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Thread: Spinning Today - What Are You Listening To Right Now? (Part 4)

  1. #301
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    Quote Originally Posted by Macca View Post
    There's only 4 that interest me musically, and I have them already.
    Yes, I have four of the titles in 'standard' CD format. To be honest I'm not sure if the list is of recordings which, in the opinion of the compilers, are well mastered, or if it is a list of titles that have been remastered well, avoiding the compressed dynamic range because of the 'loudness wars'?
    Barry

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  3. #303
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    Alex_UK is offline Spotify + Facebook Moderator / Chilled-Out Wino and only here for the shilling
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    Quote Originally Posted by Pigmy Pony View Post
    Do you like Allison Krauss + Union Station Alex? I have a spare copy of a live double CD of theirs you're welcome to FOC.
    That’s a kind offer, thanks Steve, but I’m streaming these days and I think that one is on Tidal.
    Alex

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  4. #304
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    Quote Originally Posted by Barry View Post
    Yes, I have four of the titles in 'standard' CD format. To be honest I'm not sure if the list is of recordings which, in the opinion of the compilers, are well mastered, or if it is a list of titles that have been remastered well, avoiding the compressed dynamic range because of the 'loudness wars'?
    I get the impression that whoever wrote doesn't really know what they're talking about. Giving the DR scores for the vinyl releases is a bit of a giveaway there.

    Certainly 'Back To Black' is heavily compressed on CD - I know, I have it. You can't physically put that level of compression onto vinyl even if you wanted to, it would not track, so citing the vinyl versions of albums as 'escaping the loudness wars' doesn't really make sense. On a level playing field vinyl inherently has much less dynamic range.
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  5. #305
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    Live recordings from the 'Boston Tea Party' concert February 1970. Really good this one, not going to say essential but its close. If you like what PG does (or did).
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  6. #306
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    Quote Originally Posted by Barry View Post
    Yes, I agree with you and would place both 'Atom Heart Mother' and 'Meddle' above 'Wish You Were Here'.
    AHM and Meddle both come from a stylistically similar PF place, whereas musically WYWH is quite different, far more guitar driven, so maybe a bit odd to compare them, although they all definitely have that PF feel to them.
    Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.

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  7. #307
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    Shpongle – Ineffable Mysteries From Shpongleland
    Label: Twisted Records – TWSLP36RM21
    Format: 3 x Vinyl, LP, Album, Reissue, Remastered

    Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.

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  8. #308
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    Joe Satriani – Flying In A Blue Dream
    Label:Relativity – 465995 2, Relativity – REL 465995 2
    Format: CD, Album

    Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.

    Analog Inputs: Pro-Ject Signature 10 TT & arm, Benz Micro LP-S, Michel Cusis MC, Goldring 2500 and Ortofon Rondo Blue cartridges, Hitachi FT5500 mk2 Tuner

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    Output: Wilson Benesch Vector speakers, KLH Ultimate One Headphones

    Cables: Tellurium Q Ultra Black II RCA & Chord Epic 2 RCA, various speaker leads, & links


    I think I am nearing audio nirvana, but don’t tell anyone.

  9. #309
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    Quote Originally Posted by Macca View Post


    Live recordings from the 'Boston Tea Party' concert February 1970. Really good this one, not going to say essential but its close. If you like what PG does (or did).
    Is that the 'Boston Tea Party' (Parts 1 and 2) repackaged into one disc(s)?
    Barry

  10. #310
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    Quote Originally Posted by Macca View Post
    I get the impression that whoever wrote doesn't really know what they're talking about. Giving the DR scores for the vinyl releases is a bit of a giveaway there.

    Certainly 'Back To Black' is heavily compressed on CD - I know, I have it. You can't physically put that level of compression onto vinyl even if you wanted to, it would not track, so citing the vinyl versions of albums as 'escaping the loudness wars' doesn't really make sense. On a level playing field vinyl inherently has much less dynamic range.
    I agree, the 'DR' numbering system is meaningless. It has no relation to anything one would understand to be a measure of dynamic range (such as dB). And, as you correctly point out, vinyl recordings cannot possibly have as great a dynamic range as CDs.
    Barry

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