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Thread: 'Analog Dinosaur' succumbs to the joys of FBA : enter Raspberry Pi 2/IQ-Audio DAC+!!

  1. #451
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

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    Could be, Chris. Either way, I wasn't getting much sound out. If the 'correct' mixer control can be found, then I'd be happy to use it instead, providing that I know how!

    In any case, I'm pretty convinced now that the Pi/DAC sounds best, controlled via a digital web interface, without the use of an active preamp. Quite simply, in the latter scenario, if pre-amplification of the signal is occurring twice, then that is not a good idea.

    What I may experiment with, if Duncan confirms that there are potential sonic gains to be had [not least of which is perhaps removing any claimed signal degradation created by using a digital volume interface, and the subsequent loss of bit resolution], is having a passive pot instead, for adjusting sound levels, purely when using the Pi. It need only be a small and simple box.

    Personally, I think there's some mileage in that, especially as convenience is a non-issue for me, if the by-product of that is a loss in fidelity, no matter how small.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #452
    Join Date: Jun 2008

    Location: Happy Cheshire

    Posts: 737
    I'm Duncan.

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    I have never liked digital control of volume, 0dB from dac gives the best signal to noise. imo
    Not to mention loss of resolution.
    Have you noticed that pop when you select a new track? when listening at low levels.


    Some pictures of my PiPre

    I used an old PS Audio case I had knocking about not pretty but functional.
    On the front panel you have Volume, Selector Switch and a Pi Reset button (handy) with Led showing power to the Pi.
    Rear has an Analogue in, Pi Usb and Ethernet inputs, Output and Mains switch and fuse.






  3. #453
    Join Date: Feb 2013

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    I'm Grant.

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    Pretty Tidy Duncan
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  4. #454
    Join Date: Dec 2014

    Location: UK, inactive

    Posts: 1,570
    I'm inactive.

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    Quote Originally Posted by Marco View Post
    What I may experiment with, if Duncan confirms that there are potential sonic gains to be had [not least of which is perhaps removing any claimed signal degradation created by using digital volume interface, and the subsequent loss of bit resolution], is employing the use of a passive pot instead, for adjusting sound levels, purely when using the Pi. It need only be a small and simple box.

    Personally, I think there's some mileage in that, especially as convenience is a non-issue for me, if the by-product of that is a loss in fidelity.

    Marco.
    My personal choice would be a passive pre - a simple 10k Alps (wired as a voltage divider) is what I've used between various DACs and my Quad 303 and this always worked sonically as the best and gives perfect volume control

    Having now looked at the data sheet for the Texas Instruments DAC used by Qaudio my previous post was on the right track but possibly for the wrong reasons. Amplification of the analogue signal occurs via hardware internal to the DAC chip and inherent to its operation so doubt there is any way way to pick up that signal other than where's it's output to the RCAs. My inclination would be setting the 'digital' and 'hardware' sliders to 100% and using the passive to tame the 2v output for the power stage. If any clipping does occur then start by reducing the 'hardware' amplification until you reach the sweet spot.(as I think this has already been said) I have an aversion to any and all software volume controls as I've found they inevitably change the sound adversely.

  5. #455
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

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    The Pi-pre is looking good!

    Quote Originally Posted by tubehunter View Post
    I have never liked digital control of volume, 0dB from dac gives the best signal to noise. imo
    Not to mention loss of resolution.
    Have you noticed that pop when you select a new track? when listening at low levels.
    Yes, that was happening when you were here, too. It doesn't overly bother me, as it's very low-level, but would be better if it was gone.

    I don't think we were hearing too much 'loss of resolution' (using Volumio and the Pi direct into a power amp) when, along with Ian at my place, we were sitting there wetting our pants at how good it sounded (either with your modded Quad 405s or the Copper amp in the equation)!!



    But yes, I take your point. So how about building me a little passive volume pot, to use solely with the Pi, which I can simply connect up when I want to use it?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #456
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
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    Quote Originally Posted by mikmas View Post
    My personal choice would be a passive pre - a simple 10k Alps (wired as a voltage divider) is what I've used between various DACs and my Quad 303 and this always worked sonically as the best and gives perfect volume control
    Yeah, but I wouldn't want anything too complicated or expensive, as it won't be replacing my Croft. Essentially, all I need is something simple that replaces the role of Volumio, in terms of adjusting sound levels from the Pi, and achieves that with maximum resolution and minimal influence on the music signal.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #457
    Join Date: Dec 2014

    Location: UK, inactive

    Posts: 1,570
    I'm inactive.

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    Quote Originally Posted by Marco View Post
    Yeah, but I wouldn't want anything too complicated or expensive,Marco.
    I can't do either complicated or expensive - I have neither the brains nor the wallet

    I have two passive pres costing about £20 each to build (including case) and both are just wire, connectors and a pot and about 30 minutes to put them together The circuit couldn't be less complicated

    (EDIT: just noticed that I use the same basic circuit Duncan used in the pic above)
    Last edited by mikmas; 27-03-2015 at 23:45.

  8. #458
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,031
    I'm inthescottishmafia.

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    "
    Quote Originally Posted by mikmas View Post
    My personal choice would be a passive pre - a simple 10k Alps (wired as a voltage divider) is what I've used between various DACs and my Quad 303 and this always worked sonically as the best and gives perfect volume control

    Having now looked at the data sheet for the Texas Instruments DAC used by Qaudio my previous post was on the right track but possibly for the wrong reasons. Amplification of the analogue signal occurs via hardware internal to the DAC chip and inherent to its operation so doubt there is any way way to pick up that signal other than where's it's output to the RCAs. My inclination would be setting the 'digital' and 'hardware' sliders to 100% and using the passive to tame the 2v output for the power stage. If any clipping does occur then start by reducing the 'hardware' amplification until you reach the sweet spot.(as I think this has already been said) I have an aversion to any and all software volume controls as I've found they inevitably change the sound adversely.
    Much better pots around than Alps IMHO, for the same or not much more.
    “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel. I have always needed fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio”

    Hunter S Thompson

  9. #459
    Join Date: Dec 2014

    Location: UK, inactive

    Posts: 1,570
    I'm inactive.

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    Quote Originally Posted by Ali Tait View Post
    "Much better pots around than Alps IMHO, for the same or not much more.
    Cool - any brands in particular?

  10. #460
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,031
    I'm inthescottishmafia.

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    “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel. I have always needed fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio”

    Hunter S Thompson

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