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Thread: Confession Time - First Live Gig & First Record Bought

  1. #111
    Join Date: Jan 2009

    Location: Essex

    Posts: 38,037
    I'm openingabottleofwine.

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    Quote Originally Posted by Marco View Post
    Rammstein concert last night at the MEN in Manchester - what a f*cking riot that was!!

    Simply awesome musically and as a performance spectacle in itself...

    And my God it was painfully loud! We were sat pretty high up overlooking the stage and I could feel my trouser flaps flapping and chest cavity vibrating with the sheer intensity of the bass impact from the PA system - those amps must have been kicking out quite a few kilowatts of power

    Marco.
    Hi Marco,

    Trust you and Del were wearing ear plugs. Wouldn't want your enjoyment of the occasion to be spoilt by hearing damage.

    Regards
    Barry

  2. #112
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,937
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Barry,

    At one point I thought that it might be necessary, as the SPLs were literally shaking the foundations of the structure we were in, but surprisingly our ears weren't ringing afterwards!

    Fortunately for the sake of our hearing, we don't go to many of these types of gigs.

    We got back home though and (nearly) replicated the same effect with 'Du hast' blasting through the Tannoys!!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #113
    Join Date: May 2008

    Location: Cricklewood

    Posts: 9,074
    I'm ILOB.

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    I think Marco needs earplugs for his home sysytem as well Lol
    Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?

    Humour: One of the few things worth taking seriously

  4. #114
    Join Date: Dec 2008

    Location: East Riding of Yorkshire these days

    Posts: 4,775
    I'm Shaun.

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    It'd be no good Marco coming for a sesh at our house...! I'm in the middle of listening to Rebecca Pidgeon very quietly...!! These days I seldom do anything noisily... well, almost anything...

  5. #115
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,937
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Lol.... Rammstein must be listened to at ear-bleeding levels - it just doesn't work any other way!

    I also like Rebecca Pidgeon. Barry knows how varied my taste in music is - I can go from Rammstein to Frank Sinatra all in the one sesh!!

    What was really funny though was that before the concert started I got chatting to a guy sitting next to my wife who had come all the way down from Lennoxtown, just outside of Glasgow, to go to the gig.

    Anyway, It turned out he was also a Celtic fan, so we were chatting about football, and when I get talking to someone else from Glasgow, my accent changes somewhat and I start using Scottish slang.... So the vernacular was, shall we say, 'rife'....

    Next thing, two girls sitting next to me turned round and asked "Where are you from, Germany or the Czech Republic"?

    I giggled to myself and couldn't resist replying: "Naw, hen, am fae Glesga!"

    The look on their faces was priceless!!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #116
    Join Date: Jan 2009

    Location: Essex

    Posts: 38,037
    I'm openingabottleofwine.

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    Quote Originally Posted by Marco View Post
    Hi Barry,

    At one point I thought that it might be necessary, as the SPLs were literally shaking the foundations of the structure we were in, but surprisingly our ears weren't ringing afterwards!

    Fortunately for the sake of our hearing, we don't go to many of these types of gigs.

    We got back home though and (nearly) replicated the same effect with 'Du hast' blasting through the Tannoys!!

    Marco.
    Hi Marco,

    Glad to hear that both you and Del survived the ear hammering.

    Without wishing to come across an insufferable nanny, you do have to be careful when attending loud performances. It only takes a single exposure to a very loud noise to damage your hearing; either loosing a few KHz off the top end or inducing tinnitus.

    Our ears have a natural protection mechanism and a certain amount of self repair, however this ability falls off as we get older. Be warned!

    Regards
    Barry

  7. #117
    Join Date: Feb 2010

    Location: Moved to frozen north, beyond Inverness

    Posts: 2,669
    I'm Dave.

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    Am I in the wrong place? If so, sorry!

    Paul Lewis playing Mozart: Adagio in B minor, K540,Schumann: Fantasie in C, Op 17, Liszt: Vallée d'Obermann and
    Beethoven: Piano sonata no 21 in C minor, Op 53 (“Waldstein”) with the shortest encore imaginable.

  8. #118
    Join Date: Jan 2009

    Location: Essex

    Posts: 38,037
    I'm openingabottleofwine.

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    Quote Originally Posted by dave2010 View Post
    Am I in the wrong place? If so, sorry!

    Paul Lewis playing Mozart: Adagio in B minor, K540,Schumann: Fantasie in C, Op 17, Liszt: Vallée d'Obermann and
    Beethoven: Piano sonata no 21 in C minor, Op 53 (“Waldstein”) with the shortest encore imaginable.
    Where did you hear that Dave? Quite often if the soloist has not been happy with his performance the encores can be short, regardless of audience appreciation.

    Regards
    Barry

  9. #119
    Join Date: Mar 2009

    Location: north yorkshire

    Posts: 700
    I'm john.

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    Well going back a few years...david bowie ziggy stardust days manchester..and it was mint




    jon

  10. #120
    Join Date: Feb 2010

    Location: Moved to frozen north, beyond Inverness

    Posts: 2,669
    I'm Dave.

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    Quote Originally Posted by barry.d.hunt View Post
    Where did you hear that Dave? Quite often if the soloist has not been happy with his performance the encores can be short, regardless of audience appreciation.

    Regards
    Claygate - see http://www.ocms-music.org.uk/OCMS-20...aul-Lewis.html Difficult to say how Paul felt about it all. He seems very serious, as though he doesn't like encores, unlike some - Stephen Hough for example, and from a bygone era and now now longer with us, Shura Cherkassky. There weren't any major problems as far as I could tell, though there were some extraineous noises/resonances which he might have found disturbing from some instruments (cymbals, drums) left nearby.
    Dave

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