I have the masterclass PA-4. It surpassed the Trichord Diablo+NCPSU and a Whest 3.0 (one of the special editions), Lehmann black cube and a few others. I use it with the Ortofon ST80SE SUT with a Cadenza black and it's not been surpassed in years. BUT the MM stage on it's own is easily bettered and I prefer a tweaked EAR834 clone and to my ears (so far) is the best MM stage that I've heard for the price point paid. I've heard several Croft MM stages (yes I own that as well), and would say the Clone beats that hands down. The Paradise phonostage (which I own) is something altogether and you really need to get it properly tweaked to get the best from it (Speak to Si of this forum).
SS
CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10
VALVE / MONO
PRE Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker