@ stanb
That has probably to do with the router, hubs, etc. I get 20-40 Gb/sec constant data rates from my NAS over Cat5 and around 5-15Gb/sec over Wifi. Not sure why the buffering would start after 30 mins. though. That said, a wired network connection will IMHO always be more stable and robust than a WiFi connection. If I had to rewire my house I would use Cat7 only to be compatible with future network hardware.
Ah, I see. Thanks, Neal. So really it's just a case of if I can be arsed trying some Cat7, and seeing if I can hear any difference between that and Cat5e - a 'suck it and see' job
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
I would just relax, sit back and listen to the music and not worry about Ethernet, Cat5, 6, 7, n, cables which IMO should not influence the SQ. If the network is not robust, i.e. has some fault in it there will be dropouts but thats about it. These cables transport data. And as stated above, the Pi is not even capable of transporting data quick enough to even get close to the limits of Cat5 cables. I really don't want to start a cable war![]()
Ethernet cables can change the sound, for better or worse thats up to you, your ears and your system...there I said it!
I have these throughout my network, imo improves things audio wise between the router, the Transporter and my server.
Decided on these after taking a punt on one and sitting down to listen. Much cheapness, fit n forget.
http://www.amazon.co.uk/gp/product/B...ilpage_o00_s00
Ok with not having it on Betamax nowadays
where is the limit ? Will gold-plate Ethernet cables make the SQ betterThere is a good article from Arstechnica here.. in the mean time I am going to listen to some music.
Location: Birmingham
Posts: 7,295
I'm James.
Don't forget the gold plugs aswel![]()
Cat 7 is for large data transfer at high speeds and I would be surprised if anything approaches that in the hifi world but you would be future proofed, that is if your equipment can interface with them.
I think it is the individual screening of the cables within the ethernet cable that makes a big difference never mind the data transfer capabilities.
I found this quote which I think is quite funny and sums up what I think about anything network / audiophile related.
True audiophiles wouldn't buy a Cisco enterprise-class router, they'd by something twice as expensive with a name you've never heard of out of a shed in Yorkshire. Which turns out to be a rebranded Linksys.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.