SOURCE: SME12A Turntable with SME Series V tonearm/Hana Umami Red, or Audio Technica AT-OC9XSH, PS Audio Stellar Phonostage, Shanling CD 80MkII, OPPO UDP-205 BluRay, SkyQ.
AMPLIFIER: Bryston BR-20 Pre/DAC/Streamer & Bryston 4B3 Power Amplifier
SPEAKERS: Spendor D7 on Iso-Acoustics Gaia Neo III’s
HEADPHONES: OPPO PM-1 with Atlas Zeno cable, B&W Pi8.
CABLES: Analogue: Speaker: Atlas Mavros Grun. Interconnect - Atlas Mavros XLR x3.
Digital:Audioquest Carbon Ethernet x 4, Audioquest Carbon digital x2, English Electric 8 Switch, Chord Optichord, Atlas Optical.
Mains: PS Audio Perfectwave AC-05 x 7, Isol-8 Powerline Extreme with Quantum Science yellow fuse on input cable, Sounds Fantastic 6way Mains Blocks.
ACCESSORIES: Keith Monks Prodigy+ RCM
STORAGE: Synology DS216J NAS with 2 x 3Tb WD Red hard-drives. Samsung 500Gb SSD.
TV LG55B7 OLED
Location: Far Away
Posts: 1,373
I'm Gone.
I'll stick with my Art Audio Composer, GL78, Dual SP85 (don't ask) the two ex BBC Garrard 401s that are awaiting restoration........ Oh, and the the two techies of course....
I would dearly love another JVC though QL 8 was the one I had 10 was the best and the 7 a truly great deck. (the 8 was. 7 motor unit in the 10 plinth)![]()
Location: Far Away
Posts: 1,373
I'm Gone.
Hi Robbie,
When I was Technical Liaison for JVC in the late 70s, I had the only QL 8 in the UK. We had to send one units of each type in for a BEAB test, the final part of which involved shooting 2kv into the machine. In most of our amps the input fuse and a diode blew and that was all. With the QL10 the speed went wacky and anyway we were supposed to dump all test units. (we did do this, all the high end stuff was "dumped" at my house)
So we took the super composite plinth from the 10, married it up with a TT71 from a QL7 and got a QL8 badge out of sparesThe motor units were broadcast units and in Japan these were the big hitters in radio stations not the SP10. Really loved that deck with an original S shaped Hadcock unipivot and a JVC MC1
Location: East Riding of Yorkshire these days
Posts: 4,775
I'm Shaun.
Upgrading of a turntable by the manufacturer through a naturally progressive path is completely normal. Buying a shedload of random bits and fitting them is not. The manufacturers usually reserve the right to improve their products without letting anyone know. This is perfectly normal and accepted. Buying bits and pieces and fitting them to your own deck is totally different and results in that deck not resembling the original item any longer. I do not doubt that the bits and pieces improve the performance of the deck hundreds of percent as, as a standard deck the item is seriously flawed and therefore needs considerable and careful upgrading. I would love to hear an upgraded SL1210 but unfortunately I have only ever heard my own standard item.
The chief requirements of a turntable motor unit are that it is well built, speed stable and has good immunity from vibration. An SL1200 is pretty good, even on an absolute scale, in those regards. I appreciate it is easy to get a different impression from various postings but the mods bring tiny incremental improvements, not night and day changes.
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.
Location: Far Away
Posts: 1,373
I'm Gone.
Roy, that brings back some very happy memories, I remember having 5 QLA7s in a line at the Harrowgate HiFi Show, 5 different JVC carts and 20 minutes to set the lot up to dem to the public who were about to be let in 'cos some wally had taken all the carts in their headshells off and put them in a trunk for safe keeping and the gone off to see a dealer in Leeds with the bloody key....... When I say happy memories, bittersweet is the word![]()
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