Shian7
--------------------------------------------------------
Kudakutemo
kudakutemo
ari mizu-no tsuki
Though it be be broken -
broken again - still it's there:
the moon on the water.
- Choshu.
Well I can assure you I don't, Mike, otherwise I wouldn't be asking! One thing about me is I always say what I mean.Sorry bud, but I do not think my comments are cryptic in any way.
I think you know exactly what I mean!![]()
Perhaps Rob or Steve, or any of the other mods, have a view and can see where Mike is coming from?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Oh!... apart from this one:
I am in no way attempting to defend JC or Ash!
Shian7
--------------------------------------------------------
Kudakutemo
kudakutemo
ari mizu-no tsuki
Though it be be broken -
broken again - still it's there:
the moon on the water.
- Choshu.
Stop panicking my friend!
All will be revealed in due course!.... time is at a premium ATM.
![]()
Shian7
--------------------------------------------------------
Kudakutemo
kudakutemo
ari mizu-no tsuki
Though it be be broken -
broken again - still it's there:
the moon on the water.
- Choshu.
I'm not panicking - I just want to know what you're on about!
Laters,
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Well below the Mason-Dixon line
Posts: 370
It is indeed, Tim. However there are plenty of other quality DACs that would show up the difference, too, which are current models, Rob's Apogee being one of them. There really is a world of difference between 'bog standard, entry level' DACs and what's available if one selects equipment somewhat more judiciously. Transports are a different matter, though, and effects there are more subtle (but still very noticeable) in my experience. However, get computer lossless streaming of music right and transports of any quality, playing CDs, become an irrelevance.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
I didn't mention ADM9's or whatever they are called, I found the marketing tirade from the chuckle brothers just as distasteful and unpalatable as everybody else...however Ashleys stance on Audiophile CD players sits 100% square with me, yes, there are some great players about yours included Marco but that's not where digital replay is going...
CD replay *is* outdated and I don't give a fig for whatever counter argument is thrown at that statement...computer playback be it in iPod form or PC/Mac based form is where the market is going and on top of the convenience of it all the sound quality also equals or matches audiophile CD players.
The downside, and I've said his to many people, is the initial setup and installation takes expertise and experience, it is not for the average guy in the street, yet, there are one box solutions that attempt to provide the convenience of PC replay with the familiarity of a standalone unit. I've always found up to now these types of units lacking in one way or another, be it features or cost or......whatever.....hence my adoption of PC/Squeezebox and the ditching of my Naim CD player.
Out of my many friends outside of my audio circle of friends there is just one who wants to still keep a 'traditional Hi-Fi' system and he only want to do this to play his old vinyl...all the others use iPods... They are the customers the ADM9s are aimed at.....not you or I.
Edit: I'll also add after reading the rest of the thread (and re-emphasise) the 'message' the 'brothers where spouting is the same , ADM9's aside, as Howard posted at the very start.
Last edited by NRG; 31-05-2008 at 00:11.
Hi Neal,
Thanks for the clarification. I agree with everything you've written apart from this bit (highlighted):
Whist no doubt a top-notch computer audio set-up could (and probably would) outperform a top-notch CD player iPods are a different kettle of fish. If we're talking about streaming lossless files with a squeezebox and high quality DAC, I'm with you, that probably would be as good or if not better than any CD player, but not an iPod. I'd take my Sony to win on sound quality against an iPod any day!CD replay *is* outdated and I don't give a fig for whatever counter argument is thrown at that statement...computer playback be it in iPod form or PC/Mac based form is where the market is going and on top of the convenience of it all the sound quality also equals or matches audiophile CD players.
This was one of the tests we had planned to carry out at AVI HQ, which Ashley eventually chickened out of doing after it became obvious that I wasn't willing to be brainwashed into his way of thinking and told how to listen!!
I completely agree. But one wonders why they've spent the last goodness knows how many months on various forums badgering people like us to conform to their way of thinking when it was a complete non-starter. It's not as if any of us here (or certainly very few) were ever likely to ditch our T/Ts, valve amps, big speakers, or whatever and buy ADM9s. It was the ultimate exercise in futility and a complete waste of their time and effort. All they achieved with their arrogant marketing is to put people off AVI for life! And if AVI are so successful, like Ashley claims, how can he afford to spend so much time on forums arguing with people who will realistically never be customers? It's all a bit weird...Out of my many friends outside of my audio circle of friends there is just one who wants to still keep a 'traditional Hi-Fi' system and he only want to do this to play his old vinyl...all the others use iPods... They are the customers the ADM9s are aimed at.....not you or I.
If you wish, but there's no need. I knew exactly what you meant from the very beginning but simply wanted to expand on it for the benefit of Tim who was clearly somewhat bemused by the whole issue.I'll also add after reading the rest of the thread (and re-emphasise) the 'message' the 'brothers where spouting is the same, ADM9's aside, as Howard posted at the very start.
I still don't know what Mike was on about, though...
Do you?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
I think I know where Mike is coming from, although correct me if I'm wrong Mike;
Ashley started a thread about computer based music being of a much higher standard than any other source, this led to the usual AVI debarkle that resulted in the ousting of Ash & JC.
Howard has 'seemingly' brought up the same subject and now we're discussing it sensibly and praising its merits.
--Hypocritical?--
Could be taken as so, but here's where it differs in my opinion:
Howard's business and experience resides definitely in the high end of hi-fi, and recently he's commented on whether purchasing a high-end CD player (£4k) was necessary anymore due to the quality available from a computer. From there the discussion has continued.
Ashley however markets a company that produces (on the whole) equipment much further down the price scale, equipment that could in no way rival high-end equipment. The AVI stuff simply isn't a high-end rival as it is an absolute product - a closed chain.
Computers as sources have a huge amount of variability and upgrade-ability, whereas the ADM things are as they are and in no way can be brought into high-end.
So whilst it may sound hypocritical, this thread is entirely different in that Howard is in no way trying to push a cheap product as something that beats every other form of high-end replay. He's not saying that computer audio is better than everything, he's simply asking if a computer is a viable alternative to a CD player in the form of a digital signal provider.
That's how I see it. Mike, is that what you were getting at?![]()
Lounge:
Samsung QE65QN80F 65" QLED TV
Echo Link streamer
RME Audio ADI-2 FS (AK4493) DAC
XMOS DSD Async
Emotiva A2+ power amplifier
Neat Motive SX1 speakers
Van Damme 4.00mm tour grade speaker cable
Audiocrast Spreizbar banana plugs
Chord Clearway XLR interconnects
Audioquest Crimson USB interconnect
QED Quartz Reference optical interconnect
Studio:
2022 MacBook Pro 14" M1 Pro 10/16/16/16
SMSL SU-1 DAC
Modified Fosi P4 preamp
Adam Audio T5Vs
Fenton 10" active sub
Fosi V1.0G integrated amp
Roxel RBS 300s
Several small valve preamps