“Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel. I have always needed fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio”
Hunter S Thompson
Yup , thoroughly enjoyed the day and it was great to meet some of the troops![]()
Regards
Brian
Sell your cleverness and buy bewilderment . (Rumi )
Korus Computer Audio music server
JustBoom DAC . HRT Musicstreamer 2
Amplifier : Sony TA FB740R
Speakers : Tannoy 637
Interconnects : MS Audio / Klotz MC5000 .
Speaker cables : Western Electric 16AG
That and the Raspberry Pi!
Just imagine a nice cheap system: RPi > Slagle > [some good little active speakers]. All for, what, less than £500?
Thought the Goldpoint also did well (both it and the Slagle had their respective strengths), but in the context of the test system, the Slagle undoubtedly edged it.
As I said in my review, that wasn't too surprising, as I'd spent some weeks, leading up to the event, 'voicing' the Goldpoint specifically to suit my system, which has a rather different balance from that of the test system at NEBO
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
I thought that too. I found it impossible to spot any subtleties but in the overall presentation Ali's effort 'grabbed' you from the off and the Goldpoint was a bit more 'airy fairy'.
None of the contenders were sufficiently 'better' than what I've got already though, which was comforting![]()
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.
Lol - I like "airy fairy", in my system
For me, it was more the mid and bottom end, where the obvious differences were: the Slagle was a bit warmer and fuller sounding (but in a good way), and the Goldpoint, a little colder and leaner. However, in my system, with big vintage Tannoys, it just sounds right!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Reading this thread, I've been thinking about the (sonic) difficulties of demo'ing kit in a big function room. From the pics, it seems that everyone set up their systems around the boundary of the room, where the electric sockets. I was wondering if there would be any benefits to going into the middle of the room, and firing back towards the walls? Sort of create an oblong 'island' of kit. You'd need to safely supply electricity of course, but using that layout, it should be possible for each set-up to be firing at a wall (say) 15 feet away. With seats in the correct place, perhaps this would better replicate domestic conditions? Anyone any experience of doing it that way?
Worth trying!
“Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel. I have always needed fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio”
Hunter S Thompson
Can I just ask if the majority of people were happy with the venue at Nebo 6? I have been looking at some alternatives though up to now I am a little unsure of things.
I can't help thinking we got too ambitious with having four systems at a time set up last time and I think we could have set up a little differently. Your thoughts please. It is very important.
A better room from an acoustics point of view would be good but not a deal breaker. I think we did have some problems with the raised floor area not showing speakers at their best.
The downstairs room at the Windmill was better, solid floor and the dimensions large enough that any potential room issues were pretty much banished.
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.