Awesome. That's got to be up there with the big EMTs and your SP10
Not sure about the arm, though. It looks a bit 'flimsy'...
John and Andy, interesting comments. I'll get back to you later.
Marco.
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,478
I'm AudioAl'sArbiterForPISHANTO.
Awesome. That's got to be up there with the big EMTs and your SP10
Not sure about the arm, though. It looks a bit 'flimsy'...
John and Andy, interesting comments. I'll get back to you later.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Trade: Pure Sound
Location: South West England
Posts: 958
I'm Guy.
Richard Huxley of Strasbourg Audio (enjoy the music on other fora) has had mint examples of the Denon, the EMT 950 and the SP10Mk3. He said that it was surprising how similar sounding these turntables became once speed fluctuation was no longer an issue.
SP10 Mk3 in the massive SAEC SBX3 plinth
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,478
I'm AudioAl'sArbiterForPISHANTO.
And how right he is! Like I've said before, when you all but eradicate speed fluctuation, vinyl replay has the 'security' and pitch stability of CD - there is simply little sense of a stylus tracking a plastic groove - but one gets all the natural 'warmth' of vinyl along with its undoubtedly superior dynamic range. Welcome to the world of high quality direct-drive!He said that it was surprising how similar sounding these turntables became once speed fluctuation was no longer an issue.
The result? Musical bliss, and a very happy place to be
That MK3 looks simply stunning! I'm afraid it is decks like that which reduce 95% of T/Ts currently on the market to the status of mere toys.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Senior Member
Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...
Posts: 14,540
I'm David.
I was rudely reminded recently how REALLY good vinyl reproduction can be - and not on a wanky springy rubber belt driven "icon" either. Apart from the SL1200 series, you need to spend serious money to get that utter stability unless you find a bargain used.
Co-Founder/Administrator
Location: Norfolk, UK
Posts: 6,258
I'm BigBobJoylove.
Now I wonder which turntable you could be talking about.Originally Posted by DSJR
Lounge:
Samsung QE65QN80F 65" QLED TV
Echo Link streamer
RME Audio ADI-2 FS (AK4493) DAC
XMOS DSD Async
Emotiva A2+ power amplifier
Neat Motive SX1 speakers
Van Damme 4.00mm tour grade speaker cable
Nakamichi Fanlock banana plugs
Chord Clearway XLR interconnects
Audioquest Crimson USB interconnect
QED Quartz Reference optical interconnect
Studio:
2022 MacBook Pro 14" M1 Pro 10/16/16/16
SMSL DAC
Modified Fosi P4 preamp
Adam Audio T5Vs
Fenton 10" active sub
Roxel RBS 300s
Several valve preamps
Moderator
Location: Ayrshire
Posts: 1,359
I'm OneOfTheSevenModsWhoToldMarcoNotToLiftHarry'sBan.
Now I wonder which turntable you could be talking about.
Mine.
ATB
David
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,478
I'm AudioAl'sArbiterForPISHANTO.
Ah, but the difference is, dude, you like what it does and just get into the music. You're not claiming that the LP12 is 'accurate'
Plus, you don't give a f*ck what anyone else thinks anyway - and quite right, too!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Moderator
Location: Ayrshire
Posts: 1,359
I'm OneOfTheSevenModsWhoToldMarcoNotToLiftHarry'sBan.
Correct.
ATB
David
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,478
I'm AudioAl'sArbiterForPISHANTO.
I know you well, mate
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Purveyor Of Tunes
Location: Cricklewood
Posts: 9,074
I'm ILOB.
Marco
Sorry I am new hear and find myself wondering have you gone into detail about what you done to your modified turntable and how it helped the sound; if not would you consider doing this I be really interested in the logic of you thinking and how you went about this
Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?
Humour: One of the few things worth taking seriously
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