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Sorry to hear that Jerry. Hope the missus is OK quickly.
It is impossible for anything digital to sound analogue, because it isn't analogue!
Not sure I would agree with you regarding Curzon. He was often criticised for not "just playing the notes". Anyway, just listen to his playing of the Grieg piano concerto on Decca - it makes the hairs on the back of my neck stand!
PS Trust your wife is recovering from her accident.
Barry
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Ah, fair enough, Barry - I guess I'm really going on Curzon's later recordings when he seemed to be ultra-careful.
I have since come across some of his earlier efforts and they are indeed very eventful and (to me) much more enjoyable.
Just now ...
LP
Magnificent!
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My top performance of the concerto.
LP
-- classical transcriptions for balalaika and the occasional piano on Melodiya. Great fun.
Liszt hungarian rhapsody #2,SaintSaens Danse Macabre etc ...
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DVD
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This bargain price 3 CD set is a major find.
Mono recordings by pianist Clifford Curzon - after hearing his later stereo recordings I wondered what all the fuss about him was ... now I know!
Superb readings, in decent to excellent mono sound, of 2 Mozart piano concertos, the 2 Mozart piano quartets (with members of the Amadeus Quartet) and the 2 Brahms piano concertos.
Fabulous!
Available here http://www.selections.com/clifford-c...lass-3cds.html
And here http://www.amazon.co.uk/Clifford-Cur...on+masterclass
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LP mono
LP mono
I am generally averse to orchestral mono recordings but the last 2 of the above were greatly enjoyed, perhaps largely due to the excellent condition of the LPs as well as superb performances.
CD
Wowzer! What a recording!
My BWV582 of choice remains the Stokowski transcription with the Czech Phil, though. Stokie just draws out all the inner voices so lucidly in a triumphant spine tingling peroration!
My Desert Island disc.![]()
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In my experience, some of the mono classical recordings on vinyl can not only sound stunning, but in general the arrangements and performances are of a consistently high level, especially those on the RCA labels, Living Voice being the crème de la crème
Oh, and I have the same album on vinyl, and agree it's superb!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.