I always lusted over the Michi back in the day, too. Be surprised if you could better those 2 with new equipment at £1700…
I always lusted over the Michi back in the day, too. Be surprised if you could better those 2 with new equipment at £1700…
Alex
Main System: Digital: HP Laptop/M2Tech Hiface/Logitech Media Server/FLAC; Marantz SA7001 KI Signature SACD Player and other digital stuff into Gatorised Beresford Caiman DAC Vinyl: Garrard 401/SME 3009 SII Improved/Sumiko HS/Nagaoka MP-30
Amplifier: Rega Brio R. Speakers: Spendor SP1. Cables: Various, mainly Mark Grant. Please see "about me" for the rest of my cr@p! Gallery
A.o.S. on Facebook - A.o.S. on Spotify - A.o.S. on Twitter
There is only one way to avoid criticism: do nothing, say nothing and be nothing Aristotle
There is a certain charm and style to the Michi preamp, but I'm not sure it would fit in with the domestic decor of some.![]()
How about this vintage Accuphase power amp then? (in London for once, not bleeding Tokyo) - price is within the acceptable range
https://www.ebay.co.uk/itm/287382060790?
If I was still working I'd snap that up.
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.
Location: London/Durham
Posts: 7,460
I'm Lawrence.
That's nice but it's a pity about the damage to the knobs. Never seen one with front outputs, can't remember if I've seen an Accuphase with front inputs either. Also rare to see a rumble filter in the power amp.
Now that I like, but I would need two of them so I could switch them to monoblock amplifiers. I also like the option to use balanced line inputting. Not keen on the awful US style mains sockets, but they wouldn't be used.
Shame about the damage to the knobs: it looks like the paint finish has worn away. No doubt they could be resprayed, but any equipment of the perceived high quality of Accuphase should use solid metal knobs, not painted plastic ones.![]()
Barry
Never seen them before. I like them. That power amp is a proper beast. Damping factor 500? Old Japanese amps usually only about 50 or so. I don't know if it matters, or if it is just marketing guff (yes Hegel I'm looking at you)
I just dropped in, to see what condition my condition was in
T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
Speakers: KEF Reference 3, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables
T'other system:
Echo Dot, Arcam A75 integrated, Monitor Audio R852 MD speakers
A/V:
LG OLED65 G56LS, Panasonic Blu Ray, Sony a/v amp, MA Radius speakers, REL T9i sub.
KICKSTARTER: ENABLING SCAMMERS SINCE 2009
The damping factor of 500 is largely theoretical, suggesting the amplifier output impedance is 0.016 Ohm. However that ignores the loop impedance of the cable connecting the amplifier to the speaker. Thus the true damping factor will be somewhat less than the quoted value.
But all of this is academic: a damping factor of 50 is more than sufficient.
Barry
Very tasty vintage Pioneer. Wants top dollar though, and it's in Spain:
https://www.ebay.co.uk/itm/236820309202?
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.
Tasty Akai 3 head deck - always wanted one of these back in the day
https://www.ebay.co.uk/itm/127944355...oAAeSwNylqFy32
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.
Denon POA6600 monoblocs with the pre-amp. Top dollar but tempting nonetheless
https://www.ebay.co.uk/itm/127920549...kAAeSwHJ5qLZ6J
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.