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Thread: Goldpoint SA4M-47 passive 'preamp' winging its way to Marco Towers...

  1. #81
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

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    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Stratmangler View Post
    How can something passive have balls, drive & punch?
    All a passive anything can do is subtract from the signal.
    Yes of course.

    What I meant was that good ones (well matched to the partnering power amp) lack nothing in those areas in comparison with an active design, i.e. they don't sound 'soft', as indeed can be the case with bad passives and/or ones not well suited to the rest of the kit

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #82
    Join Date: Mar 2008

    Location: Halifax, UK

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    I'm Nick.

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    Can I just point out that EVERY active preamp contains a passive preamp.

    If the system requires the active part, the active preamp will sound better, if it doesnt then a passive preamp will sound better.

    Good active preamps are a lot harder to design than most people imagine. Bad active preamps are easy.

    Some people like what bad active preamps do because the result sounds better for them.

    Few people dislike like what good active preamps can do, but because they are hard to make, most people have never heard one.

    Its much easier to make a good passive than a good active.

    To make a good active preamp, it needs to contain a good passive preamp

    Most bad active preamps have a bad passive preamp in them as using a good passive is lost because of the bad active parts.
    Nick.

  3. #83
    Join Date: Feb 2013

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    I'm Grant.

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    Regards,
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  4. #84
    Join Date: Sep 2009

    Location: Derbyshire

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    I'm Josie.

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    Quote Originally Posted by lurcher View Post
    If the system requires the active part, the active preamp will sound better, if it doesnt then a passive preamp will sound better.
    An excellent way of looking at it, Nick
    Ultrafide U500DC power amplifier - Croft Vitale )highly modified) - TRIO L-07D Turntable - Denon DL103C1 - Funk Firm Houdini - Lentek MC head amp - 15" Tannoy Monitor Gold Loudspeakers in Lockwood Major cabinets (From Trident Studios) - Tannoyista SPEC 3 Custom Crossovers - VanDamme Black Speaker Cable

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  5. #85
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

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    I'm David.

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    Gutless sonics from passive pres may also simply be the wrong value passive pot being fitted. My old Croft preamp uses a 500K log pair and I believe this is mainly so the phono stage (the earlier design, not as current) doesn't lose bass. Using the tape output to drive a separate headphone amp arrangement (less than 47k input impedance) caused the bass to disappear. Glenn has a mod to the phono stage for this, so it's not unknown to him.

    What's got me with active preamps is actually how invasive they can be, especially the awful US valve ones from a few decades back. The revered ARC two-box preamps were more like sonic processors rather than neutral line stages and later LS designs of theirs weren't much better. hell, their 'Reference' preamp range has so many generations now (at eye-watering prices) it makes one ask if they'll ever get it right.

    By the way, you can make a VERY truthful line stage with a couple of properly supplied ic op-amps or even one two-channel one - most CD players have one on the output to give the 2V as specified. It's not rocket science you know, but of course, Top End is all about making things look complex when they don't need to be. Marco, your Croft may well be the dogs danglies, but it's frighteningly complex looking inside now
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  6. #86
    Join Date: Mar 2008

    Location: Halifax, UK

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    The op amp was originally designed for use in analogue computers, and it was used very much for rocket science.
    Nick.

  7. #87
    Join Date: Sep 2009

    Location: Derbyshire

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    I'm Josie.

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    Quote Originally Posted by DSJR View Post
    Marco, your Croft may well be the dogs danglies, but it's frighteningly complex looking inside now
    Hi Dave.

    Not sure, but I take it that your looking at the pic I posted? The pic is actually mine inside and it's not that complex. Maybe the angle of the photo makes it look like that?

    Mine is dual regulated which adds another set of regulation valves, it's PSU is also externalised so what you are seeing are those big caps and extra wiring because of it being dual regulated. Everything else in the line and phono is pretty much as it was from stock with the exception of a few caps which are simply replacements of the originals. So nothing has been added apart from on the power side of things. In fact, some things were simplified.
    Ultrafide U500DC power amplifier - Croft Vitale )highly modified) - TRIO L-07D Turntable - Denon DL103C1 - Funk Firm Houdini - Lentek MC head amp - 15" Tannoy Monitor Gold Loudspeakers in Lockwood Major cabinets (From Trident Studios) - Tannoyista SPEC 3 Custom Crossovers - VanDamme Black Speaker Cable

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  8. #88
    Join Date: Sep 2009

    Location: Derbyshire

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    Quote Originally Posted by lurcher View Post
    The op amp was originally designed for use in analogue computers, and it was used very much for rocket science.
    Now I didn't know that... you learn something every day. Interesting.
    Ultrafide U500DC power amplifier - Croft Vitale )highly modified) - TRIO L-07D Turntable - Denon DL103C1 - Funk Firm Houdini - Lentek MC head amp - 15" Tannoy Monitor Gold Loudspeakers in Lockwood Major cabinets (From Trident Studios) - Tannoyista SPEC 3 Custom Crossovers - VanDamme Black Speaker Cable

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  9. #89
    Join Date: Sep 2009

    Location: Derbyshire

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    Aaanyway, Marco moochacho, hows the Goldpoint sounding after today?
    Ultrafide U500DC power amplifier - Croft Vitale )highly modified) - TRIO L-07D Turntable - Denon DL103C1 - Funk Firm Houdini - Lentek MC head amp - 15" Tannoy Monitor Gold Loudspeakers in Lockwood Major cabinets (From Trident Studios) - Tannoyista SPEC 3 Custom Crossovers - VanDamme Black Speaker Cable

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  10. #90
    Join Date: Mar 2008

    Location: Halifax, UK

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    Quote Originally Posted by The Black Adder View Post
    Now I didn't know that... you learn something every day. Interesting.
    yep, just for a moment more off topic, the op part was short for operational, as in arithmetic operation such as addition, subtraction, multiplication, integration and so on. And they were of course originally valve based.
    Nick.

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