This very evening - Sony CDP-777ES for £560
Nice.
This very evening - Sony CDP-777ES for £560
Nice.
Steve aka 'Twelvebears' (it's a long story)
System: Technics 1210 Mk5, Jelco 750 arm, AT33EV via MF X-LP2 Phono Stage, Oyaide mat and record clamp. SB Touch via Marantz PM-11S1 amp and Wilson Benesch A.C.T. speakers. Mark Grant cables and PS Audio Power Plant Premier mains regenerator.
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Wasn't the 777 one of the classic ones we never saw, or was it the 557 - I lose track of model numbers.
I think the last one of this series we saw in the UK was a single "7" digit IIRC. It was a smoothy as I recall and the last ones were flogged off for £550 approx in HyperFi....
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
At the time, it was being lamented that none came over here. Obviously some did, either grey imported, or a handful to the best city dealers perhaps. What a shame....... I believe the German audio scene was wetting itself over it and even Ash had some good things to say about these players (and I mean that as the sincerest compliment)
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Location: Yorks
Posts: 16,643
I'm Nobody.
I am quite happy actually. Just hoping it's a good as it looks in the pics. The owner (he's had it from new) insists it's been only lightly used in the time he's owned it, so fingers crossed.
My plan is to get him to send it straight to Mark at Audiocom, so that he can get to work on it. Will be a bit tortuous not getting to see it first but it'll save postage cost and bother.
Steve aka 'Twelvebears' (it's a long story)
System: Technics 1210 Mk5, Jelco 750 arm, AT33EV via MF X-LP2 Phono Stage, Oyaide mat and record clamp. SB Touch via Marantz PM-11S1 amp and Wilson Benesch A.C.T. speakers. Mark Grant cables and PS Audio Power Plant Premier mains regenerator.
(\__/)
(='.'=)
(")_(")
Location: Yorks
Posts: 16,643
I'm Nobody.
Service manual if you need it
http://pcbunn.cithep.caltech.edu/jjb...CDP-X777ES.pdf
Andre, you're driving me bonkers with that F307 avatar. I have no need for it now but the F307 is one amp I'd LOVE to own for some strange reason....
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Location: Near Saffron Walden, Essex
Posts: 7,357
I'm Dave.
Why ???
I've got one in the loft and that's where it belongs. Looks great but......![]()
Location: Yorks
Posts: 16,643
I'm Nobody.