Won't sound very good in the corner though.![]()
Won't sound very good in the corner though.![]()
Lounge:
Samsung QE65QN80F 65" QLED TV
Echo Link streamer
RME Audio ADI-2 FS (AK4493) DAC
XMOS DSD Async
Emotiva A2+ power amplifier
Neat Motive SX1 speakers
Van Damme 4.00mm tour grade speaker cable
Audiocrast Spreizbar banana plugs
Chord Clearway XLR interconnects
Audioquest Crimson USB interconnect
QED Quartz Reference optical interconnect
Studio:
2022 MacBook Pro 14" M1 Pro 10/16/16/16
SMSL SU-1 DAC
Modified Fosi P4 preamp
Adam Audio T5Vs
Fenton 10" active sub
Fosi V1.0G integrated amp
Roxel RBS 300s
Several small valve preamps
Hey David nice pikchoorz, dude
I wonder why they are the most successful recording studio?
They'll certainly make superior quality recordings there than the junk produced by most studios these days!
Analogue recordings will always sound better than digital. Those who disagree fall into one of the following categories:
1) They've never heard the difference properly between both at their best.
2) They have an agenda, i.e. they're in the business of selling digital products.
End of.
One of the best sounds, and certainly one with the highest resolution, is analogue tape. For those who've never heard a good reel-to-reel tape deck, listen to one, and then you'll quickly learn that recording quality has not made any real advances in the last 40-odd years, in fact it has gone backwards.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Nay probs, Vangelis uses / used a pair of those you know.
No No No NO!
You've missed out the bit in red:
It's impossible to categorically state that analogue recordings sound better than digital as others (who don't necessarily fall into either of the narrow categories) may or will disagree. Neither is better, just more suitable for individuals. I prefer the sound of digital, always have, and I have heard some truly extraordinary analogue sources. Still I prefer the sound of digital.Analogue recordings will always sound better to me than digital. Those who disagree fall into one of the following categories.
As that's a fact I could state that digital is better, but I won't as it's untrue, as is stating that analogue is better.
![]()
Man we've wandered way off topic, but sod it, that's what a forum is for.![]()
Lounge:
Samsung QE65QN80F 65" QLED TV
Echo Link streamer
RME Audio ADI-2 FS (AK4493) DAC
XMOS DSD Async
Emotiva A2+ power amplifier
Neat Motive SX1 speakers
Van Damme 4.00mm tour grade speaker cable
Audiocrast Spreizbar banana plugs
Chord Clearway XLR interconnects
Audioquest Crimson USB interconnect
QED Quartz Reference optical interconnect
Studio:
2022 MacBook Pro 14" M1 Pro 10/16/16/16
SMSL SU-1 DAC
Modified Fosi P4 preamp
Adam Audio T5Vs
Fenton 10" active sub
Fosi V1.0G integrated amp
Roxel RBS 300s
Several small valve preamps
Picture showing both speakers and mixing desk.
When I visited they were in the process of ripping out the mixing desk and about to install one they sourced from Holland.
IIRC they said the new mixing desk involved tubes,as well as some new (1963) tube mics.
I just nodded and said 'niiiiice'.
![]()
ATB
David
Location: South Coast of UK
Posts: 49
Ahhh, scrub my comment about the corner then.![]()
Lounge:
Samsung QE65QN80F 65" QLED TV
Echo Link streamer
RME Audio ADI-2 FS (AK4493) DAC
XMOS DSD Async
Emotiva A2+ power amplifier
Neat Motive SX1 speakers
Van Damme 4.00mm tour grade speaker cable
Audiocrast Spreizbar banana plugs
Chord Clearway XLR interconnects
Audioquest Crimson USB interconnect
QED Quartz Reference optical interconnect
Studio:
2022 MacBook Pro 14" M1 Pro 10/16/16/16
SMSL SU-1 DAC
Modified Fosi P4 preamp
Adam Audio T5Vs
Fenton 10" active sub
Fosi V1.0G integrated amp
Roxel RBS 300s
Several small valve preamps
Quality, Snaps!
Bluemax,
Nice one. I have CR-7
Rob, with respect, what top-notch analogue set-ups have you owned and used at home?
It's only when you regularly use both types of equipment day in, day out, that you begin to truly appreciate their respective sonic capabilities
I'll bet you anything you like that when you hear my set-up you'll prefer the modified SL-1210 to the Sony, and both are exceptional products.
Also, have you ever heard music on a high quality reel-to-reel tape deck?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
In saying that you're stating that only those who've spent lots and lots of money on one or the other have an opinion on sound quality and what they prefer, which is a little nonsensical. I've heard many systems and the analogue sources have never excited me or made me go 'WOW' whereas the only system that has really caused a mouth drop was one that was fronted by a computer. You know the one I mean.I could spend £100,000 on an analogue source system, but I guarantee that it wouldn't fulfil me in the way that a £100,000 digital source system could, it's my hearing and digital suits it best.
Granted there are some wonderful turntables and wonderful analogue recordings, but that doesn't instantly mean that all digital sources and digital recordings aren't as good, it just means that some people like analogue and some like digital.
Oh, and of course most people on the planet can barely tell the difference anyway, not like us highly tuned audiophiles.![]()
Lounge:
Samsung QE65QN80F 65" QLED TV
Echo Link streamer
RME Audio ADI-2 FS (AK4493) DAC
XMOS DSD Async
Emotiva A2+ power amplifier
Neat Motive SX1 speakers
Van Damme 4.00mm tour grade speaker cable
Audiocrast Spreizbar banana plugs
Chord Clearway XLR interconnects
Audioquest Crimson USB interconnect
QED Quartz Reference optical interconnect
Studio:
2022 MacBook Pro 14" M1 Pro 10/16/16/16
SMSL SU-1 DAC
Modified Fosi P4 preamp
Adam Audio T5Vs
Fenton 10" active sub
Fosi V1.0G integrated amp
Roxel RBS 300s
Several small valve preamps