Ha, if I'm beating other people to understanding this then I would politly suggest that they are fucked... Gimmi a sec let me re read some stuff!!
I believe it is a state of mind and an approach to evaluating hi-fi systems
I associate the term negatively with hi-fi made by Linn or Naim
If you want flat earth only Linn or Naim will do.
Ha, if I'm beating other people to understanding this then I would politly suggest that they are fucked... Gimmi a sec let me re read some stuff!!
CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra
I'm going to do some searching and linking to stuff on PFM.
alfie
Main System: Denon DP-6000 VPI Base/Fidelity Research FR64s/Ortofon SPU Royal GM MKII/Shelter 901/Auditorium 23 SUT/Pure Sound P10/SB Touch or Audio Note CDT & M2Tech Young Dac/BL Audio LP-1/New Audio Frontiers KT66 Legend/Living Voice OBX.
2nd System: PC/Foobar/E-MU 0404 pci (Modded)/AVI ADM9/Rel Strata II subs.
...and here's the rub and why many flat earthers have gone down the valve route. Valves give you better PRAT, dynamics more tune and to boot all the presentational aspects like soundstaging etc.I'm not getting anywhere, I'm fine & happy where I am, Somewhere in the middle of what I understand as 'Flat or Round Earth' I will, & always have, used my ears to chose my Hi-Fi but I also read the measurements too. I want 'PRAT' but also the 'Hi-Fi' attributes!
I'd regard tonality and texture to be communication rather than presentation though as they convey the musical message with even more impact.
As for detail, surely this, over some notion of measured accuracy brings greater insight into the music, does it not?
Alfie, your sig definitely places you firmly in the flat earth camp according to our definition and in accordance with the poll results so far.
Ok, I can see a lateral conection to flat earth.
But guys seriously if you are asking for constructive critism then take my confusion as that constructive critism! I know I am not the most well informed audiophile, but I'd like to think that I like the others who haven't grasped what you are getting at arnt the least well informed! And if we aren't the least well informed then there are going to be a lot of less well informed who might well be even more confused!
If the idea is to put accros you stance on hifi, then it might be worth coming up with an easier way of describing it!
It's your call at the end of the day, but like I say your current flag colours are a bit to blurred to make out ... In my view at least
CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra
LOL... I meant "getting somewhere" in terms of seeing how we (AoS) define the term 'flat-earth'I'm not getting anywhere, I'm fine & happy where I am, Somewhere in the middle of what I understand as 'Flat or Round Earth' I will, & always have, used my ears to chose my Hi-Fi but I also read the measurements too. I want 'PRAT' but also the 'Hi-Fi' attributes!
The systems belonging to Steve and I major more now, sonically and musically, on traditional 'flat-earth principles' than they ever did when we used Naim or Densen - two brands synonymous with the stereotypical 'flat-earth' sonic approach to audio.
That is largely the point we're trying to get across.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
...and in addition we derive more in the way of texture, tonality and harmonics (musical communication) as well as imaging/staging (presentation.)LOL... I meant "getting somewhere" in terms of seeing how we (AoS) define the term 'flat-earth'
The systems belonging to Steve and I major more now, sonically and musically, on traditional 'flat-earth principles' than they ever did when we used Naim or Densen - two brands synonymous with the stereotypical 'flat-earth' sonic approach to audio.
That is largely the point we're trying to get across.
I guess it's a case of getting the best of both worlds, or earths.
There is a loose correlation between flat earth/round earth and subjectivism/objectivism.
Best if both worlds.. Now see, there's a nice litle tag line! That would make much more sence to me... Perhaps it's a bit obvious, but maybe that is what is needed??
CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra
As a side note (I do like my side notes) confusion can lead to people feeling departed from a veiw, am sure most of the regulars wouldn't hold it against you but you don't want new comers not understanding and feeling separated from what might apear a shared view! It could also lead to people seeing you as being elitist or snobby (not that you are being at all) and it would be a shame to give off a false view of something that I have recently experienced as benificial to my music enjoyment... Especially as the main thin I love about this forum is that it is about getting great sound for pound! Sound for pound ideals could be blured and you could be left with a forum that doesn't have a solid and easy to understand reason for people to stay... Which is so far something that I personally think you have achived quite well!!
CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra
Hi Steve,
It all depends on where we see the lines drawn between the two camps! I believe things aren't so clear cut anymore YMMV. As I've been saying peoples definition of 'Flat Earth' varies as there is no clear cut definition. We all know what we think it means!
Where does the Linn front end thing fit in these days! 'Flat Earth' theory had you spending the lions share on the source even if it meant having quite poor amps/speakers. Just a few days ago I listened to a system with a 5K source 80k worth of amps & 190k (I think thats the final price) speakers. It was awesome, breathtaking I have never been so emotionally moved by recorded music ever! Totally unattainable system for me & for most! Couldn't be further away from Linn 'Flat Earth' hierarchy though.
alfie
Main System: Denon DP-6000 VPI Base/Fidelity Research FR64s/Ortofon SPU Royal GM MKII/Shelter 901/Auditorium 23 SUT/Pure Sound P10/SB Touch or Audio Note CDT & M2Tech Young Dac/BL Audio LP-1/New Audio Frontiers KT66 Legend/Living Voice OBX.
2nd System: PC/Foobar/E-MU 0404 pci (Modded)/AVI ADM9/Rel Strata II subs.