Posts: 544
You obviously don't meet many 'normal' people Richard. Most have neither the time nor the inclination to get involved in the hassle (& potential risk) of private importing or indeed picking up soldering irons. They have lives to live. They might however want something that makes listening to music an enjoyable thing to do but they'd generally be more inclined to obtain it via some outlet who'll support it should there be any problem.
Of course there'll be the occasional enthusiast who does want to pick up a soldering iron, but if thats the case there are plenty of good quality kits available from UK suppliers. (WD springs to mind) I'd actually recommend they build their own. Why import anything? Bear in mind this group of people is nowadays sadly a tiny, tiny percentage of end consumers.
Last edited by pure sound; 28-04-2008 at 10:01.
Richard,This is out of order and against your ethos, withdraw the post and apologise for your remarks or you get no further posts from me.
Chill out. It was a tongue-in-cheek remark
Since you're apparently so 'sensitive', sweety, I'll remove it.
While we're at it let's have no more of you referring to people as "idiots" and "assholes". You know what the deal was about you being rude! No one has called *you* these names, so cut it out.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Lounge:
Samsung QE65QN80F 65" QLED TV
Echo Link streamer
RME Audio ADI-2 FS (AK4493) DAC
XMOS DSD Async
Emotiva A2+ power amplifier
Neat Motive SX1 speakers
Van Damme 4.00mm tour grade speaker cable
Audiocrast Spreizbar banana plugs
Chord Clearway XLR interconnects
Audioquest Crimson USB interconnect
QED Quartz Reference optical interconnect
Studio:
2022 MacBook Pro 14" M1 Pro 10/16/16/16
SMSL SU-1 DAC
Modified Fosi P4 preamp
Adam Audio T5Vs
Fenton 10" active sub
Fosi V1.0G integrated amp
Roxel RBS 300s
Several small valve preamps
I'm gonna say, that's a bit rich coming from him. This is gentle ribbing compared with the Tourettes we've had to put up with.This is out of order and against your ethos, withdraw the post and apologise for your remarks or you get no further posts from me.![]()
As the old saying goes...if you dish it out you've got to be able to take it in return!
And I don't mean in a sexual sense
It's funny, though, I've always found people who 'dish it out' somewhat wanting in their ability to 'take it in return'. I can think of a certain Cestrian physician from Glasgow as a prime example!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Posts: 544
There has just been a closed thread at Wigwam trying to discuss why certain products were banned to be talked about. So a good discussion ensued before der boss and owner James (Mr Wigwam) closed the thread with a pack of lies per usual. This is what he posted.
*****
hit nail on head. If some one is abusive or known to be litigious then the easist thing is not ban all discussion. It does mean that the forum suffers, in that certain products can't really be discussed. But we don't see any way of getting round that.
As at least two of the banned manufacturers take great pleasure in letting me know how succesful all the "free advertising" they get here is. As they have got us to the point where we have banned them, I frankly have no wish to help their business in any way. Certainly not if it means they get to gloat at me in a rude and cynical way. Comments like that from abusive individuals and trouble makers only inspire us all to moderate very heavily against them.
End of conversation chaps. Sorry.
*****
Well the other manufacturer I know who was banned was Beresford, they say for being abusive, but seeing how the man lies that is probably wrong. As for me I didn't even get the chance to be abusive, I was banned for refusing to give him £50 for posting there.
Richard,
I understand why you've posted that, and I'm sure it could be the basis of a good discussion, but I'm afraid we can't be party to disputes from other forums.
James and I at times haven't seen eye to eye but I've got nothing against him personally and I simply won't allow this forum to be used as a vehicle to attack him or his forum policies.
If you can make your point more general in nature rather than specifically aimed at Wigwam then we might be able to further the discussion, otherwise I'm afraid it's a non-starter. Any attempt of you ignoring this and continuing to post in your current vein will result in non-permitted material within your posts being deleted - sorry!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.