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Thread: Marco's cleaning process with new vinyl, using an RCM

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  1. #1
    Join Date: Feb 2012

    Location: Falun, Sweden

    Posts: 2,245
    I'm Mike.

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    L Art Du Son really does what it claims, and i wouldn't exchange it for anything else. Yes, it has a best before date and you need to be really clinical when mixing, storing and handling the stuff.
    It's life, but not as we know it!
    I gave a bottle of premixed to my friend to try on his Okki, but i was cheap and used a used bottle (used for and old mixture of cleaning fluid, so nuttin worse)
    Within two months some form of mold had grown in his solution and it was useless.
    However, i o this doesn't have any bearing as the records are cleaned and dried and my opinion is that nothing will grow, or even stay on the surface after the cleaning.

    For me, cleaning also removes any static build up and i think youre overusing the vaccum Marco!

    Best regards Mike

  2. #2
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by AlfaGTV View Post
    For me, cleaning also removes any static build up and i think youre overusing the vaccum Marco!
    Lol - not really, Mike... I guess that there's a fine line between ensuring that the record is bone dry, after completing the cleaning process (and I mean genuinely bone dry, not merely 'bone dry,' after having given the playing surface a quick glance), and that all grunge removed has been successfully sucked clean from the grooves, and minimising static build-up.

    I find that my method of fastidious cleaning (and utilizing the Zerostat gun at the end to remove any small amount of static, remaining from the drying process), produces superb results - the best that I've ever achieved.

    YMMV

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


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