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Thread: Goldpoint SA4M-47 passive 'preamp' winging its way to Marco Towers...

  1. #121
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,552
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by lurcher View Post
    Yes, resistive passives will be very sensitive to capacitance on the output side.

    I thought the goldpoint was made using surface mount resistors on a PCB, how has it been converted to a shunt with a single resistor to ground?
    Duncan rewired the switch and added a series resistor, so it becomes a shunt-type control. The signal now only goes through that one resistor, at any point on the volume knobs.

    That's why I'm looking forward to fitting some Z-Foils, and the like, to take the place of that single resistor (in each channel). It sounds stunning at the moment, fitted with just some decent metal-films, costing pennies, so goodness knows how good it will get with some top-notch resistors in there!!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #122
    Join Date: Jan 2009

    Location: Essex

    Posts: 37,772
    I'm openingabottleofwine.

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    Quote Originally Posted by lurcher View Post
    Yes, resistive passives will be very sensitive to capacitance on the output side.

    I thought the goldpoint was made using surface mount resistors on a PCB, how has it been converted to a shunt with a single resistor to ground?
    My thoughts exactly. If the switch now selects a shunt resistor to ground for each position, not only has the switch been rewired, but the values of the resistors have to be changed if the attenuation values are to remain the same.
    Barry

  3. #123
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,552
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    Exactly, and that's what has been done, Barry - to great sonic effect. This (with the Goldpoint modded as outlined) is unquestionably the best my system has ever sounded!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #124
    Join Date: Oct 2012

    Location: The Black Country

    Posts: 6,258
    I'm Alan.

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    Nick I'm pretty sure you have the correct mental picture of the way Marco's attenuator is now wired, IMO.

    One series resistor followed by a varying number of the string of resistors on the attenuator switch as a shunt to ground.

    I'm wondering if the 'sweet spot' referred to is just the position that is high enough above the noise floor but low enough not to compromise the full dynamic range required for the music.
    Very much dependent on the overall gain structure of the system/components, as mentioned.



    A couple of posts while I was typing. Has every resistor on the Goldpoint been changed Marco?
    Last edited by Firebottle; 04-10-2015 at 17:14. Reason: Question added
    I love Hendrix for so many reasons. He was so much more than just a blues guitarist - he played damn well any kind of guitar he wanted. In fact I'm not sure if he even played the guitar - he played music. - Stevie Ray Vaughan

  5. #125
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,552
    I'm AudioAl'sArbiterForPISHANTO.

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    Precisely, Alan. I concur completely, especially with your last sentence [before your edit]

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #126
    Join Date: Jan 2009

    Location: Essex

    Posts: 37,772
    I'm openingabottleofwine.

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    Then it's no longer a Goldpoint, as all that remains of the original design is the input selector switch and the box. Perhaps you should rename it "The Duncan" using some Letterset.
    Barry

  7. #127
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,552
    I'm AudioAl'sArbiterForPISHANTO.

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    Lol...

    Well, it still uses the superb quality Goldpoint switches themselves, which I have to say are the finest (and quietest) in operation I've ever used. Also, I'm still getting some sonic benefit from the original thin-film Nichrome resistors fitted, as Alan refers to here:

    Quote Originally Posted by Firebottle
    One series resistor followed by a varying number of the string of resistors on the attenuator switch as a shunt to ground.
    ...together with the lovely case it's all screwed together in! And as all my other kit has been 'bespoke voiced', as it were, then the Goldpoint has simply joined the party!

    In all seriousness though, modifying things like this, and customising equipment for optimum performance in your system, is an excellent way to obtain maximum SPPV - and *that* is what my system-building methodology is all about

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #128
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,552
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Firebottle View Post
    A couple of posts while I was typing. Has every resistor on the Goldpoint been changed Marco?
    Nope. All the original resistors are still present on the stepped attenuators, but are no longer directly in line with the signal path - only the two series ones Duncan has fitted are. The rest go to ground. Do you get what I mean?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #129
    Join Date: Oct 2012

    Location: The Black Country

    Posts: 6,258
    I'm Alan.

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    I do certainly, some previous description could be mis-interpreted as only one shunt resistor in play at any time, not the case as Nick also understood.
    I love Hendrix for so many reasons. He was so much more than just a blues guitarist - he played damn well any kind of guitar he wanted. In fact I'm not sure if he even played the guitar - he played music. - Stevie Ray Vaughan

  10. #130
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,375
    I'm Martin.

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    Not sure that in this case you have got good SPPV - in retrospect it would have been cheaper just to get Duncan - or someone - to knock you up a custom passive from scratch.

    Still we live and learn and if you don't try things you never gain any knowledge. I can't talk, if I had back the money I'd spent pointlessly on this hobby over the years I could buy a boat.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

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