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Thread: Garrard 401 Vs Technics 1210

  1. #41
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,832
    I'm Clive.

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    It was a 124 that started me down the route of my current deck. I loved the 124 but came across a really well priced 301 first so I've continued that journey. I've heard the benefit that a 124 derives from a high mass plinth (loads of lead), whether slate helps a 124 in the way it does Garrards, I don't know.

    My memory of the 124 is that music flows more than it does with Garrards. The Garrard have more punch. Ideally I'd like an EMT, 301, 124, SP10, all totally tweaked and optimised, oh a 1210 too to keep Marco happy.

  2. #42
    Join Date: Jan 2008

    Location: South West England

    Posts: 958
    I'm Guy.

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    Quote Originally Posted by Clive View Post
    In my view the 2 most important things that lift a Garrard that's in decent nick are:

    1) Slate plinth, ideally from Slatedeck

    2) 2 or 3 O-rings around the platter (non-strobe platter takes 3)

    I did the O-ring thing a couple of weeks ago. I was gobsmacked by the improvement. Without it the sound seems slightly murky, rather like a slightly cloudy beer that still tastes fine. Sounds with the o-rings are more distinct, less cluttered and more liable to "come from nowhere". The sound is tight & "in control". There seems greater stability, the sort of thing you'd expect from a direct drive. These Garrard platters must ring, ring, ring. Some others have reported only subtle improvements with the O-rings, either my platter rings especially badly or the slate plinth and OBs in my system make this improvement really obvious.
    I had a 301 for a few years. The strobe platter did ring terribly and its effect could be ameliorated to some extent by the choice of mat although that could then introduce its own problems. I'd agree with the heavy plinth recommendation. However, charming as it was, it was never as satisfying to me as the SP10 is. It does still have a little too much of its own sound. I can certainly understand the appeal though, especially if someone is used to the imprecision of many suspended, belt driven decks.

  3. #43
    Join Date: Nov 2008

    Location: belgrade serbia

    Posts: 840
    I'm gordan.

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    Gordan.
    Speakers: Oris Swing MkII
    Amps: Thomas Mayer 300b/ Hiraga La Maison de L'Audiophile 20
    Preamp: Silver AVC by eng. Ferenc Lazar
    Phono Preamp: Shishido LCR by Solaja Audio
    Decks: Garrard 301 Martin Bastin reworked/plinthed with Fidelity Research FR64fx
    Garrard 401 in eng Ferenc Lazar solid wenge plinth with SME 3012/2
    Cartridges: SPU Spirit/ Koetsu Black revisited by eng. Salai/ Miyajima Shilabe
    Step Up Transformers: Tango MCT 999/ Ortofon T-5000/ Lumiere SUT
    Digital: Shigaclone by eng. Ferenc Lazar with Lampizator Amber II
    Wires: of sufficient length

  4. #44
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

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    Well i've never heard a bottom end quite like a properly sited '401' the closest i've been to it was my old Townshend Rock! but that's a totally different deck.. I much prefer the looks of the '401' over the '301'..I much prefer the bottom end of the '401' to the Thorens 'TD124' but i think the 'TD124' has a better top end than the '401'..Built quality on the Garrard is far better than the 'TD124'. SME manufactured a celebration Series 'V' with ''Garrard 401' printed down the armtube, i lusted for one but decided to stick with the Fidelity Research 'FR64S' instead..Hope that turns you onto the '401' over the 1210.



    It's extremely important to have a proper plinth for your Garrard.Steer away from the very last '401' too
    Last edited by Rare Bird; 15-11-2009 at 23:24.

  5. #45
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

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    I'll be ignored in this, but try a Spacedeck with sympathetic arm.. You'd be very surprised when comparing with a Garrard. If you want more "punch," get a heavy kit for it later.

    The NAS decks, to me, sound cleaner than the Garrards, have no pitch or loading issues that I could hear and the soundstage is also wider and deeper, given a good pressing. Garrards (301/401) by comparison, seem to project the centre image more, but are narrower L to R IMO.

    Last edited by DSJR; 16-11-2009 at 12:38.
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  6. #46
    Join Date: Nov 2008

    Location: Banbury, Oxfordshire/Panteg is where my late father was born

    Posts: 4,381
    I'm Chris.

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    Hi Dave

    Yes the NA Spacedeck is truly superb ' i had a dem one afternoon at Kevin Scot's , it was fitted with a SME 310 and music maker ' going into an Art Audio pre , the Border patrol 300b with MB psu and a pair of Living Voice OBX with outboard X/Over .

    It was bloody marvelous ' as a system ' one of the best and most satisfying i have ever heard , and at its heart was the little spacedeck (£800 at the time)
    i still wonder why i never bought one ,instead going for the Voyd .5 .
    Chris

    We've gone on holiday by mistake !

  7. #47
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

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    But did/do you enjoy the Void still? The Garrads are great at under £750 with plinth and cover, but at several hundred BEFORE restoration, I don't think so these days, as they're now collectors items. The Void will be too soon
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  8. #48
    Join Date: Nov 2008

    Location: Banbury, Oxfordshire/Panteg is where my late father was born

    Posts: 4,381
    I'm Chris.

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    Yes i did love the Voyd .5 and it was special one off with the reference psu and mass damper's ' but it could be a frustrating deck ' the motors needed yearly adjustment as they became very noisy ' and the suspension also needed some tweaking but a truly great deck.

    Unfortunately i rashly sold it back in 2005 (short of cash at the time) and downsized my system .

    At the moment though i am more than happy with my 1210 and its getting better all the time , Dave's mat is a recent purchase and is by a country mile the best mat for the 1210 IMHO.
    Chris

    We've gone on holiday by mistake !

  9. #49
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

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    I did the same thing selling my Mentor for £750 back in '95 - what a toss-pot. I'd give anything to have it now, as the Wave Mechanic supply and re-fettled arm with repaired Decca would have lifted it to a superb level.
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  10. #50
    Join Date: Jan 2009

    Location: Essex

    Posts: 37,701
    I'm openingabottleofwine.

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    Quote Originally Posted by Andre View Post
    .....I much prefer the bottom end of the '401' to the Thorens 'TD124' but I think the 'TD124' has a better top end than the '401'..Build quality on the Garrard is far better than the 'TD124'. .....



    It's extremely important to have a proper plinth for your Garrard. Steer away from the very last '401' too
    Would disagree with you on the first comment; almost the reverse in fact.

    Agree with you on the second though.

    Regards
    Barry

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