Logitech Media Server/FLAC; Marantz SA7001 KI Signature SACD Player and other digital stuff into Gatorised Beresford Caiman DAC Vinyl: Garrard 401/SME 3009 SII Improved/Sumiko HS/Nagaoka MP-30
    Amplifier: Rega Brio R. Speakers: Spendor SP1. Cables: Various, mainly Mark Grant.
    Please see "about me" for the rest of my cr@p! Gallery


    A.o.S. on Facebook - A.o.S. on Spotify - A.o.S. on Twitter

    There is only one way to avoid criticism: do nothing, say nothing and be nothing Aristotle

  9. #19
    Join Date: Jul 2010

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    Posts: 11,165
    I'm MadeOfDeadGiantStarsThatExplodedEonsAgo.

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    The crossover looks quite good actually Looks like a 24Db/octave low pass feeding the bass driver, the mid is fed by a 12Db/octave high & low pass from what i can make out. The tweeter looks to be fed from an 18Db/octave high pass filter, interestingly the caps feeding the tweeter look like metalised plastic of some form or another.

    The only nasties are on the mid & bass units. It looks like the mid is fed via a 24uf & 6uf in parallel & there is a cheapy directly accross the driver itself at 4uf (by the looks of things - from what i can see ).

    If i was going to change anything it'd be the caps on the midrange, but seeing as you know the tweeter caps are of reasonable quality & not cheap reversible electrolytics you could upgrade those as well if you wanted to with no worries about ESR & phase shifts
    Bests, Mark



    "We must believe in free will. We have no choice" Isaac Bashevis Singer

  10. #20
    Join Date: Mar 2009

    Location: Cork, Ireland

    Posts: 652
    I'm Nathan.

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    Hey Marco,

    That review you saw on Gumtree is posted by a guy from Cork, Ireland. As I live in Cork I would love to know who this guy is, since he always has some serious kit for sale on Gumtree.

    I wonder has anyone on this forum spoken to the guy, or know who he is?

    Nathan
    DIY is fine and dandy, but just try selling it on!

    Nathan.

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