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Thread: Epping TT Bake off (from pfm)

  1. #21
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,478
    I'm AudioAl'sArbiterForPISHANTO.

    Default Once again Richard sees things that don't exist...

    My house is built on a three foot thick concrete slab about 30ft by 50ft - the turntable (as well as the house) sit on that.
    So? Why should this make it immune from vibration?

    I have been over 40 years doing this, what do you think I haven't tried.
    I don't know. You tell me.

    It is only suspended suspension turntables or rigid no suspension turntables that suffer from this to any great extent - the PL-71 is neither.
    Is that a statement of fact and you dictating like you accuse me of doing? Or is it just your opinion?

    Read it again and see how it comes across. I could say equally to you, based on your statement above: "Once again the only experience that has any validation is yours!" Where have I heard that before, I wonder?

    What you describe is not what I hear, or many others for that matter.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #22
    Join Date: Jan 2008

    Posts: 544

    Default

    Quote Originally Posted by Marco View Post



    1 - So? Why should this make it immune from vibration?

    2 - Is that a statement of fact and you dictating like you accuse me of doing? Or is it just your opinion?

    3 - Read it again and see how it comes across. I could say equally to you: "Once again the only experience that has any validation is yours!" Where have I heard that before, I wonder?

    4 - What you describe is not what I hear, or many others for that matter.

    Marco.
    1 - a simple fact of resonant frequency.

    2 - it is a statement of fact, again resonant frequency.

    3 - due to the peculiar way you reply, for me it makes it impossible to reply to you sensibly, as nothing is congent to the content. Without going backward and forward to the old post I haven't a clue what I am answering. And your post is so disjointed and a mish mash of questions and statements and sometime about a page long and full of demands.

    4 - well that is your problem not mine!

  3. #23
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,478
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Richard View Post
    1 - a simple fact of resonant frequency.
    Oh I see that explains it *all*, does it?

    2 - it is a statement of fact, again resonant frequency.
    See above. So you've tried every available equipment support made to compare the effects?

    Also, if you're so blinkered that you can't see that you're doing precisely what you're accusing me of (dictating and stating facts rather than opinions) then there's no help for you!

    3 - due to the peculiar way you reply, for me it makes it impossible to reply to you sensibly, as nothing is congent to the content.
    Haven't got the slightest clue what you're on about. What you mean is you can't argue back because I expose how blinkered you are

    Without going backward and forward to the old post I haven't a clue what I am answering. And your post is so disjointed and a mish mash of questions and statements and sometime about a page long and full of demands.
    Yet more evasive delusional bullshit.

    4 - well that is your problem not mine!
    What others and I hear is just as valid as what you hear. The only "problem" is your inability to grasp this fact.

    Now any more of your continually aggressive and confrontational posts and they will simply be deleted. I can delete them faster than you can type them!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #24
    Join Date: Jan 2008

    Location: Central England

    Posts: 2,932

    Default

    At the last count there are fourteen members here who can edit/delete Richard's posts. All have a mandate to do so.

    Anything informative and constructive that is non-confrontational will escape the chop.

  5. #25
    Join Date: Feb 2008

    Location: Wirral, UK.

    Posts: 674
    I'm fightingmywayoutofawetecho.

    Default

    Quote Originally Posted by Steve Toy View Post
    At the last count there are fourteen members here who can edit/delete Richard's posts. All have a mandate to do so.

    Anything informative and constructive that is non-confrontational will escape the chop.
    You could always put him in a corner and stand him on a FRUITBOX....naughty boy
    My System:

    Linn Akurate DSM,Naim 32.5 pre amp Hicap,Naim Snaxo Hicap,3x Naim 250 power amps,Active Naim NBLs.
    Dave Hewitt MR PLANK 4 watt SE and Jm Lab Electra 905s.

  6. #26
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,478
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Indeed, Steve. Richard needs to disengage combative mode and learn instead to engage people in a respectful, non-aggressive, non-belligerent way if he wishes his posts to remain intact and to stay here in the long term. This is a friendly community, so we insist on friendliness from our members being shown at all times.

    You could always put him in a corner and stand him on a FRUITBOX....naughty boy
    Ian, great idea!!

    Or since he likes muppets we could change his avatar to this:



    ...because he's always moaning like a bloody big girl!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #27
    Join Date: Jan 2008

    Posts: 544

    Default

    A twenty ton concrete slab doesn't carry vibration unless it is an earthquake. It resonant frequency is too low, well below the level of hearing and into the level of feeling. There would over 1000 times more interference that is airborne.

    Plus it is an energy sink so nothing going the other way back through the turntable would have any effect at all. That amount of transmission would be on the same level as a mozzy trying to bite an Elephants bum.

  8. #28
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,478
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    All perfectly good theory I suppose, Richard - but I'm afraid it *proves* nothing. You hear what you hear, and I hear what I hear. That's about the only facts of the matter.

    I live in a 122 year-old property; I've got not idea what's under the floor (it could be just as substantial as what you have), but in the past when I've used the system downstairs in my lounge on the concrete floor, I can still hear the very marked difference in performance between my gear on and off the Mana supports, and that includes the Techy!

    If the PL-71 on your floor is somehow miraculously immune from the effects of vibration (or any other sonically detrimental influences), the only way I'll believe it is to hear it for myself

    Also, on pfm, per-Sony-fied seems less than convinced that the carpeted concrete slab was an ideal platform for his LP12 to perform optimally, which tends to disprove the earlier theories put forward in that respect.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #29
    Join Date: Jan 2008

    Posts: 544

    Default

    Quote Originally Posted by Marco View Post
    All perfectly good theory I suppose, Richard - but I'm afraid it *proves* nothing. You hear what you hear, and I hear what I hear. That's about the only facts of the matter.

    I live in a 122 year-old property; I've got not idea what's under the floor (it could be just as substantial as what you have), but in the past when I've used the system downstairs in my lounge on the concrete floor, I can still hear the very marked difference in performance between my gear on and off the Mana supports, and that includes the Techy!

    If the PL-71 on your floor is somehow miraculously immune from the effects of vibration (or any other sonically detrimental influences), the only way I'll believe it is to hear it for myself

    Also, on pfm, per-Sony-fied seems less than convinced that the carpeted concrete slab was an ideal platform for his LP12 to perform optimally, which tends to disprove the earlier theories put forward in that respect.

    Marco.
    Its not a carpeted concrete slab, it is my house, as that is what it is built on.
    Last edited by Marco; 13-07-2009 at 11:08. Reason: blinkered bullshit deleted

  10. #30
    Join Date: Jan 2008

    Posts: 544

    Default

    Quote Originally Posted by Marco View Post

    Ian, great idea!!

    Or since he likes muppets we could change his avatar to this:



    ...because he's always moaning like a bloody big girl!

    Marco.
    See how this is allowed, and yet is bordering on being sueable - go carefull Marco.

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