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Thread: Are Hifi Reviews Flawed?

  1. #21
    Join Date: Apr 2009

    Location: Near Saffron Walden, Essex

    Posts: 7,357
    I'm Dave.

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    Over the years I have been approached by a few manufacturers and distributors about the possibility of starting a magazine written by manufacturers, designers and distributors.

    The idea being that the products could be described, tested, discussed and the deign points explained in great detail. Throw in some good photography and you have an interesting and informative magazine written by experienced professionals. Of course, not all written would be 100% reliable and/or factual but that is the case with the established magazines and at least you would know that this is the case.

  2. #22
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,479
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Dimitri,

    Your idea is good, Paul.

    But I consider that both objectivists and subjectivists would be against : the first because they don't believe in differences, the latter because they don't like following rational ("objective") methods.
    That's certainly not true in my case, as a subjectivist. Have you read the section about this in 'Our Ethos'?

    I would gladly, with wide-open arms, follow (and wholeheartedly embrace) "rational" objective methods when evaluating 'all things audio' *IF* I believed that they provided unquestionable and definitive proof for every effect I can genuinely hear with my ears - and most importantly, that we were currently able to measure everything in audio/hi-fi that needs to be measured. I don't believe that this is the case.

    After all, it would make life a heck of a lot easier if a simple readout on a piece of measurement apparatus told us everything we needed to know about how hi-fi equipment (and cables) treat music signals, and how the brain then processes the information...

    As long as that remains not to be the case, and that objective methodology/analysis, and scientific 'proof' derived from such, fails to explain phenomena, the effects of which my ears can genuinely hear, then for me, 'rational objective methods' will remain flawed, as they only tell part of the story. That's the only reason why I have a problem following such a methodology, not because I'm some blinkered dyed-in-the-wool subjectivist with his head in the sand.

    I trust that this now makes my position on the matter (and also that of AoS, in this instance) crystal clear

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #23
    Join Date: Sep 2009

    Location: France

    Posts: 3,209
    I'm notAlone.

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    Have you read the section about this in 'Our Ethos'?
    I was talking in general, Marco. I guess you're conscious that AoS is an exception, not the rule.

    As far as the methodology is concerned, for me, both subjectivist and objectivist methodologies are flawed. That's why I only trust selected people, not methodologies.
    Dimitri.

    In a time of deceit telling the truth is a revolutionary act.
    George Orwell

  4. #24
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,479
    I'm AudioAl'sArbiterForPISHANTO.

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    In other words, 'trusted ears', either belonging to a real person or a 'virtual' one on a forum

    I do the exact same thing myself when I need a second opinion on anything hi-fi related. It's the only true way of genuinely progressing from one's current viewpoint on a particular matter.

    I guess you're conscious that AoS is an exception, not the rule.
    Indeed - hence why we started the forum!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #25
    Join Date: Sep 2009

    Location: France

    Posts: 3,209
    I'm notAlone.

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    Quote Originally Posted by Marco View Post
    In other words, 'trusted ears', either belonging to a real person or a 'virtual' one on a forum

    I do the exact same thing myself when I need a second opinion on anything hi-fi related. It's the only true way of genuinely progressing from one's current viewpoint on a particular matter.

    Indeed - hence why we started the forum!

    Marco.
    Exactly ! Progressing by specific groups it's the best method, I agree !
    Dimitri.

    In a time of deceit telling the truth is a revolutionary act.
    George Orwell

  6. #26
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,479
    I'm AudioAl'sArbiterForPISHANTO.

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    Such a methodology is by no means easy or straightforward to implement, though.

    If you're not very careful, and continually test and evaluate your findings at different intervals and in different environments, all you end up doing is sharing each other's biases and convincing one another than an outcome is 'correct', when in reality it's not quite as 'correct' as you first thought it was - been there, done that, and learnt from it!

    Ultimately though, if carried out properly by 'rational' people with the requisite hearing acuity and experience of judging required evaluation parameters, I believe that this method is far more 'accurate' (in the 'human' sense that really matters) than currently any 'definitive proof' is from a piece of measurement apparatus.

    Quite simply, until someone invents a 'magic box' which can measure how we, as humans, enjoy the sound of reproduced music through a hi-fi system, then our ears will continue to provide the best answers.

    This is an interesting but rather complicated subject!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #27
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

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    Is it not true that if an hifi reviewer says something good it's usually not & vise versa? I've found this


  8. #28
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,479
    I'm AudioAl'sArbiterForPISHANTO.

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    Andre, I think that we either believe that all hi-fi reviewers are heavily biased (for whatever reason) and thus talk bollocks, or we can relate to certain observations they make in some way. I occasionally occupy the latter position; but more often than not find myself in the former.

    For example, since Alan Sircom (new editor of Hi-fi+) has began contributing on forums (he's a member here, for example) I've found myself agreeing with awful lot of what he writes, and he portrays it so eloquently, too.

    But, as Dimitri and I have said, the 'trusted ears' of people you know are the most influential, whenever you feel like a second opinion is needed

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #29
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

    Default

    Quote Originally Posted by Marco View Post
    Andre, I think that we either believe that all hi-fi reviewers are heavily biased (for whatever reason) and thus talk bollocks, or we can relate to certain observations they make in some way. I'm occasionally in the latter position; but more often than not find myself in the former.

    For example, since Alan Sircom (new editor of Hi-fi+) has began contributing on forums (he's a member here) I've found myself agreeing with awful lot of what he writes, and he portrays it so eloquently, too.

    But, as Dimitri and I have said, the 'trusted ears' of people you know are the most influential, whenever you feel like a second opinion is needed

    Marco.
    Well i've not picked up an hi-fi magazine for years because of the constant misleading nonesence, i think the last was when well know hi-fi mag had been out probably around a year, i found myself getting intrested in certain things, go listern to only be dissapointed, the dealers would say virtually the same as the magazine even as if they actually read the article & reiterated it back to me during demo.i've never bought a rag not bought from a dealer since.

  10. #30
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,479
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Yep, I know exactly what you mean.

    However, if being honest, wouldn't you say that you are (or have been) influenced by, for example, Russ Andrews and the whole RATA/Kimber cable system building methodology?

    Evidence from what you write appears to suggest this therefore perhaps you're more influenced by the views of certain people than you think?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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