Never mind what the BC sounds like - I'd say 2k is a lotta lolly for a bit of convenience.
Do you really need rc that much?
Location: Lancaster(-ish), UK
Posts: 16,936
I'm ChrisB.
Never mind what the BC sounds like - I'd say 2k is a lotta lolly for a bit of convenience.
Do you really need rc that much?
I use the volume control on the INOI multi media hard disk to adjust the volume level through the Caiman. Works perfectly well for me.
Website: http://www.homehifi.co.uk
Website: http://www.beresford.me
Website: http://www.homehifi.asia
The postman has just left Caiman number 2 (cheers Stanley)
This is destined for my bedroom system to be used with the upcoming Squeezebox Touch.
This has, however, left me with a riddle
Do I now have two Caimans or two Caimen ?![]()
iFi ZEN Stream/TV/CXC >> RME ADI2 DAC >> XTZ Edge A2-300 >> Rogers LS8a
PC >> Hugo 2 >> iFi Pro iCAN Sig >> Raal-Requisite CA-1a
Now Technobear, your just rubbing it in... someone near me having ONE Caiman is bad enough, but TWO!?! Shurely shome mishtake....
I'll happily take one off your hands if you feel two is too many!!
Jason
----------------------
Before you criticise a man, walk a mile in his shoes. Then, when you do - you'll be a mile away. And have his shoes.
Wavy grooves go thru a RigB 540ML on an SL1500C. Digits stream from a cheapie CDP and a Sonos, into a Yamaha 803D driving Kralk Audio little 'uns. I used to have a Linn but I'm better now.
cai⋅man
–noun, plural -mans.
any of several tropical American crocodilians of the genus Caiman and allied genera: some are endangered.
Also, cayman.
Origin:
1570–80; < Sp caimán < Carib
Dictionary.com Unabridged
Naim ND5 XS, nDAC, XP5 XS, 202, HC, NAPSC, 250.2, B&W 804s.
AVR350, B&W HTM4, Gallo.
Samsung, Oppo.
Location: Birmingham, UK
Posts: 112
I'm Ian.
Thanks for your thoughts guys. I know £2k for a remote control seems ridiculous. But my hifi is also the sound system for watching the TV, so I route my Sky box and my Caiman through my pre-amp.
If I plug the Caiman into my power amp and connect both my Sky box and music source, it's just not practical to have no remote volume control. The volume on TV channels is all over the place and not being able to turn it up or down from the armchair is really a non-starter.
I have considered buying a passive pre-amp (with remote volume) but no matter how transparent they are, nothing is going to be quite as transparent as having the DAC driving the power amp directly.
Still, from your comments I had better audition the Bel Canto very thoroughly first!
@Marco - thanks for the comments. However, I would seriously expect the Bel Canto dac to be *dramatically* better than their CDP. First of all, it (the dac) retails at nearly the same price as their CDP, yet has no tranport nor other electronics to worry about. Second, there is some seriously more advanced technology in it and much more up to date electronics and thirdly it gets pretty rave review from Stereophile - one of the publications I have some faith in. Still, I accept that may not mean anything and in fact it may sound no better. I would definitely have to audition it thoroughly.
Last edited by Chippy_boy; 22-09-2009 at 18:02.
Hi Chippy,
No problem. But you should also know that the owner of the Bel Canto CDP has heard the matching DAC (which like you he was in the market for) and has concluded that Duncan's copper DAC is still markedly superior...
One mustn’t forget the 'value' attached to the Bel Canto badge as a commercial product. How much of its retail price do you think reflects what's actually used under the hood?
Therefore, why pay for anything other than what *really* matters (ultimate sonic performance)? I can assure you that the copper DAC ticks all the relevant boxes.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Marco,
not sure if you've picked up yet, but I've sent you PM. Hope you don't mind.
Cheers.
Spur
Yep mate, got it. I'll reply later when I've finished my dinner and done a few things
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.