This about the best there is:
Not exactly pretty, but it works!
Marco.
This about the best there is:
Not exactly pretty, but it works!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Yess...Very Nice (although in Truth; Duelunds made NO audible differences in my Limited (those things have Ludicrous/prohibitive pricings) experiments..
I defer Sound of Resistors issues to Superman himself :-)
Reason for posting is:
I have read through this Entire thread ... Yet Have Not seen ANY Direct SQ comparisons to the HiFi berry DAC... + , pro, or whatever
Surprisingly so as according to the available Brochure babbles, uses the Same BB DAC chip... and costs a bit Less. (no interest in powering Headphones :-).
No one's bothered.. or simply never got 'round to it?
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Hi Danilo,
Well, Duncan and I have tested lots of different resistors recently, specifically in the stepped attenuators used in a Goldpoint passive preamp, see here: http://theartofsound.net/forum/showt...855#post690855
...where we found quite clear sonic differences between the various resistors tested. At the time it was considered that the AudioNote Tants were best, but after some further assessment, that was later revised to the Z-Foils.
We now consider that, in our opinion, the Z-Foils are the most neutral sounding of the resistors we've tried (some of which didn't feature in the above comparisons), that is to say they act as least like a sonic bottleneck, as ALL resistors do to varying degrees. The Z-Foils, to our ears, get closest to the sound of NO RESISTOR, hence we we used them for the RPi mod.
I was listening late last night, on the RPi (via MoOde) to a an album of Bach Cello Suites, by Edgar Meyer, this:
It's a superbly recorded piece of music, with some exceptional cello playing by Meyer, and in the quiet darkness of the evening, the silence and serenity of which was punctuated only by the gentle flickering of flames from our log fire, Meyer's Cello filled the room with its resonant and sonorous intensity, possessing that slightly dense, but rich, 'woody' quality that all such instruments portray, when reproduced in an intimate environment.
Here, in my lounge, I could've been sitting in front of the very man himself, such was the sheer vivacity and lifelike nature, of not only the somewhat eerie and haunting sound of his cello, but encapsulated within the whole musical performance, which I felt a very real part of, as it portrayed all of the emotion in the tangible way one experiences, when watching a musician perform his or her art in a live venue.
This is simple music, but music which is all too easy for a hi-fi system to mangle, and transform into a bland and lifeless rather poor facsimile of the intense and soulful music, and the creative beauty of it all, I was being treated to, and rather fortunate to have experienced.
So what has the installation of the Z-Foils achieved?
Well, in short, they make recorded music 'come alive', as I've just described, in a way that I've heard from no other type of resistor, probably because it acts as least like one as is possible to achieve. This is more like hard-wiring the circuit instead, with the use of no resistors, were such a thing possible - and *that* is why they are so good, simply because they seem to get almost completely out of the way of the music.
Expensive? Yes, but BOY are these babies worth it.... For just over £20, the Z-Foils transform the RPi (and IQ-Audio DAC), an already highly capable partnership (offering ridiculously good 'bang for buck'), into producing a sonic and musical performance that is well into high-end territory, for such a paltry outlay, in a way that you won't believe until you've heard it for yourself....
Highly recommended. The only downside is the lack of sleep you're likely to get from spending many thoroughly enjoyable hours rediscovering your music collection!!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
The HiFi Berry is great, but its main purpose is for headphone listening, and to allow the use of a separate DAC, the latter which for me defeats the best thing about the RPi/IQ-Audio combo: its sheer simplicity!
Why complicate (and potentially) corrupt the signal path, by introducing another set of interfaces (a separate DAC and digital interconnect), when it is completely unnecessary? Keep it all hard-wired together, and by doing so, you'll simply get more music.
I can tell you that the IQ-Audio DAC, even as standard, is as good as most £1k DACs out there, and with the Z-Foils fitted, more like £3K+... I kid you not, especially when combined with the use of the superb Paul Hynes linear PSU.
Therefore, my advice is to Keep It Simple, Stupid - and just enjoy what is, quite frankly, a ridiculously good piece of kit, for what amounts to little more than pocket money!!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
+1
Ultrafide U500DC power amplifier - Croft Vitale )highly modified) - TRIO L-07D Turntable - Denon DL103C1 - Funk Firm Houdini - Lentek MC head amp - 15" Tannoy Monitor Gold Loudspeakers in Lockwood Major cabinets (From Trident Studios) - Tannoyista SPEC 3 Custom Crossovers - VanDamme Black Speaker Cable
Tannoyista.com - Audio Equipment Reviews
I think Danilo might have been referring to HiFi Berry DAC + pro, which is a standalone Dac.
https://www.hifiberry.com/dacplus/
Location: Hertfordshire
Posts: 437
I'm Graeme.
I can confirm that it is R5 and R7 that you need to replace. I've just made the change as I had a pair of Charcroft Z-foils of the correct value in my spares box. I've only played one track so far, so too early to make any conclusions on the sound, but it certainly does work, and the soldering was not too hard.