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Thread: Ashley & JC's assorted musings

  1. #91
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,543
    I'm AudioAl'sArbiterForPISHANTO.

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    Tony,

    I agree with much of what you're saying but despite disagreeing with almost everything they write, Ashley and JC have broken no rules and deserve the right to express their views the same as anyone else.

    However I will ask Ashley to remove his "plonker" comment as this is a personal remark and therefore not allowed. I am surprised at him.

    Ashley, please attend to this A.S.A.P.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #92
    Join Date: Jan 2008

    Location: Gloucestershire

    Posts: 252

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    Quote Originally Posted by Mr. C View Post
    Ashely,

    Plonker eh?, still I stand by what I said, do you do any real world listening, as if you feel AD9's make a viable alternative then you do live pretty much in cuckoo land.
    OK for a pc based system maybe, for those wishing to experience music, a very long way off. For an easy to make and a heathly profit margin product, I can see the advantages.
    Never seen some much penial waving and posturing before, its quite amusing and sad and the same time.
    I would asking this if I was a outsider looking in, so called professionals engaged in 'Mine is better than yours', plus how much time have these guys got on their hands, if they can spend all day posting this drivel, must be doing a cracking amount of business???
    once again, the same old few, very much reminds of the mana debates, shame this place had potential.
    I respect everyone's wish to use whatever system they like and enjoy it, what I don't like are facts being ignored or contradicted. And I certainly don't intend to offend anyone. All I'm doing is placing before you a mixture of widely held beliefs and facts that are diametrically opposed to those expressed on here. Please don't take offence or assume that I'm alone or even a minority.

    Mr. C. The vast majority of recordings (and most video and film) are made on computers and have been for twenty years or so. Likewise most records have been made using 6.5" two way speakers as Monitors (mostly Active) and most of the hi fi market is for two-way speakers of a similar size. Professionals make records to suit the systems they are most likely to be heard on and we make Studio Monitor/hi fi speakers the same size but with a better performance than most. You should also that we've cracked the Sub issue of integration and we offer a seriously powerful one to make them full range. This means customers get closer to the original performance. I'm sorry if this doesn't constitute the "real world" for you.

    It seems to me that most one here have elaborate systems that bring them as much pleasure as the music, not something that appeals to me but perfectly understandable as is listening to turntables. However, if you are critical of what we (and other significant experts) are absolutely sure is a significant advance in the quality of sound reproduction, I'm bound to respond.

    Ash

  3. #93
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,543
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Make sure and remove the plonker remark, Ashley. You don't do personal, remember?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #94
    Join Date: Jan 2008

    Posts: 544

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    Quote Originally Posted by Ashley James View Post
    However, if you are critical of what we (and other significant experts) are absolutely sure is a significant advance in the quality of sound reproduction, I'm bound to respond.

    Ash
    Since when has a marketing man been a "significant expert" on anything but marketing, which is the skill of telling lies (nowadays relabelled as spin) and bullshit. In that my dear fellow you are truly a significant expert.

  5. #95
    Join Date: Feb 2008

    Location: North Lincolnshire

    Posts: 76

    Default

    are you aware of the many alternate definitions of expert,

    one of my favorites being, ex- as in something that has been spurt, as in drip under pressure
    sod the hi-fi, listen to the music

  6. #96
    Join Date: Jan 2008

    Location: Gloucestershire

    Posts: 252

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    Richard (and I hope Marco will indulge me here) you're extremely rude and you should know better if you are an electronic engineer. If you understand the description, you more than others, should know that there is substance to the claim.

    I'm not a Marketing and it wouldn't be relevant if I was.

    What is more relevant is that I'm struggling to engage in a debate here with some extremely sympathetic people who agree with very little that I've said and, apart from Mr C, who's a dealer, all have been kind patient and tolerant except you. Why don't you bugger off or make an effort to contribute to the debate.

    Ash

  7. #97
    Join Date: Jan 2008

    Location: Gloucestershire

    Posts: 252

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    Quote Originally Posted by Marco View Post
    Make sure and remove the plonker remark, Ashley. You don't do personal, remember?

    Marco.
    Although mildy derisory, I don't see plonker as being much to inflame Marco so I'd like it to stay because Mr C. is a bit confused and has been terribly rude.

    Ash

    PS. Richard is very rude too!

  8. #98
    Join Date: Jan 2008

    Location: Norfolk, UK

    Posts: 6,258
    I'm BigBobJoylove.

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    Quote Originally Posted by Richard View Post
    Since when has a marketing man been a "significant expert" on anything but marketing...
    Who knows, do you? Do you know what anyone has studied / practiced / been skilled at BEFORE you encountered them? Or do you just assume that what someone does now is all they've ever done? Just because Ashley is in marketing at the moment doesn't automatically exclude him from having done engineering or electronics either before or as a section of his job now does it.

    Maybe before people jump down the throats of others they may like to get to know a bit about their background first.

    Lounge:
    Samsung QE65QN80F 65" QLED TV
    Echo Link streamer
    RME Audio ADI-2 FS (AK4493) DAC
    XMOS DSD Async
    Emotiva A2+ power amplifier
    Neat Motive SX1 speakers
    Van Damme 4.00mm tour grade speaker cable
    Audiocrast Spreizbar banana plugs
    Chord Clearway XLR interconnects
    Audioquest Crimson USB interconnect
    QED Quartz Reference optical interconnect


    Studio:
    2022 MacBook Pro 14" M1 Pro 10/16/16/16
    SMSL SU-1 DAC
    Modified Fosi P4 preamp
    Adam Audio T5Vs
    Fenton 10" active sub
    Fosi V1.0G integrated amp
    Roxel RBS 300s
    Several small valve preamps

  9. #99
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,543
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Ashley James View Post
    Although mildy derisory, I don't see plonker as being much to inflame Marco so I'd like it to stay because Mr C. is a bit confused and has been terribly rude.
    Ashley,

    The matter is not up for debate. When I ask you to do something, you do it - end of. Please therefore attend to it immediately. Cheers!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #100
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,543
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Richard (and I hope Marco will indulge me here) you're extremely rude and you should know better if you are an electronic engineer. Ash
    Richard,

    Play nice

    I will sort this thread out for you after I've finished a couple of things, remove the 'alien' content, and move it to a thread of its own

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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