Quoted from a email i recieved.
and that took about 15 hours to dry!
and that took about 15 hours to dry!
Quoted from a email i recieved.
and that took about 15 hours to dry!
and that took about 15 hours to dry!
Vinyl is the real deal. I've always felt like, until you buy the vinyl record, you don't really own the album.
Hi Martin,
I've continued to use the one that came with my VPI 16.5 RCM. The bristles on it are very stiff, which during cleaning, is essential for deep penetration of the record grooves. Highly recommended! You can buy spare VPI brushes from Analogue Seduction, although unfortunately they aren't cheap.
Hope that helps
Marco
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Birmingham
Posts: 7,295
I'm James.
Hi Marco,I have the same VPI machine as yourself and do use the VPI brush that was supplied with it. However a tip from a friend, who also uses a VPI, suggested using a piece of draught excluder brush, the type you fix to the bottom of a door! I have the aluminium strip with brush attached. You can cut pieces to the length you require and you get quite a lot out of a strip.
The brush I find is perfect and in fact I use it a lot more than the VPI brush. Works very well.
SPPV extremely good if you look at the price of brushes![]()
Excellent tip, James - I like it and will look into it further
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Lancaster(-ish), UK
Posts: 16,936
I'm ChrisB.
I've tried all sorts of brushes and things like brushes including paint pads and have never been satisfied. As for the draught excluder, well that's the stuff that the brush that comes with the Moth RCM is made of. I think that it's too stiff until it's been thoroughly soaked in the fluid. I was never happy with it, fearing that it may be causing damage. Bought a VPI brush to use instead.
Location: Birmingham
Posts: 7,295
I'm James.
The draught excluder brush I use is less stiff than the VPI brush. What is really good is the fact you can rummage round loads of DIY stores and get the exact stiffness you want.
Mine has longer bristles than the VPI and is more flexible so it gets into the grooves better.
Location: Lancaster(-ish), UK
Posts: 16,936
I'm ChrisB.
That's good to know.
Thanks guys very useful information.
I will have a look at some of our local DIY stores and may buy a VPI brush for reference.
Thanks again
Martin