Marco -
How so?.............actives (done well) can be very good, but the problem is that this approach takes valve amps out of the equation, so what may be gained on one hand is (for me) taken away rather more on the other...
Location: Lancaster(-ish), UK
Posts: 16,936
I'm ChrisB.
Marco -
How so?.............actives (done well) can be very good, but the problem is that this approach takes valve amps out of the equation, so what may be gained on one hand is (for me) taken away rather more on the other...
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Ali,
And so would I with the lack of scale (and bass grunt in comparison to what I’m used to), low sensitivity and loudness capabilities, of electrostaticsMaybe so,but you get rid of an even bigger problem-the box! No going back for me.I would find it very difficult to live with a box speaker again.
Good Tannoy dual-concentrics in superbly-made cabinets offer a very entertaining slice of the benefits of both approaches, in my experience, as you hear very little of the box and get all the benefits of massive (tightly controlled when driven by a suitably capable amp), extremely time-aligned, coherent, drive units showcasing music in all its glory. If you're coming to Scalford Hall in March, I look forward to demonstrating this to you
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Each to their own.I'm sure the Tannoys are very good,but high spl's are not a priority for me.The statics go more than loud enough.Also,I don't think a cone speaker exists that can match a statics transparency and imaging capabilities.These things are a priority for me.Some do get close though.However,next year will hopefully see the direct-coupled amp completed.This,to mine and other's ears has raised the bar in what is possible from a valve amp.I can't wait!
Last edited by Ali Tait; 30-12-2009 at 12:52.
Ali,
Believable scale and 'musical realism' (read as: truly extended dynamic range and the highest level of resolution possible from a system and loudspeakers within my financial and room constraints) are as important to me as imaging ability (and other recognised traits of electrostatics) is to you.
I don't often listen really loud, but when I choose to do so, I enjoy the ability to create the (near) effect of a live gig (or acoustic musical performance) in my room without things running out of steam, or worse, sparks flying from the partnering equipment or speakers!
That's it in a nutshell, matey!Each to their own...
Could you expand on this a little? That sounds very intriguing!However,next year will hopefully see the direct-coupled amp completed.This,to mine and other's ears has raised the bar in what is possible from a valve amp.I can't wait!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Hi Chris,
I suspect that valves would be much too microphonic to perform optimally inside the cabinets of actively-driven speakers (although it seems that Ali may have heard something to disprove that theory)
I'm also not aware of any valve-based active speaker designs on the market (certainly any of repute), are you?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Lancaster(-ish), UK
Posts: 16,936
I'm ChrisB.