Gutless sonics from passive pres may also simply be the wrong value passive pot being fitted. My old Croft preamp uses a 500K log pair and I believe this is mainly so the phono stage (the earlier design, not as current) doesn't lose bass. Using the tape output to drive a separate headphone amp arrangement (less than 47k input impedance) caused the bass to disappear. Glenn has a mod to the phono stage for this, so it's not unknown to him.
What's got me with active preamps is actually how invasive they can be, especially the awful US valve ones from a few decades back. The revered ARC two-box preamps were more like sonic processors rather than neutral line stages and later LS designs of theirs weren't much better. hell, their 'Reference' preamp range has so many generations now (at eye-watering prices) it makes one ask if they'll ever get it right.
By the way, you can make a VERY truthful line stage with a couple of properly supplied ic op-amps or even one two-channel one - most CD players have one on the output to give the 2V as specified. It's not rocket science you know, but of course, Top End is all about making things look complex when they don't need to be. Marco, your Croft may well be the dogs danglies, but it's frighteningly complex looking inside now
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?