That's computers for you, well PCs anyway.![]()
That's computers for you, well PCs anyway.![]()
Lounge:
Samsung QE65QN80F 65" QLED TV
Echo Link streamer
RME Audio ADI-2 FS (AK4493) DAC
XMOS DSD Async
Emotiva A2+ power amplifier
Neat Motive SX1 speakers
Van Damme 4.00mm tour grade speaker cable
Audiocrast Spreizbar banana plugs
Chord Clearway XLR interconnects
Audioquest Crimson USB interconnect
QED Quartz Reference optical interconnect
Studio:
2022 MacBook Pro 14" M1 Pro 10/16/16/16
SMSL SU-1 DAC
Modified Fosi P4 preamp
Adam Audio T5Vs
Fenton 10" active sub
Fosi V1.0G integrated amp
Roxel RBS 300s
Several small valve preamps
I used a Mac for years until around 8 months ago, now I'm all Ubuntu Linux:
http://www.theregister.co.uk/2008/03...left_standing/
Surprised by the Mac's performance TBH!!!
Glad you're liking your amps Richard, lots of perspex boxes around your house then!
More black boxes...
From the bottom up...
PSU for the Phono2 phono amp
CA 840C
A60 & A30 power amps
P90sa Pre
Phono2 phono stage
Bi-amping? I'm getting my LS5 speaker cable (currently only set for bi-wire at the speaker end) converted to bi-wire at the amp end to allow for the bi-amp, but yesterday, just for the hell of it, I connected the A30 up to the tweeters using some old Exposure cable (it's pretty much NACA4/5 - looks identical bar the labelling).
Genuinely surprised by the difference this has made, even though it's compromised by the cable mis-match. More presence, clearer midrange projection - ie there's much better pitch coherence and intensity. Clearly better dynamics but best of all, there's a much better sense of urgency. Music feels like it's going somewhere.![]()
Richard.
Round & round bits: LP12/Cirkus/Kore/Herc II/Roksan Nima/Hana EL
Megabits: Bluesound Node 2i/TEAC UD-H01 dac
Making it louder bits: Phonostage: Dynavector P75 Amp: Cyrus 8vs/PSX-R Speakers: Royd Sintra II
Connecting it together bits i/c's: Flashback Premier. Speaker cables: Van Damme Hifi
Nice stuff, Richard, and it's an obviously well thought out system![]()
Have you ever thought of getting rid of that crappy 'B&Q'-type mains block, though?
Or is it something you've built yourself?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Richard.
Round & round bits: LP12/Cirkus/Kore/Herc II/Roksan Nima/Hana EL
Megabits: Bluesound Node 2i/TEAC UD-H01 dac
Making it louder bits: Phonostage: Dynavector P75 Amp: Cyrus 8vs/PSX-R Speakers: Royd Sintra II
Connecting it together bits i/c's: Flashback Premier. Speaker cables: Van Damme Hifi
Dont get him started Rich! He talked me through his hifi power 'arrangement' and I was left cowering...I bet the street lights in Chester dip when Mad Marco powers up!
Haha...yes it is rather 'OTT', but I wouldn't have it any other way because I know how influential it's been to the results I've obtained from my system
Seriously though, Richard, you should look into this area of your system and ascertain what improvements could be made. Simply doing away with the Maplin block (they really are horrible things, sonically, especially in a quality hi-fi system like yours) and installing a series of wall sockets attached to a separate spur, would give a noticeable improvement in the sound quality of your system.
Are you using bog standard 'kettle leads', too?
I'm not suggesting you go 'daft' about this stuff, like me (LOL!) but a little attention to detail will pay dividends, I can promise you that, especially as you have all the right 'building blocks' already in place
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Hi Marco - unfortunately we presently live in a rented house in London (our own gaff is up in Cheshire) so putting a separate spur in is a no-no.
We're thinking of building our own place shortly so I'll most definitely be thinking 'hifi' when the wiring's being done.
I am using a Chord Powercord on the CD player though.![]()
Richard.
Round & round bits: LP12/Cirkus/Kore/Herc II/Roksan Nima/Hana EL
Megabits: Bluesound Node 2i/TEAC UD-H01 dac
Making it louder bits: Phonostage: Dynavector P75 Amp: Cyrus 8vs/PSX-R Speakers: Royd Sintra II
Connecting it together bits i/c's: Flashback Premier. Speaker cables: Van Damme Hifi
Nice one, Richard. I like the idea of building your own gaff. I hope it goes well for you. If you would like any advice regarding installing the mains set-up for your system when the time comes let me know
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
It had to happen - went for broke and bought Jerry's mint condition A80 mono's.
Need to sell the little A30 power now and get onto saving for a pair of A40's to bi-amp.
Oh, and while we're here...
Just re-positioned the Spacedeck and sat down to some more tunes.
Verdict? Same obsvervations apply re the sound of the 1210 vs the NAS - the NAS is clearer, better organised - the music in this instance is Eddie Daniels 'Blackwood' with ED's Clarinet having quicker, more 'bubbly' articulation. Phrases and breaks are easier to follow, there's a greater sense of progress and brio and where the Technics would lose grip slightly on musical dynamics (ie if a phrase is pushed harder) the NAS definitely has greater headroom.
However...and this is where things get interesting...
The 1210's bass is stunning - the particular lp mentioned above has lots of really deep bass synth which is nearly always playing just before or after the main beat, giving a sense of 'swing' to use a vague description - it's 'funkier' in other words. Addictive in fact.
For a 'cheap' (and it is cheap - in terms of £££) Japanese DD turntable to get this close, totally bog-standard (bar using the NAS Spacemat with Ringmat on top) to easily the best, most musical turntable I've owned in 30 years, is starting to go down as possibly the biggest wake-up call this year.![]()
Richard.
Round & round bits: LP12/Cirkus/Kore/Herc II/Roksan Nima/Hana EL
Megabits: Bluesound Node 2i/TEAC UD-H01 dac
Making it louder bits: Phonostage: Dynavector P75 Amp: Cyrus 8vs/PSX-R Speakers: Royd Sintra II
Connecting it together bits i/c's: Flashback Premier. Speaker cables: Van Damme Hifi