Nice one, Gordan. I'll continue the discussion tomorrow - right now I'm off to bed for an early night
Laters,
Marco.
Nice one, Gordan. I'll continue the discussion tomorrow - right now I'm off to bed for an early night
Laters,
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: belgrade serbia
Posts: 840
I'm gordan.
marco, your tomorrow is a bit long
anyway - impedance matching resistors removed and now 103 feeds haufe T7883 for the best result so far in my room. the preamp is a tube rectified (separated supplies for heating and voltage), 2-step (ECC82 & ECC83), phase correct, passive DIY RIAA. EAR 834p is collecting dust on the shelf....
Gordan.
Speakers: Oris Swing MkII
Amps: Thomas Mayer 300b/ Hiraga La Maison de L'Audiophile 20
Preamp: Silver AVC by eng. Ferenc Lazar
Phono Preamp: Shishido LCR by Solaja Audio
Decks: Garrard 301 Martin Bastin reworked/plinthed with Fidelity Research FR64fx
Garrard 401 in eng Ferenc Lazar solid wenge plinth with SME 3012/2
Cartridges: SPU Spirit/ Koetsu Black revisited by eng. Salai/ Miyajima Shilabe
Step Up Transformers: Tango MCT 999/ Ortofon T-5000/ Lumiere SUT
Digital: Shigaclone by eng. Ferenc Lazar with Lampizator Amber II
Wires: of sufficient length
To sort out exactly which version of the 103 we are talking about, the following would appear to be helpful:
http://www.thevintageknob.org/DENON/...L/denonDL.html
and
http://www.vinyl-lebt.de/SME/DL103/Thumbnails.html
To summarise:
DL-103 (1964) Broadcast-only model designed for NHK, the Japanese broadcasting authority.
DL-103 (1970) First consumer version Spherical stylus. Compliance 5cu. Coil resistance 40Ω.
DL-103S (1974) Higher compliance (8 cu) than 103, elliptical stylus. Coil resistance 40Ω.
DL-103D (1977) Higher compliance (12 cu). Elliptical stylus. Frequency response to 65kHz.
DL-103T (date ?) DL103 packaged with step up transformer.
DL-103/TII (1978) 15th Anniversary commemorative version with improved tracking.
(DL-103U (1981) Not a cartridge but a dedicated headshell)
DL-103 GOLD (1982) 20th Anniversary model, gold finish DL-103M (1983) Body re-style.
DL-103LC (1985) 75th Anniversary Commemorative edition LC-OFC coils.
DL-103LCII (1986) LC-OFC copper coils. Coil resistance 13Ω.
DL-103SL (1989) Change of materials and styling, limited edition DL-103GL (1990) High purity gold wire, limited production of 2,000.
DL-103C1 (1991) LC-OFC DL-103FL (1993) Fine-line stylus.
DL-103R (1994) Stylus shape,compliance, tracking force, frequency response and mass as per DL-103 but change to high purity copper wire of purity 99.9999% (6N) for the coil, output voltage of 0.25mV, and impedance of 14 Ω.
DL-103 PRO (date ?) Similar in appearance to the 103R Elliptical stylus Compliance 6cu Coil resistance 38Ω.
DL-103SA (date ?) Blue coloured body with rounded edges. Spherical stylus. Compliance 5cu. 6N purity copper coils. Coil resistance 14Ω. Recommended load impedance 100Ω minimum.
DL-103M (date ?) Silver finish to sides of the cartridge body Elliptical stylus Compliance 13cu Tracking force 1.4 +/- 0.2g mass 5.6g Coil resistance 40Ω
Gordan, your posts 115 and 122 contradict one another. Exactly which version of the 103 are you using?
An unloaded T-7883 transformer (that is loaded only by the nominal 47KΩ impedance of the disc input of your preamp) will present a load impedance of 494.5Ω to the cartridge. This will be fine for any version of the 103. The recommended 100Ω load is a minimum value.
Regards
Last edited by Barry; 12-11-2009 at 17:39. Reason: Mis-spelling of Godans name! Sorry Gordan.
Barry
Location: belgrade serbia
Posts: 840
I'm gordan.
sorry my mistake - i have a plain 103 (40 ohm coil resistance).
yes i was aware that unloaded haufe transformer present around 500 ohm to a cart and that's why i wanted to experiment with a resistor that would nominally decrease the load, i tried both with 40ohm and 100ohm load and both worked less succesful than unloaded. could be it's just a tuning of the whole system, the differences were quite obvious - unloaded more open, better hf resolution, better stereo.
Gordan.
Speakers: Oris Swing MkII
Amps: Thomas Mayer 300b/ Hiraga La Maison de L'Audiophile 20
Preamp: Silver AVC by eng. Ferenc Lazar
Phono Preamp: Shishido LCR by Solaja Audio
Decks: Garrard 301 Martin Bastin reworked/plinthed with Fidelity Research FR64fx
Garrard 401 in eng Ferenc Lazar solid wenge plinth with SME 3012/2
Cartridges: SPU Spirit/ Koetsu Black revisited by eng. Salai/ Miyajima Shilabe
Step Up Transformers: Tango MCT 999/ Ortofon T-5000/ Lumiere SUT
Digital: Shigaclone by eng. Ferenc Lazar with Lampizator Amber II
Wires: of sufficient length
My apologies, Gordan. I got caught up with a few things!
All I can say is that I get superb results with the A23, whether using my bog standard 103, my 103Pro or my 103SA, despite their different coil resistances. It's honestly not something that's ever concerned me.
The problem with attempting to ascertain what difference the 40Ω coil resistance of 103 makes, compared to the 14Ω of 103SA, when using the A23SUT, is that the cartridges sound quite different due to other issues (internal wiring and cartridge body material) that it's impossible to isolate the effects of each different parameter when changing one cartridge over for the other...
That's why so far I've never bothered thinking about it. I just fit whichever cartridge I want to the Jelco, balance it up, and enjoy the superb sounds which issue forth (A23 in place, regardless)!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: belgrade serbia
Posts: 840
I'm gordan.
this evening i've assembled my new deck - stabi S/stogi S w benz micro MC gold and i can add this combo sounds stunning into unloaded haufe T7883 (the imp of MC gold is 20 ohm)!
it actually completely demolished my another deck with 103 (stabi 2/old stogi) in such a brutal manner that left with a conclusion that stogi arm is by far suboptimal for 103.
btw very surprised with BM MC gold. if there's a bargain, this is it
Gordan.
Speakers: Oris Swing MkII
Amps: Thomas Mayer 300b/ Hiraga La Maison de L'Audiophile 20
Preamp: Silver AVC by eng. Ferenc Lazar
Phono Preamp: Shishido LCR by Solaja Audio
Decks: Garrard 301 Martin Bastin reworked/plinthed with Fidelity Research FR64fx
Garrard 401 in eng Ferenc Lazar solid wenge plinth with SME 3012/2
Cartridges: SPU Spirit/ Koetsu Black revisited by eng. Salai/ Miyajima Shilabe
Step Up Transformers: Tango MCT 999/ Ortofon T-5000/ Lumiere SUT
Digital: Shigaclone by eng. Ferenc Lazar with Lampizator Amber II
Wires: of sufficient length
Location: Somerset, UK
Posts: 717
I'm King.
Thanks King. I may write a piece on the Denon 103 series of cartridges for the Library, and to do a proper job I need to know that sort of information.
Any idea of the production date for the 103Pro ?
Regards
Barry
Location: Somerset, UK
Posts: 717
I'm King.
Hi Barry,
The production date for the 103 Pro was 1994, the same as the 103R. There was another one called 103 EN in 2006.
Best regards!
King
Location: Netherlands
Posts: 22
I'm Martien.
Hi,
I am reading this post all away, but nobody did answer the question of witch Haufe trannie is used in the A23 ???
Did anyone open the A23 and take a look for those trannies ??
Regards, Martien