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Thread: Valve power - feel the force!

  1. #51
    Join Date: Feb 2008

    Posts: 424

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    Quote Originally Posted by Marco View Post
    I don't hear any "clipping", and so don't need to "pay attention", JC. The bottom line is my valve amps sound simply wonderful - better to my ears than any solid-state designs at any price I've owned or heard, and this is all that matters to me. I really couldn’t give a monkey’s about anything else!

    Marco.
    Ahem, the clipping is there, you are in denial.

    You have become accustomed to that particular distortion and to you, it sounds "right" and "musical".

    Another listener would be able to identify that phenomenon and in my opinion if the ss amp were sufficiently powerful would correctly identify it as "superior".

    This situation is usually glibly resolved by saying, everyones opinion is valid and it simply boils down to personal preference.

    Please allow me that preference without telling me only your ears are a criterium.

  2. #52
    Join Date: Feb 2008

    Posts: 424

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    There has been a considerable amount or informed research on this topic, I expect Ashley has reminded you of it.

  3. #53
    Join Date: May 2008

    Posts: 191

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    Quote Originally Posted by jcbrum View Post

    Please allow me that preference without telling me only your ears are a criterium.
    Criterion.

    Now playing:

    'Shit Arm, Bad Tattoo' by Half Man Half Biscuit.

    "If you must quote from The Book of Revelation
    Don't keep calling it The Book of Revelations
    There's no s, it's the Book of Revelation
    As revealed to Saint John the Divine
    (See also Mary Hopkin, she must despair)"

    'Upon Westminster Bridge'

    "Oh help me Mrs Medlicott
    I don't know what to do
    I've only got three bullets
    And there's four of Motley Crue"
    Last edited by Iain Sinclair; 03-05-2008 at 20:21.

  4. #54
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,027
    I'm AudioAl'sArbiterForPISHANTO.

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    I don't give a toss about "informed research", JC. Why should I? I'm not a manufacturer. It's my system and I'm delighted with it, so therefore my ears are the most important arbiter, not Ashley's!

    My current valve amps sound better than any solid-state amps I've heard or owned - simple.

    I see your pal's bottled out of the meeting again, incidentally.

    Marco.

    P.S Iain - nicely corrected. I was going to point out JC's error myself but felt it somewhat cruel
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #55
    Join Date: Jan 2008

    Location: Norfolk, UK

    Posts: 6,258
    I'm BigBobJoylove.

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    Quote Originally Posted by jcbrum View Post
    ...you are in denial...
    There's only one person in denial here, and it ain't Marco!

    Lounge:
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    Echo Link streamer
    RME Audio ADI-2 FS (AK4493) DAC
    XMOS DSD Async
    Emotiva A2+ power amplifier
    Neat Motive SX1 speakers
    Van Damme 4.00mm tour grade speaker cable
    Audiocrast Spreizbar banana plugs
    Chord Clearway XLR interconnects
    Audioquest Crimson USB interconnect
    QED Quartz Reference optical interconnect


    Studio:
    2022 MacBook Pro 14" M1 Pro 10/16/16/16
    SMSL SU-1 DAC
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    Several small valve preamps

  6. #56
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,027
    I'm AudioAl'sArbiterForPISHANTO.

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    Precisely, mate!

    Have you completed your erudite appraisal yet of those ADM9s you had the pleasure of hearing?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #57
    Join Date: Jan 2008

    Location: Norwich

    Posts: 1,064
    I'm Mike.

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    A CRITERIUM is a combination of CRITERION and CREMATORIUM

    How's that for a red-hot established standard ?

    Obviously burnt at the altar of conventional audio by J.C.Brum

  8. #58
    Join Date: May 2008

    Posts: 191

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    Quote Originally Posted by Marco View Post
    P.S Iain - nicely corrected. I was going to point out JC's error myself but felt it somewhat cruel
    I agonised for a while before posting; are ears a criterion, or must they, being plural, be criteria? But even my pedantry has its limits!

  9. #59
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,034
    I'm inthescottishmafia.

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    J.C.,why all the talk about clipping? 0.5w per channel output power is ample if your speakers are sensitive enough.Witness Steve Sheils open baffle speakers at Owstfest,driven by his amp at around 1.5 watts,effortlessly filling what is a very large room(compared to the average living-room).High-power amps are common because there are so many poorly designed commercial speakers around,with insensitive drivers and complicated crossovers sapping the current available from the amp.If they were designed correctly in the first place,300w or so per channel would never be needed!

  10. #60
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,027
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Mike Reed View Post
    A CRITERIUM is a combination of CRITERION and CREMATORIUM

    How's that for a red-hot established standard ?

    Obviously burnt at the altar of conventional audio by J.C.Brum
    Hilarious!



    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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