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Thread: Interesting article on our hearing ability.

  1. #41
    Join Date: Sep 2012

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    Quote Originally Posted by Audio Advent View Post
    Sounds like you knew it ALL already and so this is so very boring for you to read...
    Actually Sam, no. Bringing out the notion that the transient response is being accentuated by the non-linearity of the cochlea and considering it's evolved value is an aspect I hadn't really considered, certainly not in the way you've put it. Also, the observation that the results demonstrate that the brain doesn't 'correct' for the functioning of the ear is a very valid point that tells us something interesting about the ear/brain interface.

    Are you talking about shannon and nyquist sampling theorum? Or did Nyquist do other notable work in this area?

    I think I may have misused 'interesting' as probably meant 'novel' or surprising, so I'm sorry if anyone thought it meant I was talking about something I find boring. The function of the ear/brain and the physics of sound are, by simple merit of the fact that I'm in to music and sound reproduction, interesting subjects.

  2. #42
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    Science has a valid role to play in the pursuit of Hi-Fi excellence. The knowledge it brings to the table allows us to concentrate on what matters and to ignore what doesn’t.

  3. #43
    Join Date: Apr 2012

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    Quote Originally Posted by cloth-ears View Post
    Science has a valid role to play in the pursuit of Hi-Fi excellence. The knowledge it brings to the table allows us to concentrate on what matters and to ignore what doesn’t.
    Who are these "us" and how would they discriminate between 'what matters and what doesn't' ?
    It is impossible for anything digital to sound analogue, because it isn't analogue!

  4. #44
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    Quote Originally Posted by walpurgis View Post
    Who are these "us" and how would they discriminate between 'what matters and what doesn't' ?
    “Us” is anyone who believes in fundamental scientific principles. Applying these principles would tell “us” if placing a pot of jam on a speaker wire makes it sound better or not.

  5. #45
    Join Date: Jan 2008

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    Quote Originally Posted by cloth-ears View Post
    Science has a valid role to play in the pursuit of Hi-Fi excellence.
    Yes of course, for those who build and produce our equipment, it is an undeniable necessity. Those of us who simply buy it and listen to it, however, don't need science to help us enjoy our equipment or the music it produces!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

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  6. #46
    Join Date: Aug 2009

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    Quote Originally Posted by Marco View Post
    Yes of course, for those who build and produce our equipment, it is an undeniable necessity. Those of us who simply buy it and listen to it, however, don't need science to help us enjoy our music!

    Marco.
    It can be useful for determining what we buy - or at least what we decide to try out. For example If you had 10K to spend on speakers there is no way you can dem every 10K speaker in your own home. So having some knowledge of the design and the specs is helpful to ascertain if they will be a match with your room and your amplification.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  7. #47
    Join Date: Apr 2012

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    Quote Originally Posted by cloth-ears View Post
    “Us” is anyone who believes in fundamental scientific principles. Applying these principles would tell “us” if placing a pot of jam on a speaker wire makes it sound better or not.
    I must admit I've not tried that. What were your findings?
    It is impossible for anything digital to sound analogue, because it isn't analogue!

  8. #48
    Join Date: Jan 2013

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    I found the article interesting in that it has been found that our hearing and the ears structure is more complicated than we had previously thought. In particular the discovery that our hearing was more sensitive to transients than had been imagined has consequential implications for audio equipment design especially in the digital field where transients fall short of our hearings ability.

    Personally I trust what my ears tell me and not science and equipment that measures sound. Hearing is not all about the ear/brain interaction but also possibly much more complicated in that other senses may also be involved in a form of synathaesia.
    Main system : VPI Scout 1.1 / JMW 9T / 2M Black / Croft 25R+ / Croft 7 / Heco Celan GT 702

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  9. #49
    Join Date: Jan 2008

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    Quote Originally Posted by Macca View Post
    It can be useful for determining what we buy - or at least what we decide to try out. For example If you had 10K to spend on speakers there is no way you can dem every 10K speaker in your own home. So having some knowledge of the design and the specs is helpful to ascertain if they will be a match with your room and your amplification.
    Yes sure, if you're that way inclined. I don't seem to have done too badly though, mainly using my ears, good judgement and gut instincts!

    Marco [Who's listening room is a test apparatus-free zone. No blindfolds either, except for bondage purposes].
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  10. #50
    Join Date: Sep 2012

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    Quote Originally Posted by Jimbo View Post
    I found the article interesting in that it has been found that our hearing and the ears structure is more complicated than we had previously thought. In particular the discovery that our hearing was more sensitive to transients than had been imagined has consequential implications for audio equipment design especially in the digital field where transients fall short of our hearings ability.
    I'm not getting this point from the article though, I'd previously have thought 3ms quite a large margin of error (it's certainly easily captured with a 'basic' 16bit 44.1kHz sampling) but the article seems to suggest that transient detection of this order is somehow 'super hearing'. It interesting insofar as 3ms is also something of a benchmark for a good studio monitoring system (if you can't achieve proper realtime) after 3ms one starts to notice a certain 'sponginess' to the foldback in the cans against what's being played.

    Quote Originally Posted by Jimbo View Post
    Hearing is not all about the ear/brain interaction but also possibly much more complicated in that other senses may also be involved in a form of synathaesia.
    Agreed, which was why I said earlier that the ear was 'mostly' the apparatus for hearing (cos of infrasonics etc)

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