View Poll Results: Are you being ripped of by British Hi-Fi retailers.

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  • Yes

    31 33.33%
  • No

    35 37.63%
  • Don't care

    27 29.03%
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Thread: Rip off British Hi-Fi Industry

  1. #211
    Join Date: Nov 2013

    Location: Yorkshire

    Posts: 4,235
    I'm Andr'e.

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    Quote Originally Posted by awkwardbydesign View Post
    But without new sales there are no secondhand products!
    Sorry but the old Barbarian would not be seen dead with a modern Hi-Fi product so makes no difference really.

  2. #212
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,994
    I'm AudioAl'sArbiterForPISHANTO.

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    Yup, if you’re solely into using vintage gear (pre 1980s), it matters not a jot what’s happening today in the hi-fi industry.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #213
    Join Date: Apr 2012

    Location: United Kingdom

    Posts: 2,326
    I'm Richard.

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    Quote Originally Posted by Marco View Post
    Yup, if you’re solely into using vintage gear (pre 1980s), it matters not a jot what’s happening today in the hi-fi industry.

    Marco.
    Well, yes it does. If there are less new sales, then secondhand prices will rise. And do you only buy 30 year old cables, plugs and everything else?
    ABD.

  4. #214
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,994
    I'm AudioAl'sArbiterForPISHANTO.

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    Nope, but Andre does

    For me, in terms of secondhand prices, they are what they are. If I see something I like, and consider it worth the money, then I buy it. Simples. I don’t worry about prices rising (or not), due to less sales of new gear.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #215
    Join Date: Apr 2012

    Location: United Kingdom

    Posts: 2,326
    I'm Richard.

    Default

    Quote Originally Posted by Marco View Post
    I don’t worry about prices rising (or not), due to less sales of new gear.

    Marco.
    Must be nice to be rich!
    ABD.

  6. #216
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,584
    I'm Martin.

    Default

    Quote Originally Posted by awkwardbydesign View Post
    Well, yes it does. If there are less new sales, then secondhand prices will rise. ?
    I'd suggest that would only be true for certain brands or specifically sort after items of a brand. All the other good stuff will remain under the radar, as it does today. Bit like the classic car market. And even there prices for the really sought -after cars at the top end can vary by tens of thousands just depending on trends and the economy.

    Even if/when there were no big hi-fi manufacturers left you will still have DIY and the cottage industry. But they have no R&D, nothing will advance! Well nothing has advanced in audio except for the introduction of domestic digital playback and even with that most people still seem to prefer analogue.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  7. #217
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,994
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by awkwardbydesign View Post
    Must be nice to be rich!
    Not the case. I just don’t worry about things that, in reality, I have very little control over

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #218
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,994
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Macca View Post
    Well nothing has advanced in audio except for the introduction of domestic digital playback and even with that most people still seem to prefer analogue.
    Well, the fact is not very much has genuinely advanced, which is why others and I with high-quality, largely vintage-only systems, do what we do

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #219
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,584
    I'm Martin.

    Default

    Quote Originally Posted by Marco View Post
    Well, in reality not very much has genuinely advanced, which is why others and I with high-quality, largely vintage-only systems, do what we do

    Marco.
    The only thing in your system that is properly vintage are your speakers. Same with me, actually. I suppose CD players count as 'legacy' now, if not quite vintage yet. Your valve amps are modern designs and builds are they not?
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  10. #220
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,994
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Macca View Post
    The only thing in your system that is properly vintage are your speakers.
    Lol - not true. Most of the valves I use, throughout my system, are NOS, from the 1950s, including the circuit for my preamp and power amp. Just because the boxes have been built in recent times, doesn’t make the equipment itself modern. The only thing modern about them is *some* of the internal components used.

    I also have several genuine vintage cartridges - and even those I own that aren’t are based on 1950s/1960s technology, such as the SPU and Denon DL-103 respectively.

    Even my Ortofon tonearm is based on a 1960s design. And of course the Techy itself was first introduced in 1972, and has changed little since then, albeit mine is now highly modified with the use of modern components, which is where the genuine advances in audio have occurred (ditto the crossovers on my Tannoys).

    I also own a vintage tuner and cassette deck, from the 1970s and 1980s respectively.

    In terms of my Sony CDP and DAC, both from the late 80s, whilst perhaps not being ‘vintage’ in the truest sense (although that is largely down to subjective interpretation), is hardly new, and certainly representative of very old digital technology.

    Quite simply, I use this stuff because, to my ears, nothing modern that I’ve heard has sonically outperformed it, so I’m not on a ‘nostalgia trip’, nor am I some intransigent old fool. If someone introduced me to new gear which comprehensively trounced the old stuff I use, then I’d buy it and sell the old stuff instantly. It’s as simple as that.

    I’m still waiting for that to happen, though!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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