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Thread: Waffle here about anything and everything

  1. #11
    Join Date: Jan 2008

    Location: Central England

    Posts: 2,932

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    I've had the Piegas the longest - 12 months, followed by the Spectral pre - an awesome piece of kit that was £4700 in 2002 that I bought from Larry of Audio works in June last year for £2400. He was using it in his own system up to that point. It was also on demo at the Bristol Show in 2003.

    In July I bought the acrylic Quadraspire Reference table bits to complete that particular modular support kit.

    In the last month I bought the Bel Canto CD2 and Puresound A30 valve amp from Mr. C.

    My latest purchase this week was the acrylic Reflex mains block and one more Recoil lead for the Spectral. This is the purchase that has had me listening to music until about ten minutes ago and what prompted me to finish work early tonight (it was quiet) and listening to music through a very involving and enjoyable setup was so preferable to sitting on a taxi rank. I've only stopped listening because Tasha is tired and wants to sleep in silence.

    The mains block/lead changes have really consolidated the CD/valve amp upgrades and created the kind of dynamics, depth, flow, timing, tunefulness, separation, 3D imaging that just hits the spot. I just wonder how it is possible to preserve the structural integrity of a recording on such a little silver disc or any other medium for storage of nought and ones the way I've been hearing it tonight.

    As for the Bel Canto CD2, yes there are players that extract more insight into vocal inflection and other subtleties in the midrange, like the Accuphase DP500 costing nearly double that I heard at AW on Wednesday, but I found the latter to be just a teeny touch soft in the upper frequencies in comparison, although that could equally be attributable to its Accuphase power amp partner.

    ADMB9s - pah! Not even close to what I've been enjoying tonight. About 10% maybe, never mind the bullshit about how they measure up/are engineered and must therefore be perfect.

    From what I could remember of the ADMB9 setup at Bristol, it just sounded truncated, flat and brittle in comparison. The louder it got the more it drownded out noise from outside the room that still managed to serve as an almost welcome distraction.

  2. #12
    Join Date: Feb 2008

    Posts: 424

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    Quote Originally Posted by Steve
    The mains block/lead changes have really consolidated the CD/valve amp upgrades and created the kind of dynamics, depth, flow, timing, tunefulness, separation, 3D imaging that just hits the spot. I just wonder how it is possible to preserve the structural integrity of a recording on such a little silver disc or any other medium for storage of nought and ones the way I've been hearing it tonight.
    So you attribute your wonderful sound to preservation of the digital data, without alteration, rather than adding or modifying it ? if I've understood correctly.

    Ok, on the cab rank, - do you drive a black cab / hackney carriage, or a mini cab / private hire type ?

  3. #13
    Join Date: Feb 2008

    Location: North East UK

    Posts: 6,358
    I'm InSpace.

    Default

    Quote Originally Posted by Marco View Post
    If you can translate that into English I'll see if I can help!

    Marco.
    utd = Up To Date
    Shian7
    --------------------------------------------------------

    Kudakutemo
    kudakutemo

    ari mizu-no tsuki

    Though it be be broken -
    broken again - still it's there:
    the moon on the water.

    - Choshu.

  4. #14
    Join Date: Jan 2008

    Location: Norfolk, UK

    Posts: 6,258
    I'm BigBobJoylove.

    Default

    Quote Originally Posted by Shian7 View Post
    utd = Up To Date
    Cheers for that Mike, you know despite being an admin I still can't get my head round some of these acronyms.

    BTW, FWIW, IMO, TFIG.

    Lounge:
    Samsung QE65QN80F 65" QLED TV
    Echo Link streamer
    RME Audio ADI-2 FS (AK4493) DAC
    XMOS DSD Async
    Emotiva A2+ power amplifier
    Neat Motive SX1 speakers
    Van Damme 4.00mm tour grade speaker cable
    Audiocrast Spreizbar banana plugs
    Chord Clearway XLR interconnects
    Audioquest Crimson USB interconnect
    QED Quartz Reference optical interconnect


    Studio:
    2022 MacBook Pro 14" M1 Pro 10/16/16/16
    SMSL SU-1 DAC
    Modified Fosi P4 preamp
    Adam Audio T5Vs
    Fenton 10" active sub
    Fosi V1.0G integrated amp
    Roxel RBS 300s
    Several small valve preamps

  5. #15
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,579
    I'm AudioAl'sArbiterForPISHANTO.

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    I thought "sinature utd" was perhaps the name of his local football team

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #16
    Join Date: Feb 2008

    Location: Sunny (occasionally) Devon

    Posts: 1,760
    I'm Shane.

    Default

    And wtf is rofl?

  7. #17
    Join Date: Jan 2008

    Location: Norfolk, UK

    Posts: 6,258
    I'm BigBobJoylove.

    Default

    Quote Originally Posted by shane View Post
    And wtf is rofl?
    Roll On the Floor Laughing.

    Lounge:
    Samsung QE65QN80F 65" QLED TV
    Echo Link streamer
    RME Audio ADI-2 FS (AK4493) DAC
    XMOS DSD Async
    Emotiva A2+ power amplifier
    Neat Motive SX1 speakers
    Van Damme 4.00mm tour grade speaker cable
    Audiocrast Spreizbar banana plugs
    Chord Clearway XLR interconnects
    Audioquest Crimson USB interconnect
    QED Quartz Reference optical interconnect


    Studio:
    2022 MacBook Pro 14" M1 Pro 10/16/16/16
    SMSL SU-1 DAC
    Modified Fosi P4 preamp
    Adam Audio T5Vs
    Fenton 10" active sub
    Fosi V1.0G integrated amp
    Roxel RBS 300s
    Several small valve preamps

  8. #18
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,579
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Roll On the Floor Laughing, I think.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #19
    Join Date: Jan 2008

    Location: Norfolk, UK

    Posts: 6,258
    I'm BigBobJoylove.

    Default

    Echo echo echo echo echo


    Lounge:
    Samsung QE65QN80F 65" QLED TV
    Echo Link streamer
    RME Audio ADI-2 FS (AK4493) DAC
    XMOS DSD Async
    Emotiva A2+ power amplifier
    Neat Motive SX1 speakers
    Van Damme 4.00mm tour grade speaker cable
    Audiocrast Spreizbar banana plugs
    Chord Clearway XLR interconnects
    Audioquest Crimson USB interconnect
    QED Quartz Reference optical interconnect


    Studio:
    2022 MacBook Pro 14" M1 Pro 10/16/16/16
    SMSL SU-1 DAC
    Modified Fosi P4 preamp
    Adam Audio T5Vs
    Fenton 10" active sub
    Fosi V1.0G integrated amp
    Roxel RBS 300s
    Several small valve preamps

  10. #20
    Join Date: Jan 2008

    Location: Central England

    Posts: 2,932

    Default

    Why would anyone want to do that. Snigger at the screen maybe or if it is really funny, spit your coffee at it.

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