From the Grave
Yes
No
Don't care
From the Grave
Barry
Location: gone away
Posts: 4,870
I'm joe.
It's amusing/interesting/troubling that the first two posters on this thread are now banned from the forum.
Let’s keep posts strictly on-topic and about the subject matter, rather than personalities, please.
So, do folks here believe that there exists a “Rip off British Hi-Fi Industry”?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: London, UK
Posts: 309
I don't think it's so much rip-off as full of chancers, shills and spivs. But nor is this specifically a British thing - there are plenty in all English speaking countries. Does it affect the continent as much? I have no experience there, so cannot say.
Location: gone away
Posts: 4,870
I'm joe.
'Hi-fi industry' is a very broad term. I'd say that some elements are rip-off (mark-up on fancy cables, for example) and some are less so. But the growth of direct selling, the gradual loss of the baby-boomer generation, and the move to smaller properties means that the 'specialist' hi-fi dealer is a dying breed anyway, in the same way that bookshops have all but vanished from our high streets.
Was this thread really started SIX YEARS ago?
The answer isn't now as clear cut as it may have been back then IMO. The 'mass market new product' specialist industry has all but disappeared from UK retail at any rate, replaced by a lucrative used market, often bolstered by forums like this one and the only serious new product market now being the 'oligach' one I think. If you were seen to be a bad dealer, you'd have gone under long ago and many once good dealers have just had to close their doors due to lack of interest.
The model for many small manufacturers now seems to be online and as long as products are sold at proper trade prices (and not full retail so an online seller makes double the profit!), we all gain in a way, although obviously, nobody can listen and compare first. Cables aside (a necessary cash cow for survival IMO), dealers do allow you to compare things, hopefully fairly, so you can reach a decision.
By the way, I'm speaking as an ex-hifi dealer of more than thirty years' standing and with a literally lifelong passion about music and the means of reproducing it. I cringe at the UK industry of the 80's and my place in it, although it paid me spectacularly well for a 'shop worker!' and it's now an indelible part of an earlier life for me.
Apologies. I'm rambling again, but there are still a few good long-standing dealers out there, often working from facilities at home, trying to make a living and even cash-cow Naim dealers aren't having it all their own way these days...
Last edited by Marco; 23-09-2014 at 10:36. Reason: Removal of banned references
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
And the purpose of digging up this thread was what, exactly?![]()
Engineers: fixing problems you didn't know you had in ways you don't understand.
A business who rips-off customers (let alone an industry) is always going to end in tears. No I don't think the HiFi industry rips off its customers, the trade is far too competitive.
However, accessories do have an element of very high prices, similar to how the motor industry work regarding spare parts and while customers flock in then this is not going to change anytime soon. It's interesting that the boutique companies seem to come and go.
Clive
SOURCE: SME12A Turntable with SME Series V tonearm/Hana Umami Red, or Audio Technica AT-OC9XSH, PS Audio Stellar Phonostage, Shanling CD 80MkII, OPPO UDP-205 BluRay, SkyQ.
AMPLIFIER: Bryston BR-20 Pre/DAC/Streamer & Bryston 4B3 Power Amplifier
SPEAKERS: Spendor D7 on Iso-Acoustics Gaia Neo III’s
HEADPHONES: OPPO PM-1 with Atlas Zeno cable, B&W Pi8.
CABLES: Analogue: Speaker: Atlas Mavros Grun. Interconnect - Atlas Mavros XLR x3.
Digital:Audioquest Carbon Ethernet x 4, Audioquest Carbon digital x2, English Electric 8 Switch, Chord Optichord, Atlas Optical.
Mains: PS Audio Perfectwave AC-05 x 7, Isol-8 Powerline Extreme with Quantum Science yellow fuse on input cable, Sounds Fantastic 6way Mains Blocks.
ACCESSORIES: Keith Monks Prodigy+ RCM
STORAGE: Synology DS216J NAS with 2 x 3Tb WD Red hard-drives. Samsung 500Gb SSD.
TV LG55B7 OLED
Hi Adam,
Here's the answer to your question….
As it’s been such a long time since the matter was discussed, we wanted to hear what the views were of our current members, which reflect the state of the industry as it is now, six years on, and to analyse any change that has taken place in that respect since the question was first posed
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
You can't be 'ripped off' on purchase prices. One only pays what one chooses to!
No doubt poor after sales service occurs, warranties, etc. That may be the rip off!
It is impossible for anything digital to sound analogue, because it isn't analogue!