Can he supply them in kit form for us impoverished paupers?![]()
Can he supply them in kit form for us impoverished paupers?![]()
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Location: Montreal, Quebec, Canada
Posts: 30
http://www.stantondj.com/v2/prod_st150.asp
Do any of you have a Stanton 150 turntable? It seems to be made by the same people as the technics and look very similar.
So similar, I would bet it has the same bearing & platter..
Could it accomodate an outboard power supply and a custom bearing and platter??
very curious about the Stanton
Yves
Tecknics MK V, KAB Power supply,Mike New bearing and 12 pound platter, 2 TT Weights copper platters, 1 Oracle platter, Audiomod micrometer tonearm, Clearaudio Virtuoso cartridge - PS Audio GCPH modded phono pre, PS Audio modded PCA2 pre , 1 Citation16a fully rebuilt & modded, 2 bridged Citation16 partly rebuilt. Rewired & refoamed AR9 speakers.
Yves.
Hi Giovanni,
I'm not sure that's right in terms of cost. Best to PM Paul and check - he's a member here and very helpfulUhm... I can't find them on the Pauls' web site.
But if the SR2 costs 510 GBP, I can guess the SR3/SR5 should cost much more. Is that right?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Marco, you know I got the Soundhifi HE I (Dave Cawley will upgrade to II for free), not too long ago, so I'm not changing it (...well, not in the short term).
Anyway, I think it is a good thing, for all the forumers willing to buy a new PSU for their SL 1200, to know the cost/benefit ratio. To me is not enough to say "PSU X is better than PSU Y", if X costs the double of Y, well, maybe I'll get Y...
*BUT* (this is the point) I'll be very happy if X is better than Y *AND* costs the same or less.![]()
Giovanni.
he sounds pretty damn confident about the HE and even MORE confident about the HEii ... tis interesting
(trying not to be a spokes person)
CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra
Well he would be, Hamish. Dave's never exactly been 'shy' about proclaiming his Technics mods as best!! He is, after all, the self-proclaimed 'World's leading SL-1200 expert'!!he sounds pretty damn confident about the HE and even MORE confident about the HEii ... tis interesting
(trying not to be a spokes person)
IME, sometimes his mods are best, sometimes not. When I think they are the best I acknowledge them as such, and equally so when, IMO, they are not. I am no-one's loyal 'fanboy', and so I like to keep my options open. Experience shows it usually provides dividends.
It certainly did when I decided to audition the Paul Hynes SR3, which in my system, quite frankly, grossly outperforms the stock Timestep PSU, excellent though it is in its own right. Sometimes certain people have the edge in areas of design over others, and in my experience so far, Paul's T/T PSU designs are superior to Dave's.
I've no doubt whatsoever that the HE (and HEii - why not just build the best he can first time and be done with it?) are excellent products and significantly improve the performance of the SL-1200/1210. Dave will certainly have put a lot of R&D into their design.
However, as ever, the proof of the pudding is in the listening, so I will judge the HE (and HEii when it is available) against the Paul Hynes SR5 and the Tube Distinctions Revelation, and as ever form my own opinion from practical experience before arriving at any definitive opinions on which is best - and in the end it will only be 'best' to my ears in the context of my system![]()
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.