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Thread: 'Analog Dinosaur' succumbs to the joys of FBA : enter Raspberry Pi 2/IQ-Audio DAC+!!

  1. #551
    Join Date: Sep 2011

    Location: County Durham, UK

    Posts: 163
    I'm Gordon.

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    Quote Originally Posted by Gordon@IQ View Post
    It's possible to have 4 PCM5122 on the I2C bus, each could be made to be a unique sound card and then each could be EQ'd too. It would be a hack and need some specific Linux Kernel development but worth a play. I'll add it to my todo list :-)
    That would be brilliant! Currently I'm only using 6 channels, with a simple passive between the two midrange drivers on my Linkwitz LX521s, but eventually would look at using 8 channels.

    This is typically how this is being implemented at the moment:

    http://www.linkwitzlab.com/LX521/DSP_challenge.htm

    Many thanks

    Gordon
    Last edited by Halfway Tree; 02-04-2015 at 11:45.

  2. #552
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,319
    I'm Martin.

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    Quote Originally Posted by Marco View Post
    and its ability to allow me to play hi-res music files, beyond the capability of the Sony. As such, I've welcomed it very warmly into my system, as being yet another highly capable music source .

    Choice is good!

    Marco.
    Marco I know you are not a digital fanboy and I don't want to de-rail the discussion but so called 'high resolution' files are nothing of the sort. It's marketing-speak. They are no higher resolution that the redbook cds you own. If they sound better it is because they are different masters. That's all. I agree that alone is a good reason to have the facility to play them.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  3. #553
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Martin,

    I tackled that matter earlier in the thread, near the beginning. If you don't remember, scroll back and have a look. Although I know where you're coming from, I disagree, and explained why.

    Incidentally, the only thing I'm a "fanboy" of, when it comes to hi-fi, is whatever it is I consider produces the best sound!

    Nothing else comes into it.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #554
    Join Date: Oct 2008

    Location: Glasgowshire

    Posts: 10,638
    I'm Gary.

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    Uhm...why does SACD sound better than redbook then? (ferrinstance...)
    Could you explain in a bit more depth Macca what you mean?

    (See what I did there?)
    Ok with not having it on Betamax nowadays

  5. #555
    Join Date: Feb 2013

    Location: Switerland

    Posts: 1,184
    I'm rupert.

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    Quote Originally Posted by Qwin View Post
    Marco -"...unquestionably sound significantly better than the much thinner Maplins Cat5e cable I had been using before"

    The cable Gazjam recomended and you linked to is a Cat6 cable, which is built to a higher specification than Cat5e, also Cat5e is available in screened and unscreened, which may have had an effect, depending on what type your Maplins cable was.
    can we keep this Ethernet cable discussion out of this thread ? It clearly belongs into the "network infrastructure" debate and not here. Otherwise we could still be discussing if a NAS makes the SQ better or if your router can contribute to cleaner bass.. please !!

  6. #556
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Roops, I think it's relevant insofar as me mentioning it earlier as a 'new discovery', which is now done and dusted, and so I don't expect the subject to influence or dominate the main thrust of the discussion. Indeed, it won't be allowed to

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #557
    Join Date: Feb 2013

    Location: Switerland

    Posts: 1,184
    I'm rupert.

    Default

    Quote Originally Posted by WAD62 View Post
    Only the 33 years for me, if I can include the degree that is...

    We're not talking just IT here, the closer one moves in the chain to the actual DAC the further removed from IT one gets, and were into a murky world of physics.

    My experience and suspicion is that DACs are fragile little things, and their performance can be degraded by electromagnetic 'interference', hence different connections and cabling can introduce audible differences, without affecting the bit perfect data transfer figures...but I'm only guessing as this area is out of the IT domain IMHO


    good one !

  8. #558
    Join Date: Feb 2013

    Location: Switerland

    Posts: 1,184
    I'm rupert.

    Default

    Quote Originally Posted by Marco View Post
    Roops, I think it's relevant in so far as me mentioning it earlier as a 'new discovery', and so I don't expect the subject to influence or dominate the main thrust of the discussion

    Marco.
    ok, then I'm out. There is too much guessing going on ATM.

  9. #559
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,319
    I'm Martin.

    Default

    Quote Originally Posted by Marco View Post
    Hi Martin,

    I tackled that matter earlier in the thread, near the beginning. If you don't remember, scroll back and have a look. Although I know where you're coming from, I disagree, and explained why.

    Incidentally, the only thing I'm a "fanboy" of, when it comes to hi-fi, is whatever it is I consider produces the best sound!

    Nothing else matters.

    Marco.
    I took a look back but can't see anything. Anyway I'll start this on another thread so as not to de-rail this one as it isn't really relevant here.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  10. #560
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by r100 View Post
    ok, then I'm out...
    Sorry, you've lost me....

    I've done precisely what you asked, not the opposite, so chill out!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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