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Thread: The Marco-boy main system, as of August 2020

  1. #71
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,462
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Pigmy Pony View Post
    So, you've bought yourself a stereo, very nice!

    Love those speakers, and having a loo in between them will certainly come in handy, when the bass turns your bowels to water Cool music collection too

    Slight digression, but what's happening with the door's architrave? Your mitre saw still not turned up? I'll lend you mine
    Ha - you're referring to 'Tabatha's Dungeon'.... Yesh, you'll find out one day if you visit, but can't say any more now!

    So you like me 'ol wardrobes? I'm rather fond of them, too.

    Lol... The architrave is original - just the way it was done in 1887, when the house was built. All the doors are the same. If you scroll up and look at the ceiling, you'll see the beams and how the ceiling is sloped and angled (same at the other end of the room), which helps break up reflections and improves acoustics.

    Unlike many rooms, it's not a 'rectangular box'!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #72
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,462
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by struth View Post
    is that those little coloured things that sit on the headshell?
    If that's what those are, then Martin's getting closer, but still no cigar!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #73
    Join Date: Jul 2009

    Location: Hampshire, UK

    Posts: 3,687
    I'm Adam.

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    Quote Originally Posted by Marco View Post
    If that's what those are, then Martin's getting closer, but still no cigar!

    Marco.
    It's not one of those daft cartridge isolation washer things is it? The ones that usually completely screw up the cartridge's behaviour!
    Engineers: fixing problems you didn't know you had in ways you don't understand.

  4. #74
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,462
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Closer but not what you're thinking... And btw, I've used a number of the isolators you're referring to and they work really well, especially if you want to add some mass!

    This, for example, works really well with a DL-103: http://www.cabezon.eu/prestashop/hom...e-upgrade.html

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #75
    Join Date: Jan 2009

    Location: Essex

    Posts: 37,697
    I'm openingabottleofwine.

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    Quote Originally Posted by Marco View Post
    Closer but not what you're thinking... And btw, I've used a number of the isolators you're referring to and they work really well, especially if you want to add some mass!

    This, for example, works really well with a DL-103: http://www.cabezon.eu/prestashop/hom...e-upgrade.html
    I have used one with a Denon 103. It worked, but I preferred to use a thick lead shim to add weight. The shim was thinner than the graphite one, so didn't require the arm to be raised too much.
    Barry

  6. #76
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,462
    I'm AudioAl'sArbiterForPISHANTO.

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    Yeah, whatever works, works

    However, I do like using something in that application that does more than just adds mass, but also a layer of isolation/vibration absorption.

    In that respect, until I reveal exactly what this remarkable little device is, I'd ask everyone to have a think about the notion of decoupling... Should a cartridge be decoupled from the partnering arm, in terms of employing the use of some form of isolating device, or are you of a view that it should be securely coupled to its headshell?

    I know my thoughts on the matter, which I shall reveal shortly, but would be interested in hearing the thoughts of others

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #77
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,778
    I'm Andrew.

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    Quote Originally Posted by Marco View Post
    Yeah, whatever works, works

    However, I do like using something in that application that does more than just adds mass, but also a layer of isolation/vibration absorption.

    In that respect, until I reveal exactly what this remarkable little device is, I'd ask everyone to have a think about the notion of decoupling... Should a cartridge be decoupled from the partnering arm, in terms of employing the use of some form of isolating device, or are you of a view that it should be securely coupled to its headshell?

    I know my thoughts on the matter, which I shall reveal shortly, but would be interested in hearing the thoughts of others

    Marco.
    Decoupling the cartridge from the tonearm makes sense. Decoupling the cart from the tonearm and then the tonearm from the deck makes better sense.
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE / MONO
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker





  8. #78
    Join Date: Jan 2009

    Location: Essex

    Posts: 37,697
    I'm openingabottleofwine.

    Default

    Only a very tiny proportion of the mechanical power supplied by the record groove is converted into an electrical audio signal. The remainder has to go somewhere. If it is not absorbed within the cartridge, it will either be reflected back or transmitted into the arm. If transmitted, it can either be absorbed in the arm, or conducted through to the turntable where it will be absorbed by the turntable mass.

    I haven't tried The Cartridge Man's foam isolator, but have doubts over its efficacy. Given the price I'm not encouraged to try it.
    Barry

  9. #79
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,462
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Barry View Post
    Only a very tiny proportion of the mechanical power supplied by the record groove is converted into an electrical audio signal. The remainder has to go somewhere. If it is not absorbed within the cartridge, it will either be reflected back or transmitted into the arm. If transmitted, it can either be absorbed in the arm, or conducted through to the turntable where it will be absorbed by the turntable mass.

    I haven't tried The Cartridge Man's foam isolator, but have doubts over its efficacy. Given the price I'm not encouraged to try it.
    Now we're getting somewhere... But it isn't *that* one; it's something else that's been much more judiciously (and scientifically) designed - and works way, WAY better!

    What if a device had been invented that virtually eliminated the effect you describe and rendered it a non-issue, thus allowing the arm and cartridge to work truly symbiotically, unhindered by said effect - how much better might the music reproduced sound?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #80
    Join Date: Apr 2011

    Location: London

    Posts: 4,411
    I'm Robert.

    Default

    Quote Originally Posted by Marco View Post
    Now we're getting somewhere... But it isn't *that* one; it's something else that's been much more judiciously (and scientifically) designed - and works way, WAY better!

    What if a device had been invented that virtually eliminated the effect you describe and rendered it a non-issue, thus allowing the arm and cartridge to work truly symbiotically, unhindered by said effect - how much better might the music reproduced sound?

    Marco.
    Sounds bloody fab! NOW TELL US WHAT IT IS !!
    My System:
    Amplification - Sansui AU-alpha 707 DR
    Turntable - Technics SP10 MK2-Technics EPA-250 Tonearm-Yannis Tome 423.5Plus tonearm cable-Eichmann KLEI Absolute Harmony plugs.
    Ortofon Cadenza Black moving coil cartridge-Fritz Gyger S re-tip. Panzerholz plinth.

    CDP - Pioneer PD-91
    Speakers - Spendor D7 on Soundcare SuperSpikes
    QED Silver Spiral speaker cable-airloc banana plugs
    Mains - Ultra Pure silver plated un-switched socket-Missing link EPS 500 silver plated plugs-Hi-Fi Tuning gold plated silver ceramic 13 amp fuses

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